RedSeven Amplification MSLM Quick Start Manual
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RedSeven Amplification MSLM Quick Start Manual

Multi stereo line mixer
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MULTI STEREO
LINE MIXER
Rev 1.0 – Januray 2021

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Summary of Contents for RedSeven Amplification MSLM

  • Page 1 MULTI STEREO LINE MIXER Rev 1.0 – Januray 2021...
  • Page 2 INTRODUCTION THE CONCEPT LOGIC SHCEMATIC FRONT PANEL BACK PANEL INPUT SECTION THREE MAIN STAGES DIRECT OUTPUT SWITCH 1/2 DEDICATED DRY PATH BALANCED OUTPUTS MIDI...
  • Page 3 What is our Multi Stereo Line Mixer? MSLM is a professional/line level device (+4dB) thought of as the ultimate solution for the “golden rack era” lovers out there. It can be defined as a complete and very compact (only 1U rack high) overall object or central piece of your entire rack system.
  • Page 4 LOGIC SCHEMATIC...

  • Page 5: Front Panel

    FRONT PANEL (left to right) 1. FX1 to FX3 red illuminated buttons: these buttons turn on/off the three parallel FXs. When red light is on, the effect is on. 2. DRY red illuminated button: this button turn on/off DRY path. When the red light is on, DRY path is on.

  • Page 6: Back Panel

    BACK PANEL (left to right) 1. POWER CONNECTOR: 90V to 240V AC accepted. MSLM can be powered worldwide without any issue. Be sure to use a proper grounded cable. 2. MIDI INPUT/THRU: midi input and output socket. Midi input is wired in parallel to front midi input connector.

  • Page 7: Input Section

    IMPONTANT! There’s only one way to do this in a compact format as MSLM, and it’s to always use TRS jack, equally as if you’re using both mono or stereo devices. This is a mandatory feature.
  • Page 8 (NOTE: if a ground loop is experienced, you can cut one ground wire form left or right mono connector, on the effect side) Let’s assume we want to patch in our MSLM few common units, like: ● DBX160 compressor in L1 (mono in / mono out);...
  • Page 9 How do I split a mono signal into a stereo one? MSLM will do it for you. You only just need to connect both of FX1 send jacks to the input jacks of your device, MSLM will send an exact copy to both inputs of what is coming from the mono output of L3.

  • Page 10: Delay // Reverb

    3 – Auxiliary processing (AUX 1 – AUX 2) We gave the possibility to the final user to go even more “deeply into the hole” with two full stereo auxiliary loops. These two loops (processors) can be fed by the returns of each one of the three main parallel processors (FX1/2/3), or even by dedicated internal dry signal coming out of L3.
  • Page 11 What I should expect to hear? A bit more wired effect, since you’re experienced a wired thing, such the reverb is listened only on delays repeats and not on dry signal. Saying we set our delay at 500ms, you’re hearing nothing for 500ms, then the very first delay repeat and then only from that moment the reverberation.

  • Page 12: Balanced Outputs

    They are internally wired in parallel, so they must be used only one at time. MSLM can operate with all 16 midi channels available, one at time (not OMNI mode). It will be shipped with MIDI CH1 already stored, but you can change it with following procedure.

  • Page 13: Midi Channel

    Now you’re ready to receive MIDI messages on your desired MIDI CHANNEL. MSLM is able to receive a series of MIDI Control Changes messages to turn on or off the status of each function.

  • Page 14: Troubleshotting

    • MIDI CABLE IS FINE BUT I CAN’T STILL USING MIDI IN A PROPER WAY There’re multiple operation to make before using MSLM with a midi devices. We suggest to check “MIDI” section of this manual, you will find a point by point operations to make the experience as quick as possibile.

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