Eventide Tricerachorus H9 Series User Manual
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Eventide Tricerachorus H9 Series User Manual

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Summary of Contents for Eventide Tricerachorus H9 Series

  • Page 1 User Guide...
  • Page 2 Copyright 2020, Eventide Inc. P/N: 141343, Rev 1 Eventide is a registered trademark of Eventide Inc. AAX and Pro Tools are trademarks of Avid Technology. Names and logos are used with permission. Audio Units and macOS are trademarks of Apple, Inc.

  • Page 3: Table Of Contents

    Contents 1 Welcome 1.1 About This Product ....... . 2 TriceraChorus 2.1 Navigating the Plug-In .

  • Page 4: Welcome

    Thank you for your purchase of the