Torso Electronics T-1 Manual
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Torso Electronics T-1 Manual

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t|so T-1
A Guidebook
A Notebook
A Reference Book
An Official Reference for the
OS
Torso T-1 Algorithmic
2.0.0
Sequencer

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Summary of Contents for Torso Electronics T-1

  • Page 1 T-1 A Guidebook A Notebook A Reference Book An Official Reference for the Torso T-1 Algorithmic 2.0.0 Sequencer...

  • Page 2: Table Of Contents

    Contents Getting Started Generic Setup Rhythmic Patterns Rhythmic Variation Melodic Structures Progressions Cycles & Random MIDI & WiFi Connectivity Analog Connectivity System Configuration Index The T-1 Sequencer Notebook : Reference & Guide The T-1 Sequencer Notebook : Reference & Guide...

  • Page 3: Getting Started

    CV, Gate, WiFi from the T-1. It offers a companion guide as well Link, MIDI over USB or direct are all available as a quick reference. Read cover to cover or just onboard.
  • Page 4 1.2 How to Use This Notebook NOTES NOTES Torso T-1 is an algorithmic sequencer. It does not generate audio but is This book combines a formal reference and notebook, collectively bringing used as a controller for other sound generating instruments such as together a comprehensive guide to the T-1 Sequencer.
  • Page 5 4,5 Inch All dimensions include enclosure plus the control knobs, buttons and rubber feet. Weight is 815 grams (1,8 lbs). T-1 is supplied along with a USB-C to USB-A cable and a 3.5mm to MIDI adapter. PC / Mac USB Adapter The T-1 Notebook : Reference &...
  • Page 6 Edit parameter lock automation settings.A cycle Euclidean pattern generator - note interval value of each contains a setting for each of T-1 parameters. step of the pattern. control on-the-fly changes and variations. The remaining 5 control buttons are used for general functions including transport control, editing and bank / pattern selection.
  • Page 7 At this point its good to get hands on and to get creative. While this section The workflow adopted with T-1 Sequencer will of course develop to fit your personal approach. To wont go deep into any feature, it will help establish a starting point and build get started a typical journey is described below.
  • Page 8 T-1. The sounds will be handled by a mind. However this is an example of the production considerations needed.
  • Page 9 Adjusting Parameters When turning a parameter knob the value buttons will temporarily display the current state across the value buttons. This is default behaviour but can be changed in the T-1 Config misc page settings. The T-1 Notebook : Reference & Guide...
  • Page 10 ⬛ selected will be spread evenly across the selected steps. 4. Ensure the MIDI Channel on T-1 for track 4 matches the bass or any other melodic instrument, on the destination device. Press (CHANNEL) 4. Ensure the MIDI Channel on T-1 for track 3 matches the Hi Hat drum to view the current track’s MIDI channel.
  • Page 11 MIDI Config The destination device must be configured to receive MIDI. The MIDI IN and Thru connections are used to ensure a single MIDI network with two devices controlled by T-1. Clock can be external from T-1 but 6. Piano Transport should be off, so that only T-1 controls the sequence.
  • Page 12 Step 3. Creating a Plucky Lead Step 4. Creating an Alternate Piano Lead Track 5 will be the plucky lead sequenced from T-1 and playing to a The piano lead will be a sound that follows the same pattern as the plucky desktop FM Synthesizer.
  • Page 13 17. Other variations of the chord can be created in each cycle slot. It is also 4. Ensure the MIDI Channel on T-1 for track 7 matches the chord sound possible to copy cycles, example by holding [CTRL] + [COPY] + [VB1] channel on the destination device.
  • Page 14 T-1 Can also perform control changes to external parameters on Muting and unmuting tracks is a technique often used in ad-lib live compatible devices. These CC messages are set on a T-1 CC Track as performances for improvisation and for developing arrangements on-the-fly.

