Page 1 A Guidebook GODFATHER A Notebook A Reference Book An official reference for enjoy SYNTHDAWG electronics’ GodFather multi 1.26 P R O D U C E R G U I D E S channel audio processor...
Page 2 The GodFather Notebook : Reference & Guide...
Page 3: Table Of Contents
Contents Overview Audio Routing Delay & Reverb LFO Modulation External Control System Index The GodFather Notebook : Reference & Guide...
Page 4 The GodFather Notebook : Reference & Guide...
Page 5: Overview
The use alongside The GodFather or to just pick up GodFather is supplied out of the box in the as and when needed.
Page 6 + symbol between each button. Example [Shift] + [Off] ‘Channel 1’ Commands and selections within menus will be shown within text marks to indicate the target selection or key parameter described. Example ‘TH’. The GodFather Notebook : Reference & Guide...
Page 7 Overview 1.2 Hardware Overview The GodFather can be used straight out of the box as a desktop device mounted within its own dedicated case and stylish wooden side panels. Also the module can be removed from its enclosure and mounted and powered within a Eurorack modular system.
Page 8 LED bar graph indicator for selected Used in conjunction with other functions to parameter values, levels and adjustments. access secondary or alternate options. Dot represents endless push encoders. Other controls are standard rotary potentiometers or push buttons The GodFather Notebook : Reference & Guide...
Page 9 Selects the speed and destination for the Parameter display. Automatically shows any low frequency oscillator 1 modulation. adjusted value or selected menu options. Dot represents endless push encoders. Other controls are standard rotary potentiometers or push buttons The GodFather Notebook : Reference & Guide...
Page 10 1.3 Power Up NOTES The GodFather has no power on / off switch. The device starts up when the power supply is connected. Equally removing the power connector or turning off the power supply mains will turn the GodFather off.
Page 11 Overview 1.4 Architecture NOTES The diagram below is an illustration and does not aim to be an exact schematic of GodFather’s inner workings. Use purely as a guide. Channel Audio Inputs Global Tempo MIDI Clock Gain Time Feedback Channel Trigger...
Page 12 NOTES The GodFather Notebook : Reference & Guide...
Page 13: Audio Routing
Audio Routing The GodFather has four audio inputs and 4 revolver encoder and entire summed audio level audio outputs located in the left side patch bay. is controlled by the Master output knob. The These are 3.5mm mono mini jacks. The inputs...
Page 14 NOTES The patch bay is where audio, control voltages and gates are routed into GodFather and also output. The CV and Gate form control functions. Audio can be channelled through the 4 mono inputs. By default the audio output utilises Ch 1 & 2 for Left & Right, while Ch 3 & 4 replicates this output. All Patch bay connections accommodate 3.5mm Mini Jacks.
Page 15 3.5mm Mini Jacks and typically Mono TR connections. The default configuration is output 1 & 2 to provide Left / Right channels. Example: Typical Audio Configuration. Based on the GodFather default audio input and output configuration settings. TE OP-1F Synth - Channel 1 Input Shift...
Page 16 LED’s left to centre for the left output and right to centre for the right audio output. Left Right No Audio Output / Normal Static state Low Audio Output Level High Audio Output Level High High The GodFather Notebook : Reference & Guide...
Page 17 The Volume / Level display is also the default ‘home’ page for GodFather. The page will automatically revert to the ‘home’ view when adjustment is complete, this is generic GodFather user interface behaviour. Global tempo also displayed.
Page 18 Full range is -10 to +25dB. 4. Release all buttons when a desired level has been set. Use the (Revolver) to control subsequent channel levels. The display will revert to the ‘home’ page. The GodFather Notebook : Reference & Guide...
Page 19 Example External Channel Channel Output External Input Gain Instrument Processing Volume Volume Monitoring Output Level Gain Setting Comp Make Up Gain Levels Master Monitor Levels The GodFather Notebook : Reference & Guide...
Page 20 NOTES While each channel has its own volume level control to allow channel mixing, The GodFather also has a master output level control. This is the main output level control and will adjust the entire audio out. Start with a low level when setting up monitors and input gear to avoid an overly loud output.
Page 21 3. Hold [Pan] + Press & Turn (Revolver) to adjust the width of the stereo spread. The display will show the spread instead of the position. 4. Release all buttons when a desired position has been set. The display will revert to the ‘home’ page. The GodFather Notebook : Reference & Guide...
