Alesis QS7.1 Reference Manual
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Alesis QS7.1 Reference Manual

64-voice expandable synthesizer
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QS7.1 and QS8.1
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  • Page 1 ALESIS QS7.1 and QS8.1 Reference Manual...
  • Page 2 NTRODUCTION Thank you for purchasing an Alesis QS7.1/QS8.1 64-Voice Expandable Synthesizer. It’s a powerful instrument and we’re sure you will find it exciting to use. The more you know about it the more you’ll be able to do, so we recommend that you make good use of this manual.
  • Page 3 [PITCH] is the control wheel at the left side of the instrument. And [SUS PEDAL] is the rear panel jack you’d plug your sustain pedal into. ] refer to the two buttons on the left of the LCD that have QS7.1/QS8.1 Reference Manual...
  • Page 4 • Alesis warranty card If you haven’t filled out your warranty card and mailed it back to us, please take the time to do so. This will help us give you the best support we possibly can. QS7.1/QS8.1 Reference Manual...

  • Page 5: Table Of Contents

    Entering Effects Edit Mode From Mix Mode...62 Navigating In Effects Edit Mode...63 Selecting From Among The Available Effects Patches In A Mix...63 The “FX Program Change via MIDI” function...64 How The Display Changes When You Alter An Effect...65 QS7.1/QS8.1 Reference Manual ONTENTS Table of Contents...
  • Page 6 How the QS6.1 Generates Sound...108 Program Sound Layers...108 QS6.1 Signal Flow...109 About Modulation...111 About Signal Processing...112 Drum Mode...113 Storing Your Edited Programs...114 Program Edit Functions...115 Voice...116 Muting and Unmuting Sounds...116 Level...119 Pitch...120 Filter...123 Amp/Range...126 Pitch Envelope...130 Filter Envelope...133 Amp Envelope...136 QS7.1/QS8.1 Reference Manual...
  • Page 7 Troubleshooting...165 Recovering From A “Crash”...166 Re-initializing...166 Checking The Software Version...167 Maintenance/Service...167 Cleaning your QS6.1...167 Preventative Maintenance...167 Refer All Servicing to Alesis...167 Obtaining Repair Service...168 Appendix B: MIDI Supplement...169 MIDI Basics...169 MIDI Hardware...169 MIDI Message Basics...170 Channel Messages: Mode Messages...170 Channel Messages: Voice Messages...170 Continuous Controllers List...171...
  • Page 8 Table of Contents QS7.1/QS8.1 Reference Manual...

  • Page 9: Line Conditioners And Protectors

    AC P OWER HOOKUP Your QS7.1/QS8.1 is set to work with the voltage of the country to which it was shipped (either 110 or 220V, 50 or 60 Hz) and comes equipped with the appropriate power cable. Hooking that cable up is simple.

  • Page 10: Audio

    To get the highest audio quality when performing or recording, set your QS’s [VOLUME] slider all the way up. If the resulting signal is too loud (“hot”) for your mixer or jack on the rear panel. The QS7.1/QS8.1 Reference Manual...
  • Page 11 • Do not bundle audio cables with AC power cords. If you do, the audio cables will pick up hum from the AC line. QS7.1/QS8.1 Reference Manual Setup & Connections: Part 1...

  • Page 12: Midi

    As Slave. To play your QS from any other MIDI device (keyboard, drum pad, guitar or bass controller, sequencer, etc.), just run a standard 5-pin MIDI cable from the control device’s MIDI OUT to the QS’s [MIDI IN] jack. QS7.1/QS8.1 Reference Manual...
  • Page 13 Setup & Connections: Part 1 QS7.1/QS8.1 Reference Manual...
  • Page 14 QS, and receive data back as well. This will take two MIDI cables. Attach one from the MIDI OUT of the computer’s MIDI interface to the [MIDI IN] jack of the QS; and then attach the other from the QS’s [MIDI OUT] jack to the interface’s MIDI IN. QS7.1/QS8.1 Reference Manual...

  • Page 15: Direct Computer Link

    Please note that if the rear-panel selection switch is set to [MAC], your QS will not show you the two PC choices. Likewise, if the switch is set to [PC], then the Mac setting will not show up in the display. QS7.1/QS8.1 Reference Manual PC / MAC switch to either PC or MAC, depending on PAGE] until the lower line of the LCD reads Setup &...
  • Page 16 CD-ROM that came with your QS. (If you don’t have a CD-ROM drive in your computer, call Alesis Product Support and ask them to send you the software on a 3-1/2 inch floppy disk. ) Complete installation instructions come with the driver software.

  • Page 17: Pedal And Footswitch Hookup

    The QS’s [DIGITAL OUT] carries all four audio outputs of the QS (Main and Aux, Left and Right) on a single fiber optic cable. Fiber optic cables of various lengths are available from your Alesis dealer. The model OC cable is 5 meters long and is the maximum length recommended.
  • Page 18 Clock parameter. 48 KH If your ADAT system has an Alesis BRC Remote Controller, the QS’s digital clock must be synchronized to the clock coming from the BRC. This requires that a connection be made providing the clock signal to the QS and that the QS’s Clock function be set to either one of its two external settings (Ext 48kHz or Ext 44.1k).
  • Page 19 Setup & Connections: Part 1 Note: When using ADAT-XTs without the BRC, it is not necessary to connect the 48 kHz Clock. If set up properly, the XTs will “slave” to the QS’s Digital Output. QS7.1/QS8.1 Reference Manual...

  • Page 20: Part 2: Overview

    [MODULATION] wheel won’t do anything audible. THE SLIDERS Moving to the right, you will see 5 different sliders: The [VOLUME] slider. This fader raises and lowers the QS7.1/QS8.1’s audio output level. [CONTROLLERS A, B, C, and D]. These faders are programmable and can be used to give you hands-on control of many different parameters.
  • Page 21 QS’s basic MIDI channel. In Mix Mode, it is used to display the Programs assigned to different MIDI channels, so that you can change these assignments on the fly. [PAGE ]. Same as just above, except that it cycles you forward instead of backward. QS7.1/QS8.1 Reference Manual...

  • Page 22: The Display

    When activity is happening on a given channel, a circle will light up around that MIDI channel's number. This is true whether the information is generated from the QS's keyboard or comes in via the MIDI In jack. QS7.1/QS8.1 Reference Manual Overview: Part 2...

  • Page 23: The Selection Buttons

    Edit Mode you are in. Most of these buttons are also used in Sequence selection and playback, as discussed on the next page. QS7.1/QS8.1 Reference Manual...
  • Page 24 This is done by holding the [TRANSPOSE] button and pressing the third C key from the left (also known as C3). To make it easy to locate, we’ve silkscreened that on the front panel just above the key. QS7.1/QS8.1 Reference Manual...

