Individual Parameters - Dynacord ADD-one Operating Manual

ADD-one MANUAL SECTION
5
On this page, the
3
MIDI trigger functions are assigned separately
for
each trigger input. The relevant trigger channel
(1
to
8)
of the
ADD-one
can be
selected using
the
"»"
and
"«"
keys. The rotary encoders provide
the
following possibilities:
CHAN 01 to 16,
LOLIMIT
000 to 127,
HILIMIT
000
to
127
press
>
EDIT MIDI CHANNEL mode
page
2
(twice
in all)
The
display will show for example;
PITCH BENDW
MODW
MIDI PAGE
2
ON OFF OFF
CHAN
1
On this page, the
3
MIDI modulation functions are assigned separately
for
each channel
(1
to
8)
of the
ADD-one. The appropriate trigger channel
(1
to
8)
can be
selected using
the
"»"
and
"«
"
keys. The rotary
encoders
provide
the
following possibilities:
a)
PITCH ON/OFF -
pitch transposition between LO and
HI LIMIT.
In
the case of OFF, the
function
is
deactivated.
b)
BEND WHEEL
-
can affect various
parameters
in the
ADD-one.
These are:
VOL =
volume PAN =
stereo base
PIT
=
pitch
BDE =
bend decay
FIL =
filter frequency
DUR =
sound duration
RES =
filter resonance
2AT = EG
2
rise time
2DU = EG
2
duration
2DE
=
EG
2
decay time LFO
=
LFO
frequency
c)
MODULATION WHEEL - can affect several parameters
in the
ADD-one.
For
individual parameters, refer
to
b)
above.
EDIT MIDI CHANNEL PAGE
3
and PAGE
4
are identical
to EDIT MIDI
pages
3
and
4
already mentioned under "horizontal programming".
Note On
some MIDI keyboards (e.g. Yamaha
DX7), the 128
dynamic stages
defined
in the
MIDI standard are
not
used but instead,
for
example, only
109 (6DH)
dynamic stages are output. This means that
it is
not
possible
to
reach the
maximum trigger level
in
the ADD-one with
all
equipment.
In
this case, the user
must program appropriately corrected tracking
outputs. This
is
not
a
fault
of the
ADD-one but rather
a
peculiarity
on
the part of
other manufacturers
in the
way they use
the
possibilities
offered by MIDI. Refer also
to
next section (5.2.9).
- Ill
-