Page 22 The channel LED bar graph indicator will be off. When unmuted and active this will show the LED’s representing the parameter state or will illuminate the end two LED’s dimly. 3. Hold [Off] + Press (Revolver) to unmute the selected muted track. The GodFather Notebook : Reference & Guide...
Page 23 2. A bypass message is displayed and all channel LED’s will be off. 3. Hold [Shift] + Press [Off] when bypass is on to return to normal mode and restore all effect and audio processing. The GodFather Notebook : Reference & Guide...
Page 24: Add
Instrument Left Monitor Preview Routing Example Instrument Right Monitor Only manually routed channels to Ch3 & Ch4. Muted channels are Instrument Only Channel 1 audible at 3 & 4. Instrument Only Channel 1 The GodFather Notebook : Reference & Guide...
Page 25 2. To adjust the channel high pass setting, Turn (Revolver) for the respective channel. 3. To adjust the channel low pass setting, Press & Turn (Revolver) for the respective channel. 4. Press or turn any other control to exit. The GodFather Notebook : Reference & Guide...
Page 26 Audio Routing 2.11 Saturator NOTES The GodFather has an inline independent saturator effect contained in each channel. The principles of saturation are born from the wear and tear and overloading of audio tape or electronic components. This introduces compression and distortion, although in a mild form. While classic distortion can be grungy and heavy, saturation is more subtle adding warmth and thickness to audio sounds.
Page 27 2. Turn (Filter) counter-clockwise from the central detent 0 position towards he minimum point to adjust the low pass filter cutoff level. Use the control knob to make filter sweeps. The GodFather Notebook : Reference & Guide...
Page 28 2.13 Channel Compressor NOTES Each of The GodFather’s four channels has a fully functional compressor including a sidechain option. A compressor is used both creatively and as an audio dynamics tool typically to tame errant peaks in audio, add punch and to increase perceived loudness.
Page 29: Dpd
Audio Routing NOTES There are no direct channel controls in the GodFather channel strip for the compressor and all of the settings are accessed using the function button. The function button does not need to be held as pressing it once will open the page and again will close the page.
Page 30 The visual affect will show a lower output level as the gain reduction will increase, animated in the top bar and channel LED bar. The transfer curve will adjust along with the parameter setting. The GodFather Notebook : Reference & Guide...
Page 31 Auto will automatically compensate by adding gain based on the threshold and ratio. Selects the channel audio to trigger compression Sidechain 1, 2, 3, 4 as an alternative to the current default channel. The GodFather Notebook : Reference & Guide...
Page 32 Comp Synth Pad Channel 1 Audio Out SC=2 Comp Kick Drum Channel 2 Audio Out SC=2 Comp Snare Drum Channel 3 Audio Out SC=3 Comp Bass Line Audio Out Channel 4 SC=4 The GodFather Notebook : Reference & Guide...
Page 33 RE Release Time: 1 • MKP Make Up Gain: 0 • SC Sidechain X, Where X is the channel number for the current, same channel. Channel 1 = 1, Channel 2 = 2 and so forth. The GodFather Notebook : Reference & Guide...
Page 34 2.14 Using Headphones NOTES The GodFather is supplied with a splitter cable which is used for connecting the left and right outputs to a stereo 3.5mm headphone socket. This allows headphone output to be used with the device. Using channel 3 &...
Page 35 The Moog has a VCA Output in the patch bay that delivers audio out at eurorack levels and is therefore directly compatible with The GodFather. The voltage range is 10V p-p audio. The GodFather has 4 audio inputs so multiple devices can be connected The GodFather Notebook : Reference & Guide...
Page 36 Soma Pulsar-23 Soma Pulsar-23 is a semi-modular analog drum machine. Not only can the audio be fed to The GodFather, but also modulation to / from the Pulsar-23 can be connected for CV control. Audio out of the Pulsar-23 and in to GATE The GodFather.
Page 37 NOTES Multiple Audio Device Inputs Multiple audio devices can be sent to the 4 Audio inputs of The GodFather. Gain staging is important when using external gear but even more so when using multiple audio devices which may have different audio level characteristics.
Page 38 NOTES The GodFather Notebook : Reference & Guide...