  • Page 25: Programs, Mixes, And Banks

    Banks in a moment). To get instant access to more Banks, simply insert an Alesis QCard into one or both of the [PCMCIA EXPANSION CARD] slots. You can also add Banks using RAMcards, assuming Program data is stored on them.
  • Page 26 Overview: Part 2 to each of 16 different MIDI channels, making it easy to build anything from a small pop/rock ensemble to a complete orchestra. QS7.1/QS8.1 Reference Manual...

  • Page 27: What's A Bank

    Program, make sure the Program’s card is in the right expansion slot. If you have the wrong card in the slot, the Mix will call up the wrong Program. And if you have no card in the slot at all, that part of the Mix won’t sound.) QS7.1/QS8.1 Reference Manual...

  • Page 28: About Sound Groups

    The User Bank. Straight from the factory, your QS’s User Bank is organized in the same Sound Groups as the Preset Banks. But it needn’t stay that way. Any User Bank you create for yourself (or collect from non-Alesis sources) might be organized very differently.
  • Page 29 Program or Effect parameter that you want. Some obvious uses include changing volume, raising and lowering vibrato rates, increasing reverb depth or delay repeats, etc. But that’s hardly the limit, so we invite you to see what you can come up with by experimenting for yourself. QS7.1/QS8.1 Reference Manual...

  • Page 30: Pcmcia Expansion Cards

    (part # 7-10-1203). • QCards. This is a series of ROM cards developed by us here at Alesis. Each is a self-contained universe of new samples, plus Programs and Mixes designed to take full advantage of them.

  • Page 31: Part 3: First Session

    FIRST SESSION OWERING Once your QS7.1/QS8.1 is connected to an audio system of some kind, you are ready to play. Here’s how to begin. 1) Make sure that all connections have been made correctly, and that the volume controls in your amplification system and QS are set to zero.
  • Page 32 Part 3: First Session demo sequence remained in the Mix Mode edit buffers, which is normal. To clear this, call up another Mix. QS7.1/QS8.1 Reference Manual...

  • Page 33: Changing The Midi Channel

    To change this MIDI channel setting, press either of the the [PAGE] buttons on the front panel until the MIDI channel number you want is visible in the display. QS7.1/QS8.1 Reference Manual VALUE], you will jump to Program 00 in the Preset 2...

  • Page 34: Playing Mixes

    [SELECTION] buttons to call up the Mix of your choice. Please note that there are only 100 Mixes (numbered 00 through 99) in each Bank. This is why pressing the [100], [110], and [120] selection buttons while you are in Mix Mode won’t have any effect. QS7.1/QS8.1 Reference Manual...
  • Page 35 MIDI channels in a Mix, even if those channels aren’t actually enabled. The only channels that matter are the ones whose numbers are visible across the bottom of the display when you first call up the Mix. And now, just for fun… QS7.1/QS8.1 Reference Manual First Session: Part 3...

  • Page 36: The Performance Controls, Pt. Ii

    This technique gives you a quick way to make transpositions “on the fly.” You can also transpose your QS using one of the Global commands. That works just a little differently, and will be covered in the next part of this manual. ONTROLS EYBOARD QS7.1/QS8.1 Reference Manual . II...

  • Page 37: Performance Transposition Chart

    PERFECT FIFTH MINOR SIXTH MAJOR SIXTH MINOR SEVENTH MAJOR SEVENTH OCTAVE DOWN QS7.1/QS8.1 Reference Manual First Session: Part 3 + 12 semitones C above Middle C + 11 semitones B above Middle C + 10 semitones B-flat above Middle C...

  • Page 38: Part 4: Basic Operation

    BASIC OPERATION ECAP At this point you’ve pretty much learned everything there is to know about how to play your QS7.1/QS8.1: You’ve got it hooked up and amplified. You know about Banks, and how to switch among them. You know about Programs and Mixes, and how to call them up.
  • Page 39 Part 4: Basic Operation • If you press both [BANK] buttons while you’re in Mix Play or Program Play modes, the QS will jump to the same location in the User bank. QS7.1/QS8.1 Reference Manual...

  • Page 40: Copying Existing Programs And Mixes To A New Location In The User Bank

    Mix to the User Bank, except that in step 2) you would use the [BANK] buttons to select a Card bank as your destination instead of the User bank. Everything else works the same. For more about working with SRAM cards, see Part 9: EXTRAS. QS7.1/QS8.1 Reference Manual ROGRAMS OCATION OCATION...

  • Page 41: Changing The Programs In A Mix

    Sounds that you like, press [STORE] while still in Program Edit Mode. Select your target bank and any number between 000 and 127 (using the usual methods), then press [STORE] again and you’re done. ROGRAMS IXES ROGRAMS QS7.1/QS8.1 Reference Manual...

  • Page 42: Changing The Name Of A Program Or Mix

    Program or its Effects Patch and press [COMPARE], the original Program will be temporarily recalled. Pressing [COMPARE] again switches back to the edited version, and the word “EDIT” will revert back to “EDITED” in the display. QS7.1/QS8.1 Reference Manual Basic Operation: Part 4 ROGRAM...

  • Page 43: Playing Sequences Froma Card

    Several of the Alesis QCards come with their own demonstration sequences. More importantly, you can store your own MIDI sequences to RAMcards (in Standard MIDI File format) using a computer and Alesis’s free Sound Bridge software, and then play them back easily from your QS.
  • Page 44 LOBAL Certain basic parameters affect your entire QS. Because they affect everything, they are called the Global Settings. There are 19 of them: GLOBAL EDIT PAGE QS7.1/QS8.1 Reference Manual ETTINGS HANGE GLOBAL SETTING Keyboard Velocity Curve Keyboard Velocity Scaling Keyboard Mode...

  • Page 45: Editing Global Parameters

    Master Pitch after recording. If you want to explore these changes, go ahead — you can always return things to normal by setting MASTER PITCH back to QS7.1/QS8.1 Reference Manual...

  • Page 46: Master Tune

    At 00 it is a little easier to play quietly and a little harder to play loud. Push this setting all the way up to 99 and you get the opposite: keyboard velocity is scaled to make it easier to play loud, while playing soft will require great finesse. QS7.1/QS8.1 Reference Manual...

  • Page 47: Keyboard Mode

    When using CH SOLO, make sure you turn off your sequencer’s ECHO function (sometimes called SOFT THRU or THRU). More about this sort of thing in Part 5: MIDI. Note: This mode is automatically selected by the QS when the General MIDI function is set to ON. QS7.1/QS8.1 Reference Manual...

  • Page 48: General Midi

    Program and Effect parameters. The factory default is Controller 012. For a listing of all MIDI controllers and their designations, see the MIDI Supplement section of Part 10: Appendices. PAGE 9 — CONTROLLER B # QS7.1/QS8.1 Reference Manual...
  • Page 49 Part 4: Basic Operation The same as Global Edit Page 8, above, but for Controller B. The factory default is Controller 013. QS7.1/QS8.1 Reference Manual...
  • Page 50 Program or Effects modulation destinations, or you can simply allow the MIDI controller of your choice to do it for you. The factory default for this setting is 004 (Foot Controller). QS7.1/QS8.1 Reference Manual...

