Related Manuals for SERGE MEDUSA
Summary of Contents for SERGE MEDUSA
- Page 1 SERGE MEDUSA SUBHARMONIC OSCILLATOR F O R E U R O R A C K U S E R M A N U A L V 1 . 0 R A N D O M * S O U R C E...
- Page 2 Band Practice . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 MEDUSA SUBHARMONIC OSCILL ATOR...
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Page 3: Installation
. Do not touch any electrical terminals when attaching any eurorack power (bus board) cables . Do not touch any trimmers on the back of the module - MEDUSA is meticulously calibrated and even the slightest changes to the trimpots are likely to require a full factory recalibration. - Page 4 MODULAR Overview The Subharmonic Oscillator is one of Serge’s latest inventions and also one of his most extraordinary designs . 7 accurate analog VCOs tied at the waist—in unison, yet their frequencies can open up like a fan, creating complex clusters .
- Page 5 Spread Medusa is carefully calibrated so that all seven oscillators can play the same pitch / frequency . Of course, Medusa is a fully analog design, so do not expect the voices to act 100% in unison without any Schwebung . To get a unisono sound (with exceptional tracking), make sure Spread (11) is turned all the way down and the FREQ knobs of oscillators (2) to (7) are all turned to minimum (CCW) .
- Page 6 Band Practice MEDUSA is a complex beast - don’t expect to discover all her secrets in the first session . Some tips: The output signal(s) are very overtone rich, providing an ideal starting point for all sorts of filtering . Using multiple filters (in series or parallel) can give very interesting results .
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