  • Page 15: Generic Setup

    T-1 USB MIDI connection, this will also connections will set a good foundation. For this be the power source for the T-1. While a deeper reason there are no apologies for taking time to dive into the detail of specific functions and...
  • Page 16 It makes sense to become familiar early with Typically one device would lead as a primary clock these terms to speed up learning and to get the most out of the T-1 user experience and workflow. Perform: A mode in T-1 which supports muting and and other devices would follow.
  • Page 17 Time Length bound to active Track Cycle Groove Probability Rotate Offset Pace A Cycle is a collection of the T-1 parameter settings 1 2 3 4 5 6 7 8 Random Sequencer Engine Setup Division Sustain Gate / Trigger Velocity...
  • Page 18 Banks are used to organise patterns and are the highest level of order in the T-1 structure. T-1 has a total of 16 Banks which operate like folders, each bank storing up to 16 patterns. With a total of 256 patterns available The control knobs are endless encoders with a ‘click’...
  • Page 19 3. The previously saved bank in the slot is reloaded. • Currently selected pattern is WHITE ⬛ 4. All banks are reloaded if the T-1 is powered up while holding [BANK]. • Available empty pattern slots are DARK BLUE ⬛...
  • Page 20 NOTES The tempo is measured in Beats Per Minute ranging between 24 BPM and There are two editing options that can be applied to multiple T-1 functions. 280 BPM. Tempo is a generic parameter, operating across all patterns and Copy can be used to duplicate elements such as banks, tracks and patterns tracks in a bank.
  • Page 21 Quick Mute [CTRL] + [MUTE] + [VBx] Probability Chance [CTRL] + Turn (PROBABILITY) Applies the chance of a note bing silent when the buttons are pressed. The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...
  • Page 22 Add Repeats Turn (REPEATS) Add or remove the number of repeats to a note pulse The T-1 Value buttons offer a visual feedback based through their illuminated colour. The actual colour will be based on the status and the Repeater...
  • Page 23 Pitch Notes Pitch Notes Notes Octave Black Keys White Keys Selected Up / Down Out of Scale Blue Blue White Orange Pink Grey Tonal - Pitch The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...

  • Page 24: Rhythmic Patterns

    Each part I.e later more variations and modulation can be Kick could be an individual instrument track. added. T-1 can be central to a setup and operate Multiple patterns can then provide variations as ‘the instrument’. Mastering pattern generation and passages in a full song arrangement.
  • Page 25 Sequence Data Music & Channel Data Output In T-1 a pulse refers to an event which is applied to a step. The step is no Track 1 MIDI Channel 1 longer empty and when the play head reaches the pulse, an event is triggered.
  • Page 26 All tracks will play together in parallel controlled by a segment of the entire A sequence is a series of note events built within a pattern. T-1 uses a pattern. One pattern will operate singularly while other patterns can be number of generative models to develop a sequence.
  • Page 27 Selecting a pattern is an integrated part of the bank selection process. Patterns can also be individually selected both for playback and for editing. The SHAPE section of T-1 hosts parameters that define pattern structures Patterns selected will play in series, one after the other, while tracks play and their components.
  • Page 28 3. The currently selected and playing pattern will be represented by the ⬛ WHITE flashing value button. Track View 4. If T-1 is playing, the selected pattern will be queued to play following ORANGE ⬛ CYAN ⬛ conclusion of the current pattern. The selected and queued pattern will...
  • Page 29 Example, Press [VB1] to select Track 1. 3. The view will switch from track view to the pulses sequencer view. The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...
  • Page 30 Note that if the number of steps are increased or decreased in an existing pattern, any Euclidean generated pulses will be redistributed evenly across the new range of steps. The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...
  • Page 31 View step pages: Hold (STEPS) + [CTRL] + Page Button Or if steps view is locked by double tapping (STEPS), then use [CTRL] + Page Button. The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...
  • Page 32 Manual - per step sequenced cycles created by pressing the [VBx] Value buttons to add / remove pulses. Selected pulse flashes, as does the bank button to indicate edit mode. The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...
  • Page 33 Per-step editing is possible with Note or CC Tracks, selected in the track view. Per-step editing is possible with Note or CC Tracks, selected in the track view. The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...
  • Page 34 1, 2, 3, 4, 5, 6, 7 BLUE GREY ⬛ 1/48 1/3, 1/6, 1/12, 1/24, 1/48 Triplets 11, 12, 13, 14, 15 BLUE ⬛ Example: 4 Bar / 16 Step Length The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...
  • Page 35 1, 2, 3, 4, 5, 6, 7, 8,16 GREEN ⬛ 1/2, 1/4, 1/8 Sub Divisions 11, 12, 13 DARK GREEN ⬛ Steps are illustrated , not Pulses The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...
  • Page 36 Phrase 5. Unmute a track. Press [CTRL] + [MUTE] + [VBx], Where ‘x’ is a muted • Style value button. Multiple tracks can be unmuted simultaneously. The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...
  • Page 37 ‘x’ is the destination pattern to paste into. 4. The destination value button will quickly flash GREEN ⬛. The destination will be overwritten with the copied pattern. The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...
  • Page 38 2. The value button will flash green. 3. The previously saved bank in the slot is reloaded. 4. All banks are reloaded if the T-1 is powered up while holding [BANK]. The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...