  • Page 51: Input/Output Mode

    Select any of the others and you’ll get the opposite result: the serial port will be on and the [MIDI IN] and [MIDI OUT] jacks will be shut off (although the MIDI OUT jack can still be used as a MIDI THRU depending on the MIDI Out Mode setting described just below). QS7.1/QS8.1 Reference Manual...

  • Page 52: Midi Out Mode

    LOCAL sets things so that your [CONTROLLER] sliders work with your own QS, but do not generate any MIDI data. MIDI does the exact opposite. Select this, and your [CONTROLLER] sliders will send out MIDI data but have no effect on your own QS Programs and Mixes. QS7.1/QS8.1 Reference Manual...
  • Page 53 Int44.1k. The one to choose if you are recording digitally to an ADAT-XT which is using a sample rate of 44.1 kHz and there is no Alesis BRC in the system. Ext48kHz. If you are recording to an ADAT-XT in the digital domain and are using an Alesis BRC, connect a BNC-to-BNC cable between the BRC’s 48 kHz Clock Out...
  • Page 54 Basic Operation: Part 4 If you would like a visual aid for this, check out the Connection diagrams in Chapter 1: Setups and Connections. QS7.1/QS8.1 Reference Manual...

  • Page 55: Part 5: Midi

    HAT WE LL COVER HERE • Sequencing with the QS7.1/QS8.1 via MIDI or the serial port. • Using the QS as a master MIDI keyboard for a live rig, along with a little more info about controlling external MIDI devices from a Card sequence.

  • Page 56: Using An External Sequencer

    The most obvious difference is that if you use the built-in serial port you won’t need an additional MIDI interface. If you already have the proper cables installed (and the Alesis serial driver, if you’re using a PC-compatible computer), then you’re almost ready to begin. Read about enabling the serial port in Part 1: Setup and Connections on page 14.
  • Page 57 This mode is automatically selected by the QS when the General MIDI function is set to ON. Note: In NORMAL or CH SOLO mode, the QS sounds are internally played from the QS keyboard, so any echo features of the sequencer should be turned off. QS7.1/QS8.1 Reference Manual MIDI: Part 5...
  • Page 58 MIDI Out set to ON will transmit Bank and Program changes from within the Mix, just like in Program Mode. MIDI C HANNEL PAGE] and [PAGE BANK] and [BANK ELECT ESSAGES QS7.1/QS8.1 Reference Manual ] buttons to...
  • Page 59 Note: Bank change messages will be ignored if General MIDI Mode is enabled, so that only Programs within the General MIDI Bank (GenMIDI) can be recalled via MIDI Program changes. The MIDI Program Select parameter will automatically be set to MIDI Prg: ON. QS7.1/QS8.1 Reference Manual...

  • Page 60: Using The Qs6.1 As A Master Keyboard

    Mod sources via MIDI. • Setting up the A-D controllers so they either control internal parameters, send data to MIDI, or both (Part 4: Basic Operation, page 47). AS A ASTER QS7.1/QS8.1 Reference Manual EYBOARD...
  • Page 61 Pages 6 and 14). For more information, see Part 04: Basic Operation. There’s also some good stuff about setting the Keyboard mode in this chapter. Look for the section called “Selecting the Keyboard Mode” under “Using an External Sequencer.” QS7.1/QS8.1 Reference Manual...
  • Page 62 2> 1> < > <1 <2 <3 Placement 0 - 2 0 <3 (hard left) 21-42 <2 (mid left) 43-63 <1 (soft left) 64-84 < > (center) 85-106 1> (soft right) 2> (mid right) 3> (hard right) QS7.1/QS8.1 Reference Manual...
  • Page 63 Note: It is highly inadvisable to enter Global Edit mode and toggle between these two settings while a sequence is running. If this happens, the QS could inadvertently send large bursts of data to your external MIDI devices. QS7.1/QS8.1 Reference Manual...

  • Page 64: Saving Programs Via Midi Sys Ex

    Program to the same Program location. The only time to do otherwise is when sending to another QS (see next page). Press [STORE] to transmit the data out the MIDI Out connector. MIDI S in the instructions above. QS7.1/QS8.1 Reference Manual...

  • Page 65: Editing Programs Via Midi Sys Ex

    QS extremely well, we wanted to let you know that we have some documents which you can request from Product Support here at Alesis which will assist you. Call or e-mail us (number and addresses listed in Appendix A: Troubleshooting).
  • Page 66 Part 5: MIDI QS7.1/QS8.1 Reference Manual...

  • Page 67: Part 6: Editing Effects

    EDITING EFFECTS The QS7.1/QS8.1 has an extensive and versatile built-in effects processor. Your own ears will have told you this by now, of course, since lots of the presets in a QS use the effects to some degree. What we’d like to discuss here is a first step in how you can go further than just appreciating and playing the Programs and Mixes that came already loaded into your instrument.
  • Page 68 Part 6: Editing Effects QS7.1/QS8.1 Reference Manual...

  • Page 69: Entering Effects Edit Mode From Program Mode

    Continuing to press [EDIT SELECT] here will cycle you through Mix Edit Mode, Program Edit Mode, and Effects Edit Mode (in that order). QS7.1/QS8.1 Reference Manual Part 6: Editing Effects...

  • Page 70: Navigating In Effects Edit Mode

    A quick and useful way to make Effect changes in a Mix, therefore, is to simply choose whole new Effects from among those that are immediately available. FFECTS ] buttons. Some parameters have more than MONG ATCHES QS7.1/QS8.1 Reference Manual...

  • Page 71: The "Fx Program Change Via Midi" Function

    Both are quite useful, depending on just what you want to do. The default is OFF, because that way the Effect for a Mix does not change even though you may select different Programs for the Effects Channel. QS7.1/QS8.1 Reference Manual Part 6: Editing Effects PAGE] to...

  • Page 72: How The Display Changes When You Alter An Effect

    Program number assigned to the Effect Channel. Storing the Mix will save this number, but will not store any changes you may have made to the Effect Patch itself. HANGES ATCHES ATCHES IN QS7.1/QS8.1 Reference Manual ROGRAM...

  • Page 73: Copying Effects From One Program To Another

    4) Press the [PAGE ] key one more time so the cursor is under the “P” in “PROG”. 5) Use the [EDIT VALUE] slider or the [VALUE] buttons to select the User Program number that you would like to copy the current Effect to. QS7.1/QS8.1 Reference Manual Part 6: Editing Effects ROGRAM...
  • Page 74 Part 6: Editing Effects 6) Press [STORE]. QS7.1/QS8.1 Reference Manual...

