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DECK B
© Cassette compartment...
© RECORD button ...
Press this button to set DECK B to the recording mode.
The RECORD button is automatically blocked if there is
no cassette in the cassette compartment, or if the erase
guard tabs on the cassette have been removed.
© PLAY button .. .
Press this button to start the tape transport. Refer to
TAPE DECK OPERATION.
REWIND button . . .
Press this button to rewind the tape.
© FAST FORWARD (F FWD) button ...
Press this button to rapidly advance the tape.
© STOP/EJECT button . ..
Press this button to stop the tape transport (cancels any
cassette button except PAUSE).
Press this button a second time to open the cassette
compartment.
© PAUSE button ...
Press this button to stop the tape transport temporarily
during recording or playback. To resume operation, press
it again.
© TAPE COUNTER and Reset button . ..
The 3-digit tape counter enables you to locate any point
on the cassette. When you start recording or playback on
DECK B. set the counter to 000 by pressing the RESET
button.
© INPUT LE VEL control ...
Use this control to simultaneously adjust the left and right
channel recording levels.
POWER:
Before you switch on the power, always set the VOLUME
control to 0 (minimum) to protect your speakers.
TONE CONTROLS:
After choosing the desired program source, adjust the VOL¬
UME. BALANCE and the GRAPHIC EQUALIZER controls as
follows:
1. Adjust the VOLUME control for the desired listening level.
2 Move the BALANCE control up or down to obtain the best
stereo effect in your listening area.
3. Use the five GRAPHIC EQUALIZER controls to adjust the
frequency response of your stereo system to match the
acoustic characteristics of the listening room.
With each of the five controls of the GRAPHIC EQUAL¬
IZER, it is possible to control a narrow, distinct section of
the audio band by up to ±10 dB. This corresponds to a
power increase of 10 times or a power decrease to 1/10.
The frequency bands, controlled by the five slide controls,
have been chosen to yield the maximum possible control
action within the audio spectrum.
50 Hz
The 50 Hz control is very useful for enhancing
low bass notes (as in organ music), or making
corrections when a deficiency in bass exists,
caused either by a listening room with poor
acoustic properties, or by a component of your
system (like a speaker, cartridge or record) with
a poor bass response.
© RECORD indicator
This indicator will light when DECK B is placed in the
RECORD mode.
* Noise reduction manufactured under license from Dolby
Laboratories Licensing Corporation.
"Dolby" and the double-D symbol are trademarks of Dolby
Laboratories Licensing Corporation.
TURNTABLE SECTION
© Turntable platter , ..
© Turntable spindle ...
© 45 rpm adaptor_
Place this adaptor onto the turntable spindle to play a
45 rpm record with a large spindle hole.
© SPEED SELECT switch ...
Use this switch to select the speed of the turntable platter.
33.for 33-1/3 rpm LP records
45.for 45 rpm records.
$ CUEING Lever...
Raise this lever to lift the tonearm. Move the lever for¬
ward to lower the tonearm gently onto the record
0 TONEARM Rest & Lock . ..
©TONEARM...
© HEADSHELL with cartridge . ..
250 Hz
The 250 Hz control varies the upper bass
frequencies.
1 kHz
The 1 kHz control is the presence control and
can be used to emphasize (bring out to the
front), or de-emphasize vocalists.
4.5 kHz
The 4.5 kHz control adds brilliance and clarity
to brass instruments and violins.
15 kHz
The 15 kHz control can be used to make up
for missing high frequencies absorbed by the
environment and to add a natural crispness to
music.
ANTENNA
The built-in high quality ferrite AM antenna and the supplied
FM indoor antenna can be used for the reception of local sta¬
tions. For reception within a steel-frame building, or if better
reception of weak stations is desired, place the unit near a
window and use a good FM outdoor antenna. For other
information, see the FM ANTENNA INFORMATION section
in this manual.
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4
RE
mmm*
OPERATION
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