  • Page 39: Rhythmic Variation

    NOTES Rhythmic Variation The T-1 can be used to create some interesting expansive range of variation options can be and creative elements and the foundation has added to create interest and movement. The been laid with rhythmic patterns. T-1 is...
  • Page 40 The actual percentage value is not shown other than with the illumination of the value buttons. The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...
  • Page 41 Sustain (19% is approx 1/4 Division) 16 Step Pattern 3 Pulses (Division 1/16 Sustain (50% is 1x Division) 16 Step Pattern 1 Pulse (Division 1/16 Sustain (100% is 16 x Division) The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...
  • Page 42 MIDI world this is typically represented as a value between 1-127. 1. Select the pattern and track. T-1 has a base velocity of 100 which triggers on all notes as the default value. This can be adjusted using the (VELOCITY) parameter.
  • Page 43 ‘click’. Fastest method. Groove Selected groove template is assigned to the velocity profile of the track • Hold + Turn (ACCENT). Fast method also visualises settings. The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...
  • Page 44 Groove profile is generated from the CV MOD input. The profile can control velocity and timing. The Illustration provided shows an example profile only. Congas Bongo Value Button [VB3] Value Button [VB4] The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...
  • Page 45 Track division with 2 Example: Extreme timing settings, on x1 division. subdivision note shifts. Min Timing Delay Example Delay applied to the entire track. Max Timing The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...
  • Page 46 While displaying the timing page, Press [VB16] to increase the note Late division x4. Delay Later + • When both are lit same colour PINK the default x1 division is set. ⬛ The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...
  • Page 47 Modulation Phase The modulation phase, adjusted by the PINK ⬛ , [VB8] and [VB16] adjusts the random modulation phase, i.e. which notes are selected to silence. The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...
  • Page 48 [VB16]. This changes the modulation phase of random selection of notes. Random modulation is linked to the Random controls and hence turning this control will also affect the probability modulation. The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...
  • Page 49 / deceleration. 2 Pulses (Division 1/16 8 Repeats (Time 1/32 Infinite Repeats (Repeat knob fully clockwise) 16 Step Pattern 2 Pulses (Division 1/16 Infinite Repeats (Time 1/32 The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...
  • Page 50 Press [VB16] to select Tail mode. The brighter PINK button will ⬛ indicate the active mode. Choke is default mode. The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...
  • Page 51 Existing pulses are overlaid when a new pulse is triggered. The new triggered pulse Offset Max Offset Min Offset Off repeats will continue as normal along with the previous repeats. Steep Slope Down Shallow Slope Down Base Velocity The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...
  • Page 52 Acceleration Max No Pace Speed Up Zero Acceleration on each rotary ‘click’. Clockwise for ramp up and counter-clockwise to ramp down. Slowest method but most visual. The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...
  • Page 53 Press [CTRL] + Hold & Turn (PACE) to select the pace setting iteratively on each rotary ‘click’. Clockwise for deceleration and counter-clockwise to acceleration. Slowest method but most visual. The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...

  • Page 54: Melodic Structures

    Melodic Structures The first part of this book concentrates on the transpositions and note variations to compliment structural elements of using T-1. It is then the basic structures already created. These followed by building tracks even further with structures help to evolve a pattern beyond its...
  • Page 55 How are Arpeggios Applied in T-1? There are many parameters that contribute to building advanced melodic structures onto a Euclidean or step based pattern in T-1. At the most basic level, building Arpeggio’s would start in the TONAL section with the Pitch parameter.
  • Page 56 C8 - B8 which are not available in the selected scale cannot be selected. A maximum of 8 notes can be transmitted from T-1 simultaneously. Examples shown use the chromatic scale, which contains all 12 notes. A Tone is the interval between whole notes, for example D to E or F to G.
  • Page 57 -1 Octave Transpose -1 Octave [CTRL] + [VB16] +1 Note Up Transpose Next Note Turn (PITCH) Clockwise -1 Note Down Transpose Prior Note Turn (PITCH) Counter Clockwise The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...
  • Page 58 Example: To adjust the harmony, Hold [CTRL] + Turn (HARMONY). Turning the knob counter-clockwise will cyclically move each note individually. Notes are selected by the algorithm within the current scale. D Major The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...
  • Page 59 Actual notes shown in (PITCH) view. scale. T-1 has 8 available scales, including a user defined scale. To select from the options use the (SCALE) knob. The option to select a root note is 2.
  • Page 60 The root note for a scale can be changed in T-1. This changes only the scale root and does not transpose any existing chords or notes.

