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© Group Assign Switches |.
©
PAN Control
The "1-2" switches assigns the channel signal to group
mixing busses 1 and 2, and the "3-4" switch assigns
the channel signal to group mixing busses 3 and 4.
The channel signal is assigned to the corresponding
busses when either or both switches are in the i
(lower) position. When either or both of the group
assign switches are ON, the PAN control pans the
channel signal between the corresponding group
busses — group busses 1 and 2, and/or group busses 3
and 4. To assign the channel signal to the group 1 buss
only, for example, press the "1-2" switch and turn the
PAN control all the way to the left (^ODD" position).
CUE Switch
The input-channel CUE switches allow independent
monitoring of a selected channel or channels via the
console's monitor system (the MONITOR section's CUE
selector must be ON) without having to change any
fader settings. This ability to "isolate" channels makes
it simple to check sound or EQ settings with no interfer-
ence from other channels. Simply press the CUE switch
for the channel or channels to be monitored. The cue
monitoring level is adjusted by the CUE level control in
the console's master section.
_
Label Space
Spaces are provided above each of the console's faders
for labelling. A channel receiving an electric piano
signal, for example, could be labelled "EP" for quick
and easy identification. A-grease pencil can be used to
write directly on the label space {the grease-pencil
markings can be easy wiped off later), or a length of
light-tack (not too sticky) masking or white artist's tape
- can be applied across the label spaces and written on
with any convenient writing implement.
FERONT PANEL CONTROLS
® Channel Fader
This is the main level control for each input channel. It
determines the level of the signal sent from the corre-
sponding input channel to the group busses according
to the settings of the corresponding group assign
switches and PAN control. The settings of the input
channel faders determines the "mix" or balance of
sound levels between the instruments or other sources
connected to the inputs.
NOTE: If a channel is not being used, its fader should
be set to the minimum position to prevent unwanted
noise from being added to the main program signals.
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