  • Page 75: Keeping Track: The Interaction Of Effects, Programs, And Mixes

    Use the [ VALUE] and [VALUE of the five possible Configurations. As you scroll through the choices, each one’s name will appear in the display. QS7.1/QS8.1 Reference Manual NTERACTION FFECT ONFIGURATION ] buttons or the [EDIT VALUE] slider to select one...

  • Page 76: Configuration #1: 1 Reverb

    #1: 1 REVERB Reverb 1 Plate 1 Plate 2 Room Hall Large Gate Reverse Reverb 2 Balance and Level to Reverb 1 Reverb 3 Balance and Level to Reverb 1 Reverb 4 Send/Delay Mix & Level to Reverb 1 QS7.1/QS8.1 Reference Manual...
  • Page 77 For example, when Pitch 1’s Mix control is set to 0, it is still fully available as an input to Delay 1 and Reverb 1. QS7.1/QS8.1 Reference Manual Part 6: Editing Effects...

  • Page 78: Configuration #2: 2 Reverbs

    #2: 2 REVERBS Reverb 1 Plate 1 Plate 2 Room Hall Large Gate Reverse Reverb 2 Level to Reverb 1 Reverb 3 Plate 1 Plate 2 Room Hall Large Gate Reverse Reverb 4 Reverb 4 Level to Reverb 3 QS7.1/QS8.1 Reference Manual...
  • Page 79 Send 2 is routed to the Mix only through the Reverb. Send 3 and Send 4 can be routed to their own separate Mix, but only through the second Reverb effect. QS7.1/QS8.1 Reference Manual Part 6: Editing Effects...

  • Page 80: Configuration #3: Lezlie+Reverb

    #3: LEZLIE+REVERB Reverb 1 Plate 1 Plate 2 Hall Room Hall Large Gate Reverse Reverb 2 Balance and level to Reverb 1 Reverb 3 Balance and level to Reverb 1 Reverb 4 Mix and level to Reverb 1 QS7.1/QS8.1 Reference Manual...

  • Page 81: Configuration #4: 1 Reverb+Eq

    — is that it gives you bass and treble boost/cut control over all sounds coming out of the [MAIN] outputs. This means you can tweak EQs not just on the sounds being routed to the Effects Sends, but everything else being produced by your QS as well. QS7.1/QS8.1 Reference Manual #4: 1 REVERB+EQ Reverb 1...

  • Page 82: Configuration #5: Overdrive+Lezlie

    The stereo output of the Reverb goes, as a stereo signal, to a shelving EQ. The stereo output of the EQ goes to the [MAIN LEFT] and [MAIN RIGHT] outputs. Reverb 1 Plate 1 Plate 2 Room Hall Large Gate Reverse QS7.1/QS8.1 Reference Manual...

  • Page 83: Routing Sounds Or Programs Through The Effects Only

    2) Assign the Output parameter of the Sound/Program to OFF. 3) Assign the Effect Bus of that Sound/Program to one of the four Effect Sends. 4) Adjust the Effect Level as you wish. QS7.1/QS8.1 Reference Manual ROGRAMS FFECTS Part 6: Editing Effects...

  • Page 84: Setting Effect Send Levels

    Now that we’re about to cover the various parameters in Effects TIP: Edit mode, don’t forget the “Double-button push” trick! This is where you push both of the [VALUE] buttons or both of the EVELS … NPUTS FFECT ENDS QS7.1/QS8.1 Reference Manual 1 - 4...
  • Page 85 Part 6: Editing Effects [PAGE] buttons at the same time as a shortcut. You can read more about it in Part 4: Basic Operation on page 35. QS7.1/QS8.1 Reference Manual...
  • Page 86 Range of Settings: 0dB to +9dB This determines how much boost will be applied to the range of frequencies selected by the Hi EQ Frequency parameter (see just above). ONLY Page 1 Page 2 Page 3 Page 4 QS7.1/QS8.1 Reference Manual...

  • Page 87: Mod

    CONTROLLER] sliders (or one of the Pedals) and then go to Pages 8 through 13 of Global Edit mode to link that mod source to the MIDI Controller number of your choice. QS7.1/QS8.1 Reference Manual Part 6: Editing Effects Page 1...
  • Page 88 Chorus). The Resonator Decay parameter is its second parameter, so to modulate it you would choose P1 Depth (the second P1 parameter) as the destination. Just remember: the Resonator is a Pitch effect, just like chorusing, flanging, and detuning. Page 2 QS7.1/QS8.1 Reference Manual...
  • Page 89 MOD2 LEVEL Range of Settings: -99 to 99 This works the same as described for Mod 1 Level, above, but for the second possible modulation route. QS7.1/QS8.1 Reference Manual Part 6: Editing Effects Page 3 Page 4 Page 5...

  • Page 90: Lezlie

    Program which uses “Fast” as the initial setting will start “ramping up” when you first select it. And if you want to be able to control ONFIGURATIONS Page 1 Page 4 Page 2 Page 5 QS7.1/QS8.1 Reference Manual ONLY Config. 3 Config. 5 Config. 3 Config. 5...
  • Page 91 Part 6: Editing Effects the Lezlie speed when “Fast” is the default, you’ll have to route something negatively in the Effects Mod function (see note in previous section). QS7.1/QS8.1 Reference Manual...

  • Page 92: Input Balance

    Input 2 . When set dead-center to “<0>”, an even mix of both signals is passed on. Page 3 Config. 3 Page 6 Config. 5 Page 1 Config. 5 Page 2 Config. 5 Page 3 Config. 5 only QS7.1/QS8.1 Reference Manual...

  • Page 93: Pitch

    (or less) useful depending on the circumstances. Following are some brief explanations which will help you make the choices that are best for your own music. QS7.1/QS8.1 Reference Manual Part 6: Editing Effects Page 1...
  • Page 94 Whenever the left channel is detuned sharp, the right channel is automatically detuned flat, and vice versa. This causes the effect to become more pronounced and dramatic while keeping it “in tune” to the ear. QS7.1/QS8.1 Reference Manual...
  • Page 95 In a Stereo Flange, the signal is split into three parts: a dry signal and separate left and right signals, each with its own delay. While one channel flanges up the other channel automatically flanges down, making the effect more pronounced. QS7.1/QS8.1 Reference Manual...
  • Page 96 This is useful for creating a brighter, buzzier, edgier sound. Note: when you want to control the Resonator’s output level on the Mix button [120], adjust the Pitch effect level for that Send. QS7.1/QS8.1 Reference Manual...
  • Page 97 If the Pitch type is Pitch Detune, page 2 will have only this parameter. This adjusts the tuning of the Pitch Detune effect. This can be set between -99 and +99, in 1 cent increments. QS7.1/QS8.1 Reference Manual Part 6: Editing Effects Page 2 (Config. 2 only)
  • Page 98 Resonator. When set to “99>”, all that goes through is Input 2 . When set dead- center to “<0>”, an even mix of both signals is passed on. Now, that wasn’t so bad, was it? Page 2 (Resonator only) Page 3 (Resonator only) Page 2 (Config. 5 only) QS7.1/QS8.1 Reference Manual...