  • Page 61: Progressions

    The generative power of T-1 foundations allow the foundation of a song can be explored with the cadence and LFO structure to be developed. Progressions are functions introduced into the production. Even...
  • Page 62 The pitch notes would therefore be passed as is through to the output unless Voicing is applied. (1) All T-1 Parameters have close interaction and rely on each other to generate the final output. Transformation is not generated in isolation from one single parameter but is a combination of settings from many parameters.
  • Page 63 Creates inversions by statically moving the full chord notes up, voicing clockwise / value buttons right or down when turning counter-clockwise / value buttons left. The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...
  • Page 64 Turn (VOICING). This changes the amount on each rotary ‘click’ of the knob. • Press & Turn (VOICING). This changes the amount on each rotary ‘click’ of the knob. Fast method also visualises the settings. The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...
  • Page 65 • Hold [CTRL] + Press & Turn (PHRASE). This changes the template (1) All T-1 Parameters have a symbiotic relationship, meaning what is set on on each rotary ‘click’. Fast method also visualises the settings. one can affect another and vice versa. For example the melodic output when setting a phrase and range will also be affected by the style and voicing.
  • Page 66 Range. In this and following examples the range is set to one orange Value Button [VB4] step right - range up. Range Bi-polar, Inversion The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...
  • Page 67 Range. In this and following examples the range is set to one orange Value Button [VB12] step right - range up. Range Bi-polar, Inversion The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...
  • Page 68 Default Normal Rate x1 Both buttons PINK ⬛ Range C Major Press [VB16] Lower Rate /2 Division operates as a macro that also affects Rate and Time. Range The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...
  • Page 69 NOTES NOTES ▌ APPLYING A RANGE T-1 is designed to encourage and support organic and new ways of production. This is especially relevant with live performances and 1. Select the pattern and track. Also ensure a phrase is selected. improvisations. The Mute and Temp performance buttons help create on- the-fly live variations and progressions across tracks.
  • Page 70 If ‘x’ is the current pattern will override the saved changes. • If ‘x’ is a new pattern, the state is saved and new pattern will play. The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...

  • Page 71: Cycles & Random

    16 step groups combinations of parameter settings that modulation sequence. Random is applied to the are applied on each loop of the track sequence. primary parameters in T-1, each operates it’s This allows each Euclidean cycle to have a sequence. Primary...
  • Page 72 NOTES NOTES The Cycles control is found in the shape section of T-1. When playing the Cycles can be selected for editing. In fact the parameter values within the sequence the selected number of cycles will play in sequence. The default cycle are the elements that are edited.
  • Page 73 However if only 5. To reduce the number of active cycles, Turn (CYCLES) Counter- repeats are removed, pitch will stay in tact. clockwise. One cycle is the minimum. The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...
  • Page 74 Hold [CTRL] + [COPY] throughout Copy Paste + [VB2] + [VB6] Cycles, in this case [VB6} must be active in order for the pasted cycle to be played. The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...
  • Page 75 Random is a function that operates globally as a 16 step sequence in The primary parameters labelled with the white text font are typically the parallel to all of the primary T-1 parameters. It allows random and ones that can be randomised plus also the secondary function probability.
  • Page 76 This can be phase shifted for more interest. Each press of [VB8] will phase shift steps earlier, [VB16] will phase shift steps later. In addition a slewed ,smoothing feature can be applied to the sequence shape. The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...
  • Page 77 Changes all the notes equally with menu. Positive changes all the notes monophonic random behaviour. differently with polyphonic random behaviour. The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...
  • Page 78 Length has it’s own randomisation algorithm Length has it’s own randomisation algorithm and is not affected by (RANDOM) knob. and is not affected by (RANDOM) knob. The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...