Page 39: Delay & Reverb
The expansive melodic structures and progressions. reverb effect also has a dedicated filter. The The power of The GodFather is realised fully delay is a more complex function. Think of 3 with the delay and reverb. Try using these...
Page 40 Tempo Fine: Hold [Shift] + Turn (Menu) (1) The default tempo when initially starting up The GodFather is 120BPM and a 90- 300 BPM range. A lower value can be set in the range to 45 in the Sync settings. A lower range will mean that the time division of 2 is not available in the delay.
Page 41 1. The Global Tempo BPM can only be manually tap adjusted if set to Tap in the sync menu. External options may override the manual setting if the clock is received by The GodFather clock. Press (Menu) to open the config options and Turn (Menu) to navigate sub-menus.
Page 42 1 when set to 45 and will have the time options starting at 2 when set to 90. 6. Exit the menu by pressing [Off] several times. 7. Follow the same process steps 1-5 to change ‘BPM Min 45’ back to 90 if necessary. The GodFather Notebook : Reference & Guide...
Page 43 It is normally good practice therefore to filter the reverb affected audio in the lower ranges. The GodFather has an integrated High Pass Filter to perform this task. This is located in the global reverb section.
Page 44 Delay & Reverb 3.3 Reverb Effect NOTES The GodFather reverb is a simple effect but can create beautiful soundscapes or add subtle warmth to an audio sound through any or all of its four channels. Channel Send Amount Each channel strip has a send control knob. This sets the amount of audio sent to the global reverb effect from the defined channel.
Page 45 (1) Ranges are nominal in the global reverb function and are represented visually rather than numerically on the display page. The knobs have 0-100% ranged labels. These are used for reference in the table above. The GodFather Notebook : Reference & Guide...
Page 46 6. Note that changing the global settings will affect all channel send audio. The GodFather is as much a performance device as it is a desktop effect. Reverb is a function that can introduce variation and interest into a mix when improvising in a jamming session or during a live performance.
Page 47: Feedback
Connecting the output to the input creates feedback and increases the delays and creates echo effects. The GodFather has a number of delay functions for each channel which collectively form a unique and creative delay effect platform. It makes it easier to explain these as 3 discrete delay elements in the overall device.
Page 48 A dedicated FDP, Filter section is also included. Channel Specific Amount Global Delay Parameters Main System Delay Global DPD / FDP also can be set per channel The GodFather Notebook : Reference & Guide...
Page 49 Delay & Reverb 3.5 Delay Effect NOTES The first GodFather delay function is based in classic principles for processing delayed audio through any or all of its four channels. Channel Effect Level Amount Each channel strip has an amount control knob. This sets the amount of delay applied to the channel audio from the global delay effect.
Page 50 (1) Standard behaviour is for all channel settings to be adjusted collectively when turning the global delay knobs. Hold (Revolver) for one or more selected channels and turn the global delay section encoder to set the channel specific delay setting. The GodFather Notebook : Reference & Guide...
Page 51 90.0 bpm Channel Bar LEDs. The channel will display the specific offset ‘O’ setting while adjusting the (Offset) knob. Each channel’s LED bar also represents the feedback. The GodFather Notebook : Reference & Guide...
Page 52 100%, press (Time) encoder. Hold (Revolver) + Press (Time) to reset individual channels. The feedback will be set while the encoder is pressed to 0. The prior value is restored when (Time) is released The GodFather Notebook : Reference & Guide...
Page 53 8 and try creating a classic ping pong style. 4. The screen display will show the setting values while adjusting and the channel LED bar will also reflect the settings made while adjusting. The GodFather Notebook : Reference & Guide...
Page 54 3.6 Double Pulse Delay Effect NOTES The DPD or Double Pulse Delay is unique to The GodFather and introduces an additional function into the main delay line. Repeats are controlled by time in the main delay but the main feedback is passed into, but not controlled by the DPD.
Page 55 DPD but only the filter can be adjusted from this page. The [FDP] option controls the High / Low Pass filter position when Holding [FDP] + Turning (Revolver) for the specific channel. The GodFather Notebook : Reference & Guide...
Page 56 The Channel LED Bar will indicate repeat 1 and 2 position with amber and red LED’s respectively when in the DPD Page Hold [DPD] + Turn Revolver Repeat 1 Repeat 2 Hold [DPD] + Press & Turn Revolver The GodFather Notebook : Reference & Guide...
