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Troubleshooting
Power does not come on.
□ Did you properly plug the power adaptor into an appropriate AC outlet?
■
□ Did you firmly and securely connect the power plug?
■
No sound.
□ Did you turn on the powered speaker or the power amp?
■
□ Did you properly connect the microphones, external devices, and speakers?
■
□ Are any connecting cables shorted or damaged?
■
□ Did you properly set the [LEVEL] knobs of all relevant channels and the [STEREO LEVEL]
■
knob to appropriate levels?
□ Are the [PAD] switches turned on (O)?
■
Turn the switch off (N). If the volume of sound source is too soft, turning on the switch may
result in no audible sound.
Sound is faint, distorted, or noisy.
□ Are the [GAIN] knobs and [LEVEL] knobs of all relevant channels, and the [STEREO LEVEL]
■
knob set too high?
□ Are the [PEAK] LEDs lit?
■
Lower the [GAIN] knobs of channels 1/L and 2/R, or turn on (O) the [PAD] switches.
□ Are the "PEAK" (red) lamps of the level meter lit?
■
Set the [LEVEL] knobs of all relevant channels and the [STEREO LEVEL] knob to appropriate
levels.
□ Are the [PAD] switches turned off (N)?
■
Turn the switches on (O). If the volume of sound source is too loud, turning off the switches
may result in distorted sound.
□ Is the volume from the connected device too loud?
■
Lower the volume of the connected device.
The sound of vocals and speech isn't clear enough.
□ Turn on (O) the [HPF] switches.
■
The sound becomes clearer.
□ Adjust the equalizer knobs (example: lower the [LOW] knobs, raise the [HIGH] knobs).
■
No effect is applied. (MG06X)
□ Did you turn on (O) the [FX] switches?
■
□ Are the [LEVEL] knobs of all relevant channels raised enough?
■
□ Did you set the [FX RTN LEVEL] knob to an appropriate level?
■
Mounting to a Microphone Stand
Caution
• If the stand should fall over, the mixer may be damaged. Attach the connection cables carefully so that the cables
will not catch on the equipment and cause it to fall. For example: arrange the cables so that they run parallel with the
microphone pole down to the base of the stand.
Notice
• When using the mixer on a microphone stand, be sure to set the stand on a level and stable surface. Do not set up
the stand in locations subject to vibrations or wind.
• Leave ample free space around the stand.
1
Turn the mixer upside-down, and hold the microphone-stand adap-
tor (BMS-10A; sold separately) against the bottom of the mixer so
that the screw holes are aligned (
place with the two screws (
2
Turn the mixer right-side up, and mount it onto your microphone
stand.
3
Loosen the angle adjustment wingnut (
as desired (
), and then tighten the wingnut securely (
2
For more information, refer to the BMS-10A Owner's Manual.
2
). Screw the adaptor firmly into
1
).
2
), adjust the mixer's angle
1
).
3
General Specifications
0 dBu = 0.775 Vrms Output impedance of signal generator (Rs) = 150 Ω
All level knobs are nominal if not specified.
Frequency Response
Input to STEREO OUT
Total Harmonic Distortion
Input to STEREO OUT
(THD+N)
Equivalent Input Noise
Hum&Noise *1
(20 Hz to 20 kHz)
Residual Output Noise
Crosstalk (1 kHz) *2
Input Channels
Ouput Channels
Bus
PAD
HPF
EQ HIGH
Mono Input Channel Function
EQ LOW
PEAK LED
Level Meter
Post STEREO LEVEL Knob
Internal Digital Effect (MG06X)
SPX Algorithm
Phantom Power Voltage
Power Supply Adaptor
Power Consumption
Dimensions (W×H×D)
Net Weight
Optional Accessory
Operating Temperature
* 1 Noise is measured with A-weighting filter. *2 Crosstalk is measured with 1 kHz band pass filter.
* The contents of this manual apply to the latest specifications as of the publishing date. To obtain the latest manual, access the Yamaha website
then download the manual file.
Jack List (Pin Alignment)
Input and Output Jacks
Polarities
Pin 1: Ground
MIC/LINE 1/L, 2/R
Pin 2: Hot (+)
STEREO OUT L, R
Pin 3: Cold (-)
Tip: Hot (+)
MIC/LINE 1/L, 2/R*
Ring: Cold (-)
STEREO OUT L, R*
Sleeve: Ground
Tip: L
PHONES
Ring: R
Sleeve: Ground
Tip: Signal
LINE 3/4, 5/6
Sleeve: Ground
* These jacks also accept connection to TS phone plugs. If you use TS phone plugs, the connection will be unbalanced.
