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ASTER
& RIGHT
FF TO
B GAIN
+
-
L
TIP
PHONES
RING
LEVEL
R
X 1
ND
X 2
ND
BUS
BUS
BALANCED
MAIN LEFT
OUTPUT
TAPE
OUTPUTS
BALANCED
MAIN RIGHT
OUTPUT
STEREO
HEADPHONES
OUTPUT
LEVEL
METER
+22 CLIP
+12
+7
+4
+2
0
-2
-4
-7
-10
-20
-30
LEFT/MONO
1
2
3
4
MIC
MIC
MIC
MIC
STEREO AUX RETURNS
LINE 1
LINE 2
LINE 3
LINE 4
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
–10
–10
–10
–10
+4
40dB
+4
40dB
+4
40dB
+4
40dB
U
GAIN
U
GAIN
U
GAIN
U
GAIN
TRIM 1
TRIM 2
TRIM 3
TRIM 4
LINE 5-6
U
U
U
U
U
1
1
1
1
+15
+15
+15
+15
+15
O O
O O
O O
O O
O O
U
U
U
U
U
2
2
2
2
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
AUX
AUX
AUX
AUX
AUX
HI
HI
HI
HI
–15 +15
–15 +15
–15 +15
–15 +15
–15 +15
LO
LO
LO
LO
–15 +15
–15 +15
–15 +15
–15 +15
–15 +15
EQ
EQ
EQ
EQ
EQ
L
R
L
R
L
R
L
R
L
R
PAN
PAN
PAN
PAN
PAN
U
U
U
U
U
O O
+20
O O
+20
O O
+20
O O
+20
O O
1
2
3
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5-6
GAIN
GAIN
GAIN
GAIN
GAIN
Built like a brick.
Like its big brother, the
CR-1604, the MicroSeries
1202 has been designed by
Greg Mackie, a 20-year pro
audio veteran. All his designs
are intended for non-stop,
24-hour-a-day professional
duty in broadcast and per-
manent PA applications, TV
and radio stations and post-
editing suites where nothing
must ever go wrong. The
1202 is no exception.
For example, it has sealed,
co-molded rotary controls
instead of open-frame phe-
nolic potentiometers that
can suffer from airborne
dust and contamination. For
the life of an installation, the
1202 provides minimal rota-
tional contact noise (and if
there ever is a problem, pots
are individually replaceable).
Plus, our combination of
mounting, co-molding and
energy-absorbing knob
design helps prevent
impact damage.
Along with its steel chas-
sis and through-hole-plated
fiberglass circuit boards, the
MicroSeries 1202 also fea-
RIGHT
1
1
L
L
MICRO SERIES 1202
12-CHANNEL MIC/LINE MIXER
R
2
2
R
TAPE
TAPE
AUX OUT
INPUT
OUTPUT
MAIN OUTS
L
L
L
L
MONO
MONO
MONO
MONO
R
R
R
R
PHONES
LINE 7-8
LINE 9-10
LINE 1 1-12
U
U
U
1
1
1
1
+15
+15
+15
O O
O O
O O
U
U
U
TAPE IN
AUX 2
2
2
2
2
O O
+15
O O
+15
O O
+15
AUX
AUX
AUX
STEREO AUX RETURN TO MASTER
+22
CLIP
+10
HI
HI
HI
HI
+7
–15 +15
–15 +15
–15 +15
+4
+2
0dBu
0
LO
LO
LO
LO
CAL.
–15 +15
–15 +15
–15 +15
-2
EQ
EQ
EQ
-4
-7
-10
-20
L
R
L
R
L
R
PAN
PAN
PAN
-30
U
BAL.
U
U
U
U
+30
O O
+30
O O
+30
O O
+30
O O
+10
7 -8
9-10
1 1-12
GAIN
GAIN
GAIN
MASTER
tures a built-in power supply
instead of a "wall wart" or
"line lump." Not only does this
eliminate the inevitable
hassles of dealing with exter-
nal power supplies, but also
actually reduces hum. The
tiny transformers inside "line
lumps" are typically driven
into non-linearity (in excess of
15 kiloGauss) to provide
enough power for the mixer.
This creates stray 25- to 35 V
magnetic fields that are easilty
picked up by shielded audio
cables. The MS1202's internal
transformer loafs along at un-
der 10 kiloGauss, reducing
stray fields to less than 1 V.
The MS1202 also uses the
same RF protection circuitry
and construction as the
CR-1604, making it virtually
impervious to RF interference
in high-energy environments.
Multiple applications
Frankly, the MicroSeries
1202 is so reasonably priced
that it initially may be hard to
take seriously. But thousands
of professionals DO take the
1202 seriously enough to rely
on it day-in and day-out.
2/6/98
U
1
+20
O O
U
2
O O
+20
TRIM
LINE IN
1-4
1-12
INPUT CH.
METERING
POWER
O O
PHONES
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