Page 57 DPD intervals. The main delay develops feedback repetitions only. The dry signal is fed into the DPD engine along with the main delay feedback but there is no dedicated feedback regulated in the DPD. The GodFather Notebook : Reference & Guide...
Page 58: Low Pass
Low Pass / High Cut Filter Hold [FDP] + Turn Revolver Only one filter type can be applied per channel. So either high pass or low pass but not both at the same time on the same channel. The GodFather Notebook : Reference & Guide...
Page 59 The filter only applies to the DPD repetitions. 7. Once complete the (DPD) channel level can be adjusted to mix the DPD delay alongside any other delays and channels. The GodFather Notebook : Reference & Guide...
Page 60 1/2. 1/2t 1/4. 1/4t 1/8. 1/8t 1/16 1/16. 1/16t 1/32 1/32. 1/32t The division starting at 2 is available by default, but not when the BPM range is set to start at 45bpm. The GodFather Notebook : Reference & Guide...
Page 61 In this example delays are referred by the division. Time in ms @120BPM Triplet 1/4t 2 Notes Triplet Examples given using ¼ divisions at 120BPM timings The GodFather Notebook : Reference & Guide...
Page 62 3.8 Working Mode Summary NOTES Another unique delay feature in The GodFather is the working modes. The working modes control the input routing behaviour to the delay line for each channel. This can be initiated per channel using the dedicated trigger button and configured with the shift and trigger button combo.
Page 63 The mode trigger can also be activated using the LFO’s. This will trigger / activate the working mode automatically. The ‘Mode’ LFO destination is a global parameter meaning that all the channels will be affected, cyclically triggering each channel from the LFO source. The GodFather Notebook : Reference & Guide...
Page 64 5. Releasing the [Trigger] button will revert to the default state for the channel and working mode selected. The trigger LED, when released will reflect this mode. The ‘Mode’ can be modulated globally from the LFO Functions. The GodFather Notebook : Reference & Guide...
Page 65 If both the delay time and LFO are synchronised to the global tempo some interesting melodic patterns can be created, adding space to breath or adding more melodic structures. Try adjusting the times between delay and LFO to set them apart. The GodFather Notebook : Reference & Guide...
Page 66 Remember that the duration of the button being held determines the range of audio overlaid in the delay line. Reduce feedback to fade out or press (Time). The GodFather Notebook : Reference & Guide...
Page 67 This will allow more experimentation and exploration starting with a blank delay canvas. Pressing (Time) also clears the feedback. Try pressing multiple times, consecutively to include sound holes into the pattern loop. The GodFather Notebook : Reference & Guide...
Page 68 NOTES The GodFather Notebook : Reference & Guide...
Page 69: Lfo Modulation
LFO1 sends to CV1 and LFO2 designed principally to act as a modulator sends to CV2 outputs located within the patch rather than a sound generator. The GodFather bay. This is useful for example patching from CV has two independent LFOs, each with a...
Page 70 An LFO is a Low Frequency Oscillator that generally doesn't generate sound in the audible spectrum but is used to affect another parameter adding interest and variation. The GodFather has two assignable LFO’s used for modulating onboard and external parameters.
Page 71 LFO Modulation 4.2 LFO Section NOTES The GodFather has two LFO’s located in the global section. Both LFO1 and LFO2 operate in virtually the same way. Some minor differences between the two LFO’s exist but the activity of setting up parameters follows the same process.
Page 72 The amount knob controls the global intensity of the modulation. This will directly and singularly affect the global parameter destinations and will also affect the channel modulation levels in conjunction with the channel specific amount level and polarity setting. The GodFather Notebook : Reference & Guide...
Page 73 LFO Modulation 4.3 Wave Shapes NOTES The GodFather has five available shapes that can be applied in the oscillator wave. These will give different characteristics into the movement and modulation of the defined destination. The oscillator will cycle the wave continuously at the speed defined by rate and can optionally be synchronised with the global tempo.
Page 74: Master
LFO Modulation 4.4 Destination NOTES The GodFather has multiple destinations that can be targeted for each LFO, with a maximum of 5 assigned simultaneously. Each LFO can be assigned to one global parameter and to one channel parameter in each of the four channels.
