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Kawai X55-D Owner's Manual page 21

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Before storing your new Ad-Lib phrases, note that all Ad-Lib phrases must
be stored with the Styles that accompany them. Therefore, you may want
to make changes to the Style now before storing the new phrases.
STYLE
>
ERE
You can change up to four ONE FINGER AD-LIB phrases for any given
STORE
Style.
When you're finished changing the phrases, store them for future use using
the procedure below:
ae
Wig
USER 2 in the "STYLE LIST".
The "u01" in the display indicates that USER 1 has been selected (you
could change the display to uOe by pressing SELECTOR button 2).
For this example, let's store the Style and Phrases to USER 1. With
оО | in the display, press the STYLE MAKER button one more time.
The complete set of Style Patterns and new ONE FINGER AD-LIB
Phrases will be stored as Style number 099 (USER 1). To verify storage,
use the ACCOMP. STYLE and SELECTOR buttons to select Style 099
(USER 1). Make sure that the ONE FINGER AD-LIB button is in the
"on" position. Press the START/STOP button. When you press the
ONE FINGER AD-LIB key on which you created the new phrase, you
should hear your newly created phrase.
The USER locations in the STYLE LIST are used for storing both
Accompaniment Styles and the ONE FINGER AD-LIB phrases that you
create. Therefore, if you had saved the Ad-Lib phrases created above
as USER 2, the modified version of the POP ROCK Style (which you
created and stored as USER 2 previously) would be erased, and the Style
you selected to create the new Ad-Lib phrases would take its place.
If you want to create ONE FINGER AD-LIB phrases to go with a Style
of your own invention, then you should edit and store your new Style
in advance on one of the USER memories. Then, select this USER Style
when you are ready to create the Ad-Lib phrases.
The X55-D automatically modifies the Ad-Lib phrases you create using the
Programmable feature to suit any chord. When you hear your phrases after
storing on a USER location, you may notice that they sound different from your
original creation.
.

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