NOTICE
To avoid the possibility of malfunction/ damage to the product, damage to data, or damage to other property, follow the
notices below.
■Handling and Maintenance
■
y Do not use the device in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise,
■
the device, TV, or radio may generate noise.
y Do not expose the device to excessive dust or vibration, or extreme cold or heat (such as in direct sunlight, near a heater,
■
or in a car during the day), in order to prevent the possibility of panel disfiguration, unstable operation, or damage to the
internal components.
y Do not place vinyl, plastic or rubber objects on the device, since this might discolor the panel.
■
y When cleaning the device, use a dry and soft cloth. Do not use paint thinners, solvents, cleaning fluids, or chemical-
■
impregnated wiping cloths.
y Condensation can occur in the device due to rapid, drastic changes in ambient temperature—when the device is moved
■
from one location to another, or air conditioning is turned on or off, for example. Using the device while condensation is
present can cause damage. If there is reason to believe that condensation might have occurred, leave the device for sev-
eral hours without turning on the power until the condensation has completely dried out.
y To avoid generating unwanted noise, make sure there is adequate distance between the AC power adaptor and the de-
■
vice.
y Avoid setting all equalizer and level knobs to their maximum. Depending on the condition of the connected devices, doing
■
so may cause feedback and may damage the speakers.
y When turning on the AC power in your audio system, always turn on the power amplifier LAST, to avoid speaker damage.
■
When turning the power off, the power amplifier should be turned off FIRST for the same reason.
y Always turn the power off when the device is not in use.
■
■Connectors
■
XLR-type connectors are wired as follows (IEC60268 standard): pin 1: ground, pin 2: hot (+), and pin 3: cold (-).
Information
■About this manual
■
y The illustrations as shown in this manual are for instructional purposes only, and may appear somewhat different from
■
those on your device.
y The company names and product names in this manual are the trademarks or registered trademarks of their respective
■
companies.
The model number, serial number, power requirements, etc., may be found on
or near the name plate, which is at the bottom of the unit. You should note this
serial number in the space provided below and retain this manual as a perma-
nent record of your purchase to aid identification in the event of theft.
Model No.
Serial No.
+0.5 dB/-0.5 dB (20 Hz to 20 kHz),
refer to the nominal output level @ 1 kHz, GAIN knob: Min
0.01 % @ +8 dBu (20 Hz to 20 kHz), GAIN knob: Min
0.003 % @ +18 dBu (1 kHz), GAIN knob: Min
-128 dBu (Mono Input Channel, Rs: 150Ω, GAIN knob: Max)
-102 dBu (STEREO OUT, STEREO LEVEL knob: Min)
-88 dB
6 channels: Mono (MIC/LINE): 2, Stereo (LINE): 2
STEREO OUT: 2, PHONES: 1
STEREO: 1
26 dB
80 Hz, 12 dB/oct
Gain: +15 dB/-15 dB, Frequency: 10 kHz shelving
Gain: +15 dB/-15 dB, Frequency: 100 Hz shelving
LED turns on when post EQ signal reaches 3 dB below clipping
(+11 dBu)
2 x 7-segment LED meter [PEAK (+11), +6, +3, 0, -3, -10, -20 dB]
6 programs
+48 V
PA-130 (DC12 V/1.0 A, Cable length = 1.8 m), 120 V, 60 Hz, or
MU18 (DC12 V/1.5 A, Cable length = 1.5 m), 100 V-240 V, 50 Hz/60 Hz,
or an equivalent recommended by Yamaha
12 W
149 mm×62 mm×202 mm (5.9"x 2.4"x 7.9")
MG06: 0.9 kg (2.0 lbs), MG06X: 0.9 kg (2.0 lbs)
Mic Stand Adaptor: BMS-10A
0 to +40°C
Balanced/Unbalanced
Configurations
XLR connector
Balanced
INPUT
TRS phone plug
Balanced
Ring
—
Sleeve
TS phone plug
Unbalanced
Sleeve
(bottom_en_01)
OUTPUT
Tip
Tip
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