Page 75 Dotted Note Value: Indicated by a dot ‘.’ after the note increases its duration by 50% of its original duration. Triplets: Triplets ‘t’ plays 3 notes across the duration of 2 at the original value. The GodFather Notebook : Reference & Guide...
Page 76 No Sync, Rate 0.5Hz, Triangle Shape Seconds No Sync, Rate 10Hz, Triangle Shape Seconds Sync, Global Tempo 120 BPM, Rate 1, Triangle Shape Beats Seconds Sync, Global Tempo 120 BPM, Rate 1/4, Triangle Shape Beats Seconds The GodFather Notebook : Reference & Guide...
Page 77 LFO1 is Amber LED Colour, LFO2 is Red LED Colour. Press both (Rate/Dest) Knobs to view both LFO’s simultaneously. The wave cycle phase can be reset to its phase start point by Phase Reset holding (Rate/Dest) + Press [Off]. The GodFather Notebook : Reference & Guide...
Page 78 The channel modulation activity will be displayed while the LFO page is active. 3. The LED bar indicators can display both LFO1 Amber and LFO Red at the same time by pushing both (Rate/Dest) knobs simultaneously. The GodFather Notebook : Reference & Guide...
Page 79 LFO to change. Triangle, Sine, Pulse and Ramp are available. 5. Iterate through these steps to develop the modulation further or add more destination parameters to the project. A total of 5 destinations is possible from each LFO. The GodFather Notebook : Reference & Guide...
Page 80 NOTES The GodFather Notebook : Reference & Guide...
Page 81: External Control
USB, 5 Pin the control. CV or Control Voltages normally use DIN or in the case of The GodFather, using a a control value over a defined range. For 3.5mm connection. This interfaces to 5 Pin DIN example 0-10V representing 0-100%.
Page 82 MIDI Type ‘A’, 3.5mm to MIDI 5 Pin Adapter. 3.5mm TRS Plug 5 Pin MIDI Socket There are several MIDI to 3.5mm adapter standards. Enjoy Electronics uses Type ‘A’ for The GodFather. Other manufacturers who use type ‘A’ include; Korg, Make Noise, Akai, IK Multimedia, Critter &...
Page 83 This is a common format found in Eurorack modular devices and the standard for MIDI. The GodFather is fixed at 24PPQN for Gate 2 input recognising a rising edge. Some may have for example a 48PPQN which would affect The GodFather tempo. Ideally match the PPQN to The GodFather 24PPQN as defined for Gate 2 inputs.
Page 84 , quarter notes default; 8 , eight notes; 16 , sixteenth notes; 32 , thirty second note divisions. The format can be changed in The GodFather menu under the ‘Sync’ options. Gate Divisions MENU Menu - Sync Options The gate settings are found in the menu under ‘Sync’. This would allow selection of the gate used for input and also the division settings for gate 1 input and gate output.
Page 85 ▌SETTING UP AN EXTERNAL CLOCK INPUT 1. Identify the format of the clock transmitted from the external device that will be connected to The GodFather. Lets assume this is 24PPQN for example purposes. 2. Connect the output from the external device to The GodFather gate input using a standard mono patch cable.
Page 86 1. Identify the format of the clock transmitted to the external device that will be connected to The GodFather. Lets assume this needs 4 pulses for example purposes. 2. Connect from The GodFather gate output to the external device using a standard mono patch cable. 3. Check the output ‘Sync’ Settings. •...
Page 87 If The Godfather is Primary Lead: Sync set ‘Gate Out’ to 16 If The Godfather is Secondary Follower: Sync set to ‘Gate 2, 24PPQN’. If The GodFather is the primary clock, any connected devices, i.e PNW will be synchronised. The GodFather Notebook : Reference & Guide...
Page 88 The CV output is generated from each LFO, following the LFO1 and LFO2 value at the CV1 and CV2 output respectively. This allows modulation of external gear from The GodFather and synchronised with any other LFO on board destination assigned. The source of modulation is not configurable and is fixed to the defined LFO as the source.
Page 89 Input Voltage CV1 In Channel 1 LP Filter The 0V position will be the starting point with no filter applied and the High cut will be applied and increased as the voltage increases. The GodFather Notebook : Reference & Guide...
Page 90 Sync, MIDI, CV Options Select ‘CV’ & Press (Menu) CV IN Press & Turn (Revolver) to select and change the filter option for the selected channel. Press (Off) to backup up and exit the menu. The GodFather Notebook : Reference & Guide...
