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Related Manuals for Eowave Tempete Magnetique
Summary of Contents for Eowave Tempete Magnetique
- Page 1 TEMPÊTE MAGNETIQUE Quad multimode complex filter User Manual...
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Page 2: Table Of Contents
Content : I. Introduction II. Installation III. Block diagram IV. Overview V. About normalisation VI. Inputs & Filters Controls VII. Series/Parallel & SYNC Switches VIII. Ping and Envelope Follower IX. Outputs and Mixing X. crossmodulation engine XI. Conclusion XII. Patch examples... -
Page 3: Introduction
I. Introduction II. Installation The Tempête Magnetique is a full analog complex filter/synthesizer mo- - Turn off your Eurorack synthesizer system. dule that was created as an evolution of the «Fluctuation magnetique». More than a mk2, we design it to push you to play with one of the most - Connect the 10-pin side of the IDC power cable to the 2x5 pin interesting things in modular synthesis: to divert the primary usage of a header on the back of the module, making sure the red stripe on the... -
Page 4: Block Diagram
III. Block diagram PING IN FILTER A FILTER C IN A Highpass Highpass Bandpass Bandpass IN C Lowpass Lowpass IN A OUT A OUT C IN C Cut D coupling INT A INT C MOD A MOD C FOLLOW IN INT A INT C MOD X... -
Page 5: Overview
IV. Overview V. About normalisation A normalized input is an input on a module or device that is connected to another specific output by default, unless another input or patch cable is plugged into the input, breaking the normalization and allowing the input to receive a signal from a different source. -
Page 6: Inputs & Filters Controls
VI. Inputs & Filters Controls VII. Series/Parallel & SYNC Switches the Tempete magnetique as four 12db (2pôles) filters labeled A, B, C, The serial/parallel switch for each pair of filters (11) allows you to and D. Each filter has: choose whether the filters are connected in series or in parallel. In series configuration, the output of one filter is fed into the input of Of course audio inputs (1), the first audio input of each pair(«IN A»... -
Page 7: Ping And Envelope Follower
VIII. Ping and Envelope Follower IX. Outputs and Mixing The TEMPÊTE MAGNETIQUE has an envelope follower input (13) Each filter as its individual output (3). One these, the phase is re- named « Follow IN». It can be used to modulate the cutoff frequen- verted (since the original topology of the filter reverse the phase we cy of the filters in response to the dynamic contours of the input decided to make these output with the signal corrected). -
Page 8: Crossmodulation Engine
X. crossmodulation engine XI. Conclusion When nothing is plugged on the MOD X or MOD Y inputs , the cen- The TEMPÊTE MAGNETIQUE module provides a wide range of filte- tral «MODULATE» crossfader allows you to modulate the frequency ring options and modulation possibilities, allowing for a great deal of of the X pair with the Y pair output (OUT Y) and the Y pair with the X flexibility in shaping the sound of your modular synthesizer system. - Page 9 Patch 1 Patch 2 48 db (8 poles) Filter Mono multiband utility This one is a huge 8 poles filter when you really want to filter your sound. If you need some simple stereo crossover to treat differently the high and low parts of your signal.
- Page 10 Sawscillator modulator This one is perfect when you want to createva supra gnarly bass from a sine create a woobly formant shaper with just a saw oscillator and an attenu-ampllifier (like the eowave pôle) gain X2 if possible Out L...
- Page 11 Patch 5 Patch 6 kick in the low, hat in the high FM Hi Hats With this one, you’ll make the dancefloor bouncing ( or make some kind of ryoji Glitchy percussive hi hat generator ikeda stuff). It kicks when you trigg on the low and some glitchy hat on the high. Accent modulator Control CV:...
- Page 12 Patch 7 Patch 8 Blip blop machine Bongo machine An unstable bleep sound generator using the Tempête self patched Bongo machine is a self patch to create a bongo rhythm without any external device where you can play with the speed of the bongos and their intensity The B filter is feedback to it’s input to create an oscillator and set yto The filter C act as a LFO who is going to be filtered by filter D.
- Page 13 Patch 9 Patch 10 Crossdistortion Stereo full synth voice This is made to use if you have two oscillators (best is one for the bass and An very imprecise but fat and funny complete synth voice another one with the melody.) to add distortion and glue up both synths together with the crossmodulation engine oscillator 2 (melodic)
- Page 14 Patch 11 Weirdos ducks These ducks have a pretty serious conversation. Who knows ?
- Page 15 Thank you supporting...
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