  • Page 99: Delay

    Configuration #2). Use Page 3 to adjust the delay time in 10 ms intervals; use page 4 to adjust the delay time in 1 ms intervals. When using the Stereo Delay, pages 3 & 4 QS7.1/QS8.1 Reference Manual Part 6: Editing Effects Pages 3 &...
  • Page 100 Part 6: Editing Effects let you adjust the delay time of the left channel, while pages 6 & 7 let you adjust the same for the right channel. QS7.1/QS8.1 Reference Manual...

  • Page 101: Reverb

    Reverbs in Configuration #2. So if you’re looking up the Diffusion parameter in the manual and it says it’s on Page 14, you should expect to find it on page 11 for the Reverbs in Configuration #2. QS7.1/QS8.1 Reference Manual Part 6: Editing Effects Page 5 (and Page 8 in Stereo Delay)
  • Page 102 Reverb from the Pitch section, the Delay section, or the direct Effect send in any combination or amount. Page 1 (Config. 1, 3, 4 and 5) Page 2 (Config. 1, 3, 4 and 5) Page 3 (Config 1, 3, 4 and 5) QS7.1/QS8.1 Reference Manual...
  • Page 103 Delay 1 and Pitch 1 first. Send 4 is similar to Send 2 in this Configuration, in that it has no effects of its own but serves as a bypass going directly to Reverb 3. QS7.1/QS8.1 Reference Manual Part 6: Editing Effects (SEND 1)

  • Page 104: Reverb Parameters

    Plate has become quite popular over the years, especially when used on vocal or drum sounds. The tonal characteristics of these two Plate reverbs differ subtly in ways similar to different manufacturers’ plate reverbs. Page 1 (Config 2 only, Sends 1 and 3) QS7.1/QS8.1 Reference Manual Page 5...

  • Page 105: Pre-Delay Mix

    Reverb input. Lower values remove high frequencies from the input signal, which is what to do if you want to make the Reverb effect less bright. QS7.1/QS8.1 Reference Manual Part 6: Editing Effects Pages 6 & 7...
  • Page 106 Greater diffusion works better with percussive sounds, whereas less amounts of diffusion work well with vocals and other sustained sounds. Pages 11 & 12 Page 13 (Page 12 if Gated or Reverse type) Page 14 (Page 13 if Gated or Reverse type) QS7.1/QS8.1 Reference Manual Page 10...
  • Page 107 Part 6: Editing Effects Note: Each graph above assumes a Density setting of 0 so as to better illustrate the Diffusion parameter. QS7.1/QS8.1 Reference Manual...

  • Page 108: Overdrive

    Overdrive effect cannot be heard at all. When set to “<0>”, you have an even mix between the original, uneffected signal and the overdriven signal. When set to “99>”. only the overdriven effect is heard. ONFIGURATION ONLY QS7.1/QS8.1 Reference Manual Page 1 Page 2 Page 3 Page...

  • Page 109: Effect Mix

    Adjusting this value will cause the Delay Output Level for that Send to increase or decrease. Even if this parameter is set to 00, the output of the Delay section can still feed other Effect modules (depending on the Configuration). QS7.1/QS8.1 Reference Manual Page 1 Page 2...

  • Page 110: Reverb Level

    Effect modules in this Configuration. Page 3 Config. 1, 3, 4 Page 3 (Send 1)Config. 2 Page 1 (Send 3)Config. 2 Page 4 Config. 5 Page 1 Config. 3 Page 5 Config. 5 Page 1 (Config. 5 only) QS7.1/QS8.1 Reference Manual...

  • Page 111: What Is A Mix

    HAT IS A Mix Mode is one of the most powerful features of the QS7.1/QS8.1. Although in Program Mode you can play only one Program at a time, in Mix Mode you can play up to 16 Programs at once, either from the keyboard (as layers or splits) or from an external sequencer (via 16 MIDI channels) or a combination of both.

  • Page 112: Mix Edit Mode

    Program's effects will be used for the entire Mix (more on that later). Here is a simplified diagram of the signal path in Mix mode. PAGE] and [PAGE ] buttons to select the MIDI channel PAGE] and [PAGE ] buttons to locate a specific QS7.1/QS8.1 Reference Manual...

  • Page 113: Understanding The Edit Buffers

    Now that we’re about to cover the various parameters in Mix Edit mode, don’t forget the “Double- button push” trick! This is where you push both of the [VALUE] buttons or both of the [PAGE] buttons at the same time as a shortcut. See Part 4: Basic Operation on page 35. QS7.1/QS8.1 Reference Manual UFFERS...

  • Page 114: Level Setting For Each Program

    Program. 1, 2, 3 or 4 overrides the Program’s bus assignment, sending all sound layers of the Program to the chosen bus. ROGRAM QS7.1/QS8.1 Reference Manual Page 1 Page 2...

  • Page 115: Pitch

    Mix. In other words, when the Effect Channel is set to 3, the Mix will use the Effect Patch which is contained in the Program assigned to channel 3. QS7.1/QS8.1 Reference Manual Page 1 Page 2...

  • Page 116: Keyboard/Midi

    If this sounds like something you would like to learn more about, why not spend some time going through Part 5: MIDI? We've got the information laid out for you there. Page 1 Page 2 Page 3 QS7.1/QS8.1 Reference Manual...

  • Page 117: Controllers

    Pedal 2 input on the QS). You can assign which MIDI controller numbers they are linked to in Global Edit Mode, Pages 8 through 13. See Part 4 BASIC OPERATION for more information. QS7.1/QS8.1 Reference Manual Page 1 Page 2...

  • Page 118: Naming A Mix

    [CONTROLLER D] slider and the [VALUE] buttons to select from the available characters: " ¥ QS8.1 Keyboard Range Program Sound Range PAGE] and [PAGE ] buttons to position the cursor, and then use the % & ’ < > QS7.1/QS8.1 Reference Manual Page 1 Page 2 120 127...

  • Page 119: Part 8: Editing Programs

    Also, become familiar with the signal and modulation flow within the QS7.1/QS8.1 (as shown in the various block diagrams included in this manual) so that you can understand the many ways in which you can process a signal as it works its way from oscillator to output.

  • Page 120: How The Qs6.1 Generates Sound

    OW THE ENERATES The QS uses custom integrated circuits, developed by the Alesis engineering team specifically for the QS. These resemble the types of chips used in computers and other digital devices. In fact, you can think of the QS as a special-purpose computer designed to generate and process audio.
  • Page 121 The following diagram illustrates the signal flow within each QS Program. When editing a Program, use the [00] - [30] buttons to select the Sound layer you want to edit. Let’s look at each module’s function in detail. Editing Programs: Part 8 ROGRAM QS7.1/QS8.1 Reference Manual...
  • Page 122 Modulating with an envelope can create a pre-defined change in harmonic structure, such as having a brighter attack and bassier sustain portion (the point at which the envelope rests before you release the key). QS7.1/QS8.1 Reference Manual...