  • Page 79: Midi & Wifi Connectivity

    Setting heart of T-1 and the multiple options such as configuration and following the right techniques MIDI, CV and WiFi all contribute to its is important. To truly know how the output of the versatility. MIDI is the most common protocol T-1 sequencer and it’s patterns generate sounds...
  • Page 80 The term ‘primary lead’ will refer, in this guide to a device that has the main control responsibility. For example, one which controls the clock and transport and is the central lead. It is typical for T-1 also acts as T-1 power source.
  • Page 81 Out can be configured independently. Illustration shows defaults. Channel View Notes: MIDI Note filter that, when ON, prevents notes being sent out of the T-1 USB port. Hold (CHANNEL) Clock: Normally this would be ON for messaging out. This will allow T-1 to be the primary controller governing the clock timing of the setup.
  • Page 82 So far all the descriptions and guides have focussed on note based is possible within the config options. Instead of the default behaviour where sequencing. T-1 also has the ability to sequence and communicate MIDI CC - Control Change messages. Tracks by default are note tracks, signified the MIDI through reflects the MIDI incoming messages, the MIDI thru will reflect the MIDI Out messages.
  • Page 83 MIDI Channel assigned to the track. 0 - 127 Typically CC range is 0-127 although this may differ between devices. T-1 Range is 0-127. As well as checking the CC number, the parameter range should also be checked for the destination device.
  • Page 84 ▌ MANUALLY CONTROLLING EXTERNAL GEAR CC FROM T-1 Changing a CC Assignment 1. Ensure the T-1 and the target device are connected by MIDI USB or 5 While T-1 has a set of predefined MIDI CC numbers per track, these can be Pin DIN.
  • Page 85 8.8 MIDI CC Tracks as Presets NOTES NOTES The T-1 has the ability to store CC numbers along with values within a ▌ CHANGING T-1 CC KNOB ASSIGNMENTS track. Each time the track is then loaded / launched the CC values are transmitted to the device.
  • Page 86 NOTES ▌ CREATING CC PRESET TRACKS The T-1 random sequence function can also be applied to each CC value represented by a knob. The random sequence is 16 steps long with bi-polar 1. Press [BANK] to ensure the ‘home’ track view is in focus.
  • Page 87 NOTES NOTES FX Tracks allow the processing of incoming MIDI through the track. The T-1 Three track modes are available; Note, CC and FX. The FX mode for a features can be applied therefore to the MIDI notes. Think of this as track allows all incoming MIDI messages to be processed.
  • Page 88 Track 16 3. Playing notes and chords will be transmitted to MIDI out. 4. The scale and root can be edited if required. The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...
  • Page 89 MIDI & WiFi Connectivity 8.13 MIDI Program Changes NOTES NOTES Program change messages are mapped to T-1 banks and patterns and are ▌ ROUTING TRACKS issued 1/8 before an actual T-1 pattern change. This will select or change a destination device bank, preset or patch depending on it’s behaviour.
  • Page 90 1. Connect T-1 to the T-1 Config host PC/Mac using the USB connection. 2. Open T-1 Config and select the ‘Wi-Fi’ Page. T-1 can be configured as an hotspot enabled device within the Torso T-1 Config app. T- 3. Any available networks detected in the vicinity will be listed when 1 then is searchable over its WiFi network.
  • Page 91 So tempo can be adjusted centrally. Synchronisation Synchronisation 5. Link devices can control start / stop on devices that are set to allow. T-1 Tempo Start / Stop Clock [PLAY] button will pulse ORANGE ⬛...
  • Page 92 MIDI DIN option is more common. This is a simple set up, useful to also power the T-1 hardware. This is a simple set up, useful to control software plug-in synth tracks. control synth melodies and also synths parameters.
  • Page 93 T-1 but this is possible from most modern iPads. MIDI Out T-1 Environment Pattern Changes T-1 should be set as the MIDI control input and routed to the instrument app within AUM. MIDI Adapter from Output Prog Change on Channel 1 and 2 T-1 Config Prg.
  • Page 94 The iPad has a single USB input / output and often it is useful to connect via an Audio / MIDI An external MIDI controller can be connected to T-1 to allow live play out of MIDI chords and notes.