Page 91 NOTES ▌SETTING THE CV INPUT CONTROL FOR FILTERS 1. Connect to The GodFather a CV control from another device. This could be an external LFO, Function generator or sequencer. The connection input refers to Channels i.e. CV1 is Channel 1, CV2 is Channel 2 and so forth.
Page 92 ‘secondary follower’. It is typical for The GodFather to be a secondary follower to a main control in a setup.
Page 93 5.5 MIDI Connections NOTES The GodFather uses a Type ‘A’ MIDI adapter that connects the 3.5mm patch bay jack to a traditional 5 Pin DIN style socket. 2x Adapters are supplied. A standard MIDI cable can then be used to connect to other gear.
Page 94: 5.6 Midi Channels
Turn (Menu) to change the channel. Set one of the 16 channels for Press [Off] the MIDI In and the MIDI Out. to backup up and exit the menu. The GodFather Notebook : Reference & Guide...
Page 95 The GodFather can receive a clock over MIDI using the selected channel. An external device would need to be set to send a clock when controlling The GodFather’s global tempo. There is no facility to send a MIDI clock from The GodFather to another device.
Page 96 Continuous Control Change messages, also called CC allows a range of values to be communicated between devices in order to adjust specific parameter values. For example to change The GodFather filter cutoff from an external device. The CC numbers apply to both incoming or outgoing CC messages unless stated in the description.
Page 97 Channel 2 Delay Time 0-127 MIDI In Only. Time division for channel. Channel 2 Delay Offset 0-127 MIDI In Only. Offset for channel. Channel 2 Delay Feedback 0-127 MIDI In Only. Feedback for channel. The GodFather Notebook : Reference & Guide...
Page 98 Channel 3 Delay Time 0-127 MIDI In Only. Time division for channel. Channel 3 Delay Offset 0-127 MIDI In Only. Offset for channel. Channel 3 Delay Feedback 0-127 MIDI In Only. Feedback for channel. The GodFather Notebook : Reference & Guide...
Page 99 Channel 4 Delay Time 0-127 MIDI In Only. Time division for channel. Channel 4 Delay Offset 0-127 MIDI In Only. Offset for channel. Channel 4 Delay Feedback 0-127 MIDI In Only. Feedback for channel. The GodFather Notebook : Reference & Guide...
Page 100 Reverb Filter 0-127 Global reverb high pass filter. LFO 1 Amount 0-127 Low Frequency Oscillator source amount LFO 2 Amount 0-127 Low Frequency Oscillator source amount Master Master 0-127 Master output volume level. The GodFather Notebook : Reference & Guide...
Page 101 External Control Continuous Control Change Numbers Quick Reference These represent the CC numbers used for controlling The GodFather parameters from incoming MIDI. Most of the same controls will also output on the MIDI output channel. 1 32 1 70 1 74...
Page 102 NOTES The GodFather Notebook : Reference & Guide...
Page 103: System
The details of extracting from on to the musical journey that will be more the desktop enclosure and installing into a inspired and creative with The Godfather in the Eurorack system are also covered. It also setup than not. Enjoy! makes sense to include some blank templates diagrams of the front panel.
Page 104 Ensure buttons are held/pressed in order. 2. A bypass message is displayed and all channel LED’s will be off. 3. Power The GodFather off by removing the power supply to the unit. 4. Restore power to The GodFather. When starting up, the parameter states saved when bypassing the device will be automatically recalled.
Page 105 Enjoy Electronics are committed to developing The GodFather which means new features, updates and bug fixes. As such there will be firmware updates released that install these new or beta versions. Enjoy Electronics use an online browser tool to perform update access which is found here.
Page 106 System NOTES ▌UPDATING FIRMWARE 1. Connect the GodFather directly to a PC or Mac using a USB cable. This should be a direct connection and not via a USB hub. The GodFather integral connection is USB Type ‘B’. 2. Ensure the PC/ Mac is powered on and has a reliable Internet connection.
Page 107 2. Hold [Off] button. 3. While holding the off button restore power to the unit. 4. The GodFather will start in a diagnostic mode and reset the parameters to the original factory state. However this is not yet the normal operating mode.