  • Page 123: About Modulation

    Example: If the Amp parameter responds to both the envelope generator and a pedal, the amplitude will follow the general envelope shape but will also be influenced by the pedal. QS7.1/QS8.1 Reference Manual...

  • Page 124: About Signal Processing

    BOUT IGNAL ROCESSING The QS features a signal processing section based on the Alesis QuadraVerb 2. It is a complete digital signal processing unit with four input buses, simultaneous multiple effects, and flexible signal routing. Effects parameters are edited separately from either the Program or the Mix, using Effects Edit Mode (but must be stored within a Program.

  • Page 125: Drum Mode

    When Drum Mode is enabled, the Sound will have fewer parameters for editing. Consequently, not all Function buttons will respond when pressed as they do when the Sound is in Keyboard mode. Specifically, the LFOs and all Envelopes (with the QS7.1/QS8.1 Reference Manual...
  • Page 126 Part 8: Editing Programs exception of the Amp Envelope) are unavailable. In addition, the parameters in most other functions will differ. For more information on Drum Mode, see page 151. QS7.1/QS8.1 Reference Manual...

  • Page 127: Storing Your Edited Programs

    There’s a section there called “Special Programming Functions” with a subsection called “To Audition Programs Before Storing”, which gives you a great workaround for this dilemma. QS7.1/QS8.1 Reference Manual...

  • Page 128: Program Edit Functions

    “Double-button push” trick! This is where you push both of the [VALUE] buttons or both of the [PAGE] buttons at the same time as a shortcut. You’ll find it detailed in Part 4: Basic Operation on page 35. QS7.1/QS8.1 Reference Manual...

  • Page 129: Voice

    Choose from among 17 different sample groups (see chart on the next page). Editing Programs: Part 8 ] to disable or [ VALUE] to enable. Example: ] will disable Sound 1. QS7.1/QS8.1 Reference Manual Page 1 Page 2 Page 3...
  • Page 130 1, Science 2, Science 3, Science 4, VelScience, Metal Wave, Inharmonc1, Inharmonc2 WhiteNoise, Spectral, Crickets, Rain Noise, FiltrNoise, ShapeNoise, VeloNoise1, VeloNoise2, Noise VeloNoise3, NoiseLoop1, NoiseLoop2, NoiseLoop3, NoiseLoop4, NoiseLoop5 VocalAhhs, Soft Ahhs, Ahhs Wave, VocalOohs, Soft Oohs, Oohs/Ahhs, Ahhs/Oohs, Whistle, Voice Phonic Page 4 Voice QS7.1/QS8.1 Reference Manual...
  • Page 131 CongaLoop1, Shaker Lp1, Shaker Lp2, SleighLoop, Tabla Ga Lp, Tabla Ka Lp, Tabla Na Lp, Tabla Te Lp, TablaTin Lp, Taiko Loop, PercBeat1, PercBeat2, PercBeat3, PercBeat4, VoiceLoop1, VoiceLoop2, PhonicLoop, SpinalLoop, Tr Loop 1, Tri Loop 2, Orch Loop Editing Programs: Part 8 QS7.1/QS8.1 Reference Manual...

  • Page 132: Level

    < 3 (hard left) MAIN 3 > (hard right) < 3 (hard left) 3 > (hard right) Page 1 Page 2 Page 3 FX Level 00 (dry) 00 (dry) 00 (dry) 00 (dry) Page 4 Page 5 QS7.1/QS8.1 Reference Manual...

  • Page 133: Pitch

    Program was created and whether the LFO has received input from a modulator (such as the Mod wheel). If you hear no change, try moving the Mod wheel up. Editing Programs: Part 8 QS7.1/QS8.1 Reference Manual Page 1 Page 2...
  • Page 134 The 1 Speed curve maintains a constant glide rate regardless of the pitch difference between notes. Portamento Rate (0 to 99) Sets the glide duration. Higher numbers give longer glide times. The Rate value is affected by the Portamento value (see above). Page 7 Page 8 Page 9 QS7.1/QS8.1 Reference Manual...
  • Page 135 (Pitch Envelope, Filter Envelope and Amp Envelope) will retrigger with every note you play when their Trigger Modes are set to “Reset” or “Reset-Freerun”. For more information on the various Envelope Trigger modes, see pages 131 and 134. QS7.1/QS8.1 Reference Manual...
  • Page 136 For example, when you play a higher note the filter cutoff point will automatically be raised somewhat. PAGE] once to find it). Page 1 Page 2 QS7.1/QS8.1 Reference Manual...
  • Page 137 Filter LFO Depth. See page 144 for more information about the various LFO waveshapes. TIP: Filter LFO is good for giving wah-wah effects at slower LFO speeds, and for adding “shimmering” with higher LFO speeds. Editing Programs: Part 8 QS7.1/QS8.1 Reference Manual Page 3 Page 4 Page 5 Page 6...

  • Page 138: Filter

    Note: This parameter interacts with several others. If you hear no change when you raise the Filter Envelope Depth, try lowering the Filter Frequency on the FILTER function's page 1 (push [PAGE ] once to find it). QS7.1/QS8.1 Reference Manual...

  • Page 139: Amp/Range

    +99 on page 3. On button [9], page 1, select Velocity as your Input and then experiment with the ways different numbers affect the velocity response as you input values for Points 0-10. See pages 139-142, 149 and 150 for more information. QS7.1/QS8.1 Reference Manual...
  • Page 140 Random+ waveshapes, you may get a more pronounced effect if you use a negative setting for Amp LFO Depth. See page 144 for more information about the various LFO waveshapes. TIP: Amp LFO set to a triangle wave gives tremolo effects. Page 2 Page 3 QS7.1/QS8.1 Reference Manual...
  • Page 141 This can be further enhanced in Mix Mode by using the Range function in Mix Edit Mode to cap-off the low and high limits. QS8.1 Keyboard Range Program Sound Range QS7.1/QS8.1 Reference Manual Editing Programs: Part 8 Page 4 Page 5...
  • Page 142 64 voices in no time. By adjusting the Sound Overlap to a lower value, you decrease the number of voices used by each new note, and thereby ensure there are voices available to play other sounds, if necessary. QS7.1/QS8.1 Reference Manual...