  • Page 95: Analog Connectivity

    CV and Gates are linked to function, typically with a 3.5mm mini jack the assigned MIDI channel in T-1. As with MIDI format. T-1 has analog connectivity built in and connected devices, getting the right sound by accessed using 3.5mm mini jack inputs and...
  • Page 96 T-1 Clock Hierarchy - 1. Analog Clock 2. MIDI Clock 3. Link velocity of notes it can be used to modulate any analog parameter. T-1 has clock 2, 4, 8, 12, 16, 24 PPQN Options. Reset level 5V. Velocity The T-1 Notebook : Reference & Guide...
  • Page 97 Channel MIDI MIDI MIDI The CV and Gate outputs are configurable in the CV/Gate page of the T-1 Config tool. The Outputs are linked to MIDI Channels. Whatever is sent to MIDI (CHANNEL) set on the T-1 Gate Gate Gate hardware will also be output as assigned for the specific CV and Gate.
  • Page 98 The CV Modulation input allows an external analog signal input to be used The Analog synchronisation options can be edited in the T-1 Config tool. to control several parameters within T-1. The input is expected to be a These are based on the analog clock settings. The analog clock is the...
  • Page 99 Latency is a side effect which occurs when connecting devices together T-1 can operate as the primary clock device in a setup where other devices will follow. This is a whether by analog means, MIDI or Link. Clock signals or triggers are sent common configuration.
  • Page 100 9.9 Analog Application Example - T-1 Controlling a Synth Voice T-1 can also operate as the secondary follower of a clock which is under another devices primary Synth voice control at a minimum consists of triggering a note on/off and setting the note pitch.
  • Page 101 While Pitch and Gates can control a synth voice, the CV output can also be used to modulate various parameters. The configuration is stated in T-1 Config as velocity and as such the velocity values in T-1 will be used as the modulation source.

  • Page 102: System Configuration

    A number of under the hood settings that The PC/Mac hosting T-1 Config is then control global or system specific functions exist connected to the T-1 sequencer using the USB in T-1. These settings allow selection of options connection cable. This...
  • Page 103 Mac pages. PC pages are very similar. Click the menu option top left to access the relevant configuration page. ▌ AUTOMATIC UPDATING OF FIRMWARE 1. Connect T-1 to a PC or Mac hosting the T-1 Config tool using the USB MIDI USB-C cable and connections.
  • Page 104 ▌ MANUAL UPDATING OF FIRMWARE ▌ ADJUSTING BUTTON BRIGHTNESS 1. Connect T-1 to a PC or Mac hosting the T-1 Config tool using the USB 1. Open the Torso ‘T-1 Config’ Tool. Open the ‘Misc’ page by mouse cable and connections.
  • Page 105 The T-1 Config tool has a number of pages which carry configuration pattern changes or when stop command is issued can be changed within settings that can be edited. In addition T-1 Config has a number of utilities the configuration settings.
  • Page 106 The detailed application and functionality of various configurations and Menu Sub-Menu Description settings are covered in the relevant topic sections. An overview of T-1 Config and it’s pages are covered here as a reference. View Reload Reloads the T-1 Config app.
  • Page 107 T1 Config - WiFi Page T1 Config - Sync Page Used to set up and connect devices over a wireless network. T-1 has the ability to act as a General synchronisation between devices. Mainly covers the wireless link and analog wireless hotspot.
  • Page 108 General control voltage and gate output routing which is based on MIDI Channels routed to connections which are accessed at the rear of T-1. CV/Gate connections which are accessed at the rear of T-1. CV can be configured as additional gates. Typically CV and Gates are associated with modular system interfacing.
  • Page 109 Top - Higher notes steal the voice. Bottom - Lower notes steal the voice. Re-trig - New note always steals the voice. The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...
  • Page 110 NOTES Index The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...

  • Page 111: Index

    Sequencer 33, 49, 51 CV Mod 192, 194 Performance Buttons 137 Shape 58 Cycles 32, 142–143 Phrase 122, 128–129, 194 Step Count 61 Pitch 109–110, 115 step 62 The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...
  • Page 112 Tracks 32, 48, 55, 57, 72 Transpose 113 Trigger 190 USB 159, 204 User Scale 118 Value Buttons 7, 43 Velocity 78, 82, 86 Voicing 122–123, 126 The T-1 Notebook : Reference & Guide The T-1 Notebook : Reference & Guide...
  • Page 113 All text and images are designed and created from scratch for this book by Synthdawg. Manual Produced in the United Kingdom Version 1.0 December 2022 - T-1 OS 2.0.0. www.synthdawg.com Synthdawg The T-1 Notebook : Reference &...
  • Page 114 The T-1 Notebook : Reference & Guide...

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