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VL7 Version 2 Voices
File name: VL7_VER2.ALL
Loading this file with the "ALL" load option restores the VL7 Version 2 to its initial state as shipped from the factory.
The UTILITY/SYSTEM/BREATH MODE parameter is set to "Touch EG", so until this is changed to "BC/WX" the breath controller or a
WX wind controller cannot be used. Many voices can be played more expressively with a breath controller, so for the notes, below, we
assume that the "Breath Mode" parameter is set to "BC/WX".
Voice number
Voice name
A01 (001)
Brassyn
A02 (002)
Jazz Sax
A03 (003)
AnaBottle
A04 (004)
JazzTrumpt
A05 (005)
Stick
A06 (006)
Violin
A07 (007)
Wet Mini
A08 (008)
Pastorale
A09 (009)
Warm Dist
A10 (010)
IndoPluck
A11 (011)
Shakuhachi
A12 (012)
DeepThroat
A13 (013)
Freezing
A14 (014)
EnglishHrn
A15 (015)
MuteCone
A16 (016)
Acid Bass
Voice number
Voice name
B01 (017)
AnorakSyn
B02 (018)
Tenor Sub
B03 (019)
SaxyTrump
B04 (020)
Trumpet
B05 (021)
FingerBass
B06 (022)
Cello
B07 (023)
Soft Mini
B08 (024)
Thai Reed
B09 (025)
GuitarHero
B10 (026)
Spanish
B11 (027)
C Flute
B12 (028)
Moby
B13 (029)
MechaHorse
B14 (030)
Oboe
B15 (031)
Cornet
B16 (032)
Wah Man
8
VL7 Version 2 Voices
Voice Lists
Voice explanation
Bright analog synth-brass.
Sweet tenor sax sound with some bite when blown hard. Growl on AT. VL range is Db3 to about
Ab5.
This voice is a combination of an analog sounding square wave type sound with breath noise. It
uses the straight horn algorithm and new fricative waves. It has a very speedy response which is
fun for solos.
A jazz-oriented trumpet with a wide dynamic range.
A "hard and sticky" bass sound ... similar to one often used by Peter Gabriel.
The breath controller controls both bow pressure and speed on this violin voice. Can also be used in
the cello and viola ranges.
Powerfull synth-bass with a lot of resonance.
A mysterious reed/pipe timbre, quite unlike any existing instrument.
Distorted amplified electric guitar.
A Mideastern plucked sound.
An excellent Shakuhachi simulation. Best features brought out with breath variations and pitch bend.
Strange organ using lots of throat formant.
Experiment with all the controllers.
The sound of the oboe's bigger brother, the english horn. The range is F2 to about A4.
Simulation of the muted trumpet.
A perfect bass sound for "acid" basslines.
Voice explanation
Unstable oscillator analog synth.
Sax with a strong sub-tone content. A good choice for jazzy phrases.
A strange combination of a trumpet-like sound mixed with a saxophone sound. Higher breath
pressure adds more beat to the sax element. Throat is controlled by aftertouch for a sax type growl.
Bright trumpet. Suitable for a wide range of styles.
A fingered bass simulation.
A natural-sounding cello simulation.
An emulation of the classic moog bass sound. The filter resonance and the filter envelope depth
are on the continuous sliders (CC16, CC17).
Simulation of a South East Asian (mainly Thailand) reed instrument.
A distortion guitar. Controlling the feedback with aftertouch is particularly effective.
Spanish type acoustic guitar.
Flute for a wide range of musical styles.
Mysterious sound in which the basic sound components increase successively as the key is
gradually pressed. Best features brought out with aftertouch.
Aftertouch and MW2 (CC13) are the key controllers for this voice ... but don't neglect the others.
An oboe sound which is somewhat darker than the original VL oboe. The range is Bb2 to about G5.
A cornet for easy-listening styles.
Cry-baby wah-pedal effect on the BC.
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