  • Page 143: Pitch Envelope

    Example: If the Pitch Envelope is bending a note up, and you don’t want the pitch to fall when you release the key, set the Release parameter to “Hold”. Editing Programs: Part 8 QS7.1/QS8.1 Reference Manual Page 1 Pages 2 & 3...
  • Page 144 However, this does not affect the attack time, but only the decay, sustain decay and release segments. This feature will result in only a subtle change. The envelope’s timing doubles or halves over a range of two octaves. Page 5 Page 6 Page 7 Page 8 QS7.1/QS8.1 Reference Manual...
  • Page 145 115 (which it can't do). In this scenario, you should scale back one or the other (or both) until their combined values do not exceed 99. Editing Programs: Part 8 QS7.1/QS8.1 Reference Manual Page 9 Page 10 Page 11...

  • Page 146: Filter Envelope

    Release time to 0 is good for playing those short funky riffs that you hear on a clavinet. Setting the Release time to 99 will make the envelope take a very long time to reach zero level. Page 1 Pages 2 & 3 Page 4 QS7.1/QS8.1 Reference Manual...
  • Page 147 Envelope Trigger Mode is usually either the FREERUN or the RESET-FREERUN mode. This allows the Filter to keep following its envelope shape even after the keys are lifted up. Editing Programs: Part 8 QS7.1/QS8.1 Reference Manual Page 5 Page 6 Page 7...
  • Page 148 70 and VEL>FLevel is at 45, you're trying to get the Filter Envelope to give an output of 115 (which it can't do). In this scenario, you should scale back one or the other (or both) until their combined values do not exceed 99. Page 8 Page 9 Page 10 Page 11 QS7.1/QS8.1 Reference Manual...

  • Page 149: Amp Envelope

    Delay stage of the envelope will wait indefinitely until the key is released before continuing on to the remaining envelope stages (Attack, Decay, etc.). With a value of Editing Programs: Part 8 QS7.1/QS8.1 Reference Manual Page 1 Pages 2 & 3...
  • Page 150 This is exactly the same as holding down the note on the keyboard. When the Sustain Pedal parameter is turned off, the Sustain Pedal will have no effect on the envelope. Page 6 Page 7 Page 8 Page 9 QS7.1/QS8.1 Reference Manual...

  • Page 151: Name

    The [ CONTROLLER [D] slider let you change the character. Here is a chart of available characters: " ¥ VALUE]/[VALUE % & ’ < > QS7.1/QS8.1 Reference Manual Editing Programs: Part 8 Page 10 PAGE] and [PAGE ] buttons and the...
  • Page 152 PITCH LFO pg. 7 FILTER LFO pg. 7 AMP LFO pg. 7 FILTER pg. 4 PITCH LFO pg. 6 FILTER LFO pg. 6 AMP LFO pg. 6 FILTER pg. 3 FILTER pg. 2 P/F/AENV pg. 8 Notes On/Off On/Off* QS7.1/QS8.1 Reference Manual...
  • Page 153 Modulation Wheel The rightmost wheel, Modulation, is traditionally assigned • to LFO amount (level) so that rotating the wheel away from you introduces vibrato. However it is also well-suited to controlling timbre, vibrato speed, and many other parameters. Editing Programs: Part 8 QS7.1/QS8.1 Reference Manual Page 1...
  • Page 154 Tracking Generator This accepts the output of a signal processed by the • Tracking Generator module (see page 149). Stepped Tracking Generator This accepts the output of a signal processed by • the Tracking Generator module in stepped mode (see page 150). QS7.1/QS8.1 Reference Manual...
  • Page 155 • Filter Envelope Decay • Amp Envelope Amp • Filter Envelope Sus. Decay • Portamento Rate • Filter Envelope Release • Filter Envelope Amp • Amp LFO Speed • Amp LFO Delay QS7.1/QS8.1 Reference Manual Page 2 Page 3 Page 4...
  • Page 156 Pitch Bend Wheel is used. However, moving the Mod Wheel while the Quantize parameter was on would cause the pitch of a held note to rise in half-step increments. QS7.1/QS8.1 Reference Manual...

  • Page 157: Pitch Lfo

    (depending on what LFO you're working with) and call up page 6 with the [PAGE] buttons. Speed (00 to 99) Controls the speed or rate of the LFO. For fast modulation, increase this value. For slower modulation, decrease this value. Editing Programs: Part 8 QS7.1/QS8.1 Reference Manual Page 1 Page 2...
  • Page 158 Key Poly. This is almost identical to POLY, but whenever a new note is played, the LFO is retriggered, instead of continuing from wherever it may be in its cycle. Page 3 Page 4 QS7.1/QS8.1 Reference Manual...

  • Page 159: Filter Lfo

    LFOs, see the diagrams and notes on page 144. Speed (00 to 99) Controls the speed or rate of the LFO. For fast modulation, increase this value. For slower modulation, decrease this value. Editing Programs: Part 8 QS7.1/QS8.1 Reference Manual Page 5 Page 6 Page 7 Page 1...

  • Page 160: Amp Lfo

    Up Sawtooth, Down Sawtooth, Random+-, Noise or Random+. For a graphic representation of these waveforms and additional discussion on how to use the LFOs, see the diagrams and notes on page 144. Page 3 Page 4 Page 5 Page 6 Page 7 Page 1 QS7.1/QS8.1 Reference Manual...
  • Page 161 Amplitude LFO’s Level. A positive value raises the level as more Aftertouch is applied. A negative value will lower the amount of Amp LFO level as more Aftertouch is applied. Editing Programs: Part 8 QS7.1/QS8.1 Reference Manual Page 2 Page 3 Page 4...

  • Page 162: Tracking Generator

    “Pitch” and the Tracking Generator’s input is an LFO using an “Up Sawtooth” as its waveform. The Z1 HipHop and Z2 EuroDance QCards contain many examples of this extremely cool usage of the Tracking Generator. QS7.1/QS8.1 Reference Manual...
  • Page 163 (see page 126). Editing Programs: Part 8 • Pedal 2 • Filter Envelope • Pitch LFO • Amp Envelope • Random • Trig Rate • Pitch Envelope • Controllers A–D QS7.1/QS8.1 Reference Manual Page 1 Pages 2–12...

  • Page 164: Programming Drum Sounds In Drum Mode

    Hi, Taiko Low, Taiko Rim, Talk Up Hi, Talk Up Lo, TalkDownHi, TalkDownLo, Tambourin1, Tambourin2, Timbale Hi, TimbaleLow, Timpani Hi, TimpaniMid, TimpaniLow, Triangle, TriangleSf, Udu Hi, Udu Mid, Udu Low, Udu Slap, Vibrasmack, WoodBlokHi, WoodBlokLo OUNDS IN Voice QS7.1/QS8.1 Reference Manual...
  • Page 165 CastanetLp, CongaLoop1, Shaker Lp1, Shaker Lp2, SleighLoop, Tabla Ga Lp, Tabla Ka Lp, Tabla Na Lp, Tabla Te Lp, TablaTin Lp, Taiko Loop, PercBeat1, PercBeat2, PercBeat3, PercBeat4, VoiceLoop1, VoiceLoop2, Phonic Loop, SpinalLoop, Tri Loop, Tri Loop 2, Orch Loop QS7.1/QS8.1 Reference Manual Editing Programs: Part 8...