Page 108 System 6.4 Eurorack Mounting The GodFather is delivered in a stylish metal and wooden enclosure, designed to operate as a stand alone desktop device. The option to mount into a modular rack is also possible. The module will also be powered by the rack power supply.
Page 109 FEEDBACK AMOUNT 2 RATE/DEST 2 OFFSET DELAY REVERB The GodFather Mounted in Eurorack -12V AMOUNT MASTER The GodFather PCB Rear The GodFather PCB, P2 Header. Connect red stripe to the -12V +12V -12V The GodFather Notebook : Reference & Guide...
Page 110 4. Disconnect the two cables from the rear of the front panel PCB. One is the USB cable while the other is the power cable. 5. Connect the eurorack power ribbon cable to the rear of The GodFather PCB. This should be connected to the 16 Pin header with the red strip nearest to the -12V supply pins.
Page 111 The GodFather. • Pay attention to any warnings. • Do not use The GodFather or its power supply near water. • When cleaning, only use a dry cloth. Do not use any cleaning agents, creams or liquids.
Page 112 Base Starting Point - Effects Off GATE SATURATOR COMP MENU DELAY REVERB SATURATOR DELAY REVERB REVERB LFO1 SATURATOR GATE AMOUNT DELAY REVERB DELAY LFO2 MASTER SATURATOR FEEDBACK AMOUNT 2 RATE/DEST 2 OFFSET DELAY REVERB The GodFather Notebook : Reference & Guide...
Page 113 RATE/DEST 2 OFFSET DELAY REVERB GATE SATURATOR COMP MENU DELAY REVERB SATURATOR DELAY REVERB REVERB LFO1 SATURATOR GATE AMOUNT DELAY REVERB DELAY LFO2 MASTER SATURATOR FEEDBACK AMOUNT 2 RATE/DEST 2 OFFSET DELAY REVERB The GodFather Notebook : Reference & Guide...
Page 114: Mute
1 and Push & Turn (Revolver) for Line 2. Open DPD Filter per channel. While holding, turn (Revolver) to Channel Function Channel FDP [FDP] + (Revolver) adjust the filter cutoff for the double pulse delay audio. The GodFather Notebook : Reference & Guide...
Page 115: Offset
[Shift] + Push & Turn (Rate/Dest) Adjusts the synchronisation for the LFO. Hold (Rate/Dest) + Channel Amount Adjusts the amount of modulation and polarity for channel. Push & Turn (Revolver) Reset Phase Hold (Rate/Dest) + [Off] Reset LFO Phase. The GodFather Notebook : Reference & Guide...
Page 116 • any other causes determined by ENJOY LAB to be the fault of the user, are not covered by warranty (normal service rates will be applied). In the event that something is determined to be a manufacturer error or failure due to defective materials, we will repair, return or exchange the item free of charge at our discretion.
Page 117 Enjoy Lab may also make improvements and/or changes in the products and programs described in this document at any time without notice. In no event shall Enjoy Lab be liable for any special, indirect, or consequential damages or any damages whatsoever resulting from loss of use, data, or profits, whether in an action of contract, negligence, or other action, arising out of or in connection with the use or performance of this information.
Page 118 NOTES The GodFather Notebook : Reference & Guide...
Page 119: Index
Index The GodFather Notebook : Reference & Guide...
Page 120 Eurorack ....3 Modulation ....60, 78 Mute ....... 18 FDP ......40, 46–47, 50 Feedback ....5, 39, 42 Normal ....53, 55 Filter ......4, 23, 40, 50, 79 FPD ......4 The GodFather Notebook : Reference & Guide...
Page 121 Preview ....20 Rate ......61–62, 65 Reverb ....4–5, 35, 37 Revolver ....2, 4 Saturator ....4, 22 Shape ..... 61–63 Shift ......4 Sidechain ....28 Size ......5 Stereo ..... 17 The GodFather Notebook : Reference & Guide...
Page 122 The GodFather Notebook : Reference & Guide...
Page 123 The GodFather Notebook : Reference & Guide...
Page 124 The GodFather Notebook : Reference & Guide...
Page 125 All rights reserved. This book or any portion thereof may not be reproduced or used in any manner whatsoever without the express written permission of the publisher or Enjoy Electronics except for the use of brief quotations in a book review.
Page 126 SYNTHDAWG P R O D U C E R G U I D E S www.synthdawg.com The OP-1F Notebook : Reference & Guide...

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