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ADD-one Manual
SECTION
6
By
setting
the
rotary encoders accordingly,
let
us
now generate
a
"cross-fade". The curve must
be
programmed
as
follows:
OUTPUT
045 085 125 165 200 225 255 000
this
is
now param TK0
OUTPUT
1
000 000 000 000 020 040 080 255
this
is
now param TKl
For
CHANNEL
1
now select
a
natural bass drum and
for
CHANNEL
2,
for
example,
a
"Simmons bass drum" (instrument list
is
contained
in
the
annex). Then press the function key ADD PARAM and
the
DYNAMIC SCALING
page will appear.
For
CHANNEL
1
now select the previously programmed
tracking scale
TK0 and for
CHANNEL
2,
TKl
accordingly. Channels
1
and
2
must now
be
assigned
to the
trigger input
1
and
we are
ready
for
testing.
If
you now slowly
increase
the
beat intensity
on pad
1,
you will hear
that
as of
"corner point"
5,
the
"Simmons" sound
is
gradually mixed
in.
At
maximum beat strength, only
the "Simmons" sound will be heard, and
this
at
maximum volume
-
of
course
this
depends
on the
setting
of the
volume control.
Tn
contrast
to
this
relatively hard cross-fading,
it is
of
course also
possible
to
create softer transitions
by
programming
two
reverse-image
TRACKING OUTPUTS.
The possibilities are
absolutely inexhaustible
as
not
only
is it
possible
to
cross over from one sample
to
another but
also, for example, with an
"intermediate stage" from sample A
to
B
and then
to
C.
Theoretically
it is
possible
to
cross-fade between
a
maximum
of
8
samples, but this should not
be
taken
too far.
However,
it
would make
sense,
for
example,
to
select
a
ride cymbal,
for
which
the
value
000
is
entered
at
corner point
8,
and
a
crash cymbal which
is
only triggered
at
beat strength
8.
6.8
Programming
the Digital Delays and Creating Sequences
Delays, multiple repeats and even whole sequences can
be
generated with
the
3
parameters TRIGGER DELAY, TRIGGER REPEAT and TRIGGER DECAY. You
will find these
parameters
in
the
EDIT PARAMETER mode
on
pages
2.2 to 2.4
(ADD PARAM) and
press
"»").
The parameter
TRIGGER DELAY defines
the
delay time between trigger pulse
repeats, TRIGGER
REPEAT defines
the number of repeats and
TRIGGER DECAY
determines
the
rundown
of the
repeats.
This enables echoes
to be
generated: delay
015
repeat
08
decay
-65
or
doubling effects:
delay
004
repeat
01
decay
00
If the
repeats are
to run
through
ad infinitum, select INF for trigger
repeat. This could enable, for example, the HiHat
to
run
through
for the
whole piece.
I.
it is
to be
stopped
again, you can use the
following
trick
-
126
-
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