  • Page 166: Level

    7, the Drum will be tuned gradually higher as the associated note is played harder. The softer you play, the less the pitch will be altered from the original tuning. Page 1 Page 2 Page 3 Page 4 Page 5 Page 1 Page 2 QS7.1/QS8.1 Reference Manual...

  • Page 167: Filter

    Each Drum can be assigned a range of notes above the root note which will trigger the Drum sound when played. A setting of +3 assigns the Drum to a total of 4 consecutive keys. Editing Programs: Part 8 QS7.1/QS8.1 Reference Manual Page 1 Page 1 Page 2...

  • Page 168: Amp Envelope

    Mute Group 1, say, and the additional Mute Groups could be used by other sounds that you wish to cut off each other, but which you do not want to interfere with the Hi Hat sounds. Page 1 Page 2 QS7.1/QS8.1 Reference Manual...

  • Page 169: Special Programming Functions

    Sound within the User Program you chose. UNCTIONS ] buttons to select what it is that you wish to ] again to advance the cursor to the lower line of the display. QS7.1/QS8.1 Reference Manual Editing Programs: Part 8...
  • Page 170 Part 8: Editing Programs Press [STORE] to copy the Sound. QS7.1/QS8.1 Reference Manual...

  • Page 171: To Audition Programs Before Storing

    Number you noted in step 5. Press [STORE] again. The Program is now stored. Editing Programs: Part 8 EFORE TORING ] buttons to select Preset Bank 4; then press ] buttons select the User Bank (or a Card bank). QS7.1/QS8.1 Reference Manual PROG...
  • Page 172 Program was saved to a different Program number, you’ll need to store the Mix as well. So: Press [MIX]. This selects Mix Play Mode. Press [STORE] twice. The Mix is now stored. ] buttons select the User Bank (or a Card bank). QS7.1/QS8.1 Reference Manual...

  • Page 173: Part 9: Extras

    QS Synthesis Voice format, and downloads the compiled data to an Alesis PCMCIA Flash RAM Sound Card via MIDI Sysex to a QS-series synth, DM Pro Drum Module, QuadraSynth Plus Piano or S4 Plus. Sound Bridge allows individuals and sound developers to make their own Sound Cards, using whatever samples they want.

  • Page 174: Using Pcmcia Expansion Cards

    Depending on the amount of RAM a particular card has, up to 8 complete banks can be stored onto it. Insert a card into Sound Card slot A on the back of the QS. Alesis recommends that you use card slot A for all RAM card storage operations.

  • Page 175: Loading A Bank From An External Card

    Use the [CONTROLLER D] slider or the [VALUE] buttons to select the bank on the card you wish to load (A1–A4, etc.). Press [STORE] to transfer the data from the card into the QS. QS7.1/QS8.1 Reference Manual XTERNAL Part 9: Extras...

  • Page 176: Storing An Individual Program Or Mix

    Mixes or Programs onto it until you store an entire QS Bank onto it first. Insert a card into PCMCIA Card slot A on the back of the QS. Alesis recommends that you use card slot A for all RAM card storage operations.

  • Page 177: Card Storage Ramifications

    Programs located in the User Bank (or that your Card Mixes use only Programs located in that same Card Bank). This could mean individually storing some Programs to or from a Card. Although this is very limiting, it makes things much simpler in the long run. QS7.1/QS8.1 Reference Manual...

  • Page 178: More About Sram Cards

    SRAM Card which has 4 banks into slot A when a ROM card with one bank had been there before will throw the Card Bank indicators off by 3 banks. Note: this does not affect channels within the Mix which had been pointing to User or Preset Program banks. QS7.1/QS8.1 Reference Manual...

  • Page 179: Troubleshooting

    ROUBLESHOOTING If you experience problems while operating your QS7.1/QS8.1, please use the following table to check for possible causes and solutions before contacting Alesis customer service for assistance. Some of them may seem rather obvious, but you’d be amazed at how easy it can be to overlook the basics.

  • Page 180: Recovering From A "Crash

    Bad Sys-ex data sent to QS via MIDI input A “C RASH QS7.1/QS8.1 Reference Manual Put QS into Out 01 mode (Global Edit Mode, page 6) Put Mod Wheel all the way down and re-initialize Set I/O parameter to MIDI...
  • Page 181 Appendix A — Trouble-Shooting 6) Remember to go back into Global Edit mode and set up things the way you had them (things like the Keyboard Mode, Transposition, the A-D MIDI controller number assignments, etc.). QS7.1/QS8.1 Reference Manual...

  • Page 182: Checking The Software Version

    Appendix A — Trouble-Shooting HECKING To find out what version of the operating system software is currently installed in your QS7.1/QS8.1, hold down [PROGRAM] and [0] at the same time and look in the display. AINTENANCE CLEANING YOUR QS7.1 / QS8.1 Before doing cleaning of any kind, always disconnect the AC cord.

  • Page 183: Obtaining Repair Service

    A description of the problem. Your name. Your phone number (and e-mail, if you have it). The address where you want the product returned. (Alesis will pay for standard one-way return shipping on any warranty repairs. Next day service is available for a surcharge.) Field repairs are not normally authorized during the warranty period, and repair attempts by unqualified personnel may invalidate the warranty.

  • Page 184: Part 11: Index

    Copying effects between Programs...66 Mixes to a card...36 Mixes to the User Bank...36 Programs to a card...36 Programs to the User Bank...36 QS7.1/QS8.1 Reference Manual INDEX Demo sequences...29 digital audio...16 DIGITAL OUT port...16 DISPLAY, tutorial...21 Double-Button reset procedure...35 DRUM Mode Amp envelope function...155...
  • Page 185 Bank...161 loading one Program or Mix...162 saving one Program or Mix...162 saving the User Bank...160 using Alesis QCards...28, 160 using Flash RAM...28, 159, 160 using RAM cards...160 using SRAM cards...28, 160, 164 Expression pedal...27 Filters cutoff frequency...110, 123...
  • Page 186 Mix Play Mode MIDI Channel program assign...99 QS polyphony issues...99 playing Mixes...31 selecting a Mix Bank...31 QS7.1/QS8.1 Reference Manual selecting an individual Mix...31 storing a Mix to a card...37 storing a Mix to the User Bank...37 using BANK buttons in Mix Mode...22 Modulation Matrix...139–43...
  • Page 187 Velocity Scaling (global)...42 chart of curves (Program edit mode)...126 crossfading...126, 154 defined...26 linear curve...126, 154 Volume pedal...27 VOLUME slider...10, 19 ® Windows , using with QS...15 Zones Mix mode...106 Program mode...128 creating a ‘hole in the middle’...128 QS7.1/QS8.1 Reference Manual...
  • Page 188 Index QS7.1/QS8.1 Reference Manual...

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