Mackie SP-DSP1 Reference Manual page 9

Mackie sound palette series sp-dsp1 digital signal processors: reference guide
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3.4
Additional Main Screen Options
The main screen of the SP-Control™ also provides the ability
to save and recall 10 presets. These presets are stored in the
EEPROM onboard the SP-DSP1™ (see Figure 3). A preset
consists of the following parameters: Minimum Gain, Gain
Range, Noise Threshold, Noise Range, Attack and Release
Times. There are two Global parameters that are recalled at
power up and displayed when Connect is selected on the main
screen. These include the Bypass state and the CAL or calibra-
tion value. Additionally, the preset that was saved or recalled
when the SP-Control™ was last connected will be stored in
the EEPROM and recalled at power up. The CAL value is set
during Auto Calibration and will be discussed in the next sec-
tion. The Bypass toggle, as its name implies, allows the user
to bypass program input to program output and effectively
disables the algorithm. This is a useful feature during setup
to ensure the proper levels are obtained. Finally, the DSP1/2
toggle allows the user to change between communicating with
DSP1 or DSP2. As you are already aware, the SP2400/1200
can support two SP-DSP1™ cards; one for each zone. There-
fore, if your system has two controllers, this toggle allows you
to control each card separately and independently.
3.5
Auto Calibration
The Drop Menu of the SP-Control™ has several functions
shown in Figure 4. The Auto Calibration provides the user
with the ability to automatically adapt his speaker-microphone
placement to the room acoustics (patent pending). This func-
tion eliminates the tedious calibration procedures associated
with other competitor's products. Additionally, the possibility
of "runaway" system gain is greatly reduced because the algo-
rithm (a modied nLMS adaptive lter) is constantly making
"running" changes to obtain the best noise-to-signal ratio.
To maximize the results, an Auto Calibration should be per-
formed while the room noise is at a minimum. However, since
the algorithm adapts over time, this is not a critical require-
ment. Once the speaker(s) and ambient microphone are in
their xed locations and the microphone gain and input levels
have been adjusted (per Section 3.3 Bar Graphs/Metering),
simply select Auto Calibration while playing standard pro-
gram material. Prior to performing the Auto Calibration,
please ensure that the front panel level control on the
SP2400/1200 is set to the maximum sound level that you
would ever expect the system to deliver. Recall that the noise
sensor only attenuates the signal from input to output. During
the calibration, a count-down timer is initiated at 90 seconds
and a progress meter is displayed. If the algorithm nds that
adaptation improvements are possible, the timer is reset to
90 seconds. A typical calibration period is 2-3 minutes. It is
advised to monitor the main four meter levels during calibra-
September 2000
tion to ensure that all levels are in their target range as
suggested in Section 3.3 Bar Graphs/Metering. If you nd that
the microphone and input levels are too low or too high, you
may want to Abort the calibration by selecting the appropriate
button and then readjust the levels accordingly. There is also
an End & Save button if the user nds that calibration is
Figure 4: SP-Control™ Function
taking too long or music breaks are causing count-down timer
resets. Typically, music breaks between songs are no problem.
However, if the break is too long, the calibration may be
ineffective resulting in numerous timer resets. If this becomes
a problem, simply changing to different program material
or using music with shorter pauses between songs should cor-
rect the situation. Once the calibration is complete, the CAL
value will update. At default, this value is +10 (range: +20
to –80dBr). This number is a measure of how much of the
program material is getting rejected in the environment that
the Auto Calibration was performed. The closer the number
is to +10, the less rejection. A CAL = -15dBr would be an
excellent rejection and would be expected in a small room.
However, in larger rooms and auditoriums, the rejection will
be less (closer to 0dBr). Remember that this number is only
an estimate of rejection that is used by the algorithm to set the
Noise Threshold Override.
Noise Sensing
9

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