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Summary of Contents for TL Audio IVORY EQ-5013
- Page 1 T L Audio IVORY SERIES User Manual EQ-5013 VALVE EQUALISER Tony Larking Professional Sales Limited, Letchworth, England. interstage Phistersvej 31, 2900 Hellerup, Danmark Telefon 3946 0000, fax 3946 0040 www.interstage.dk - pro audio with a smile...
- Page 3 INTRODUCTION The T L Audio Ivory Series consists of a range of hybrid valve signal processors, which utilise low noise solid state electronics in conjunction with classic valve circuitry to produce audio processing units offering very high quality signal paths with the unique valve audio character. The Ivory Series units offer comprehensive control facilities, whilst remaining straight-forward to operate, and represent excellent value for money.
- Page 4 PRECAUTIONS The T L Audio EQ-5013 Equaliser requires very little installation, but like all electrical equipment, care must be taken to ensure reliable, safe operation. The following points should always be observed: - All mains wiring should be installed and checked by a qualified electrician, - Ensure the correct operating voltage is selected on the rear panel before connecting to the mains supply,...
- Page 5 INSTALLATION AC Mains Supply. The unit is fitted with an internationally approved 3 pin IEC connector. A mating socket with power cord is provided with the unit, wired as follows: Brown: Live. Blue: Neutral. Green/Yellow: Earth (Ground). All mains wiring should be performed by a qualified electrician with all power switched off, and the earth connection must be used.
- Page 6 the best headroom and noise rejection, but can only be used if the other equipment in the chain, e.g. the mixing console, also has provision for balanced connections. Audio Inputs. Line Input. The line level input is via a 3 pin female XLR connector, suitable for balanced or unbalanced line sources at a nominal level of +4dBu.
- Page 7 Auxiliary Instrument Inputs. A 2 pin (mono) jack plug is required, which should be wired as follows: - Tip = Signal Phase (“+” or “hot”). - Screen = Ground. The auxiliary input is suitable for direct connection of instruments including guitars and keyboards. Good quality screened cable should be used, particularly for microphone or low level sources, to prevent hum or noise pickup.
- Page 9 The rear panel connectors are identified in fig.3. Make sure that all settings, mains and audio connections have been made as described above before attempting to operate the equipment. OPERATION. Front Panel. The front panel controls are identified in fig.2. Line Input.
- Page 10 Equalisation. Before switching the EQ into circuit, it is advisable to set the cut/boost controls to their centre, or flat, position. The EQ is brought into circuit with the overall “EQ-IN” push switch, signalled by a green LED. Both channels feature four bands of equalisation, all with fully variable cut and boost controls offering +/- 15dB of range, swept frequency and variable Q.
- Page 11 SPECIFICATIONS Balanced Line Input: Electronically balanced, unbalanced compatible, with input impedance greater than 5Kohm. Gain range -20dB to +20dB. Nominal input level +4dBu. Maximum input level +26dBu. 3 pin female XLR connector. Unbalanced Input: Input impedance greater than 5Kohm. Gain range -20dB to +20dB. Nominal input levels -10dBu.
- Page 12 Q range 0.5 to 5. Frequency range, 30Hz to 1KHz, 100Hz to 3KHz, 1KHz to 12KHz, 3KHz to 20KHz. Output Gain Control: 0dB at centre, +/-20dB gain variation. Balanced Outputs: Output impedance 47 ohms. Maximum level +26dBu. 3 pin male XLR connector. Unbalanced Outputs: Output impedance 47 ohms.
- Page 13 Dynamic Range: 106dB (Line input @ 0dB gain). Dimensions: 19” rack mounting, 2U high. 483mm wide x 88mm high x 200mm deep. Weight: 2.5Kg. Power Requirements: Rear panel selectable for 220-240V 50Hz or 110-120V 60Hz operation. Rear panel fuse 20mm, 1AT, 250V. Power consumption 20VA typical.
- Page 14 Serial Number......Date purchased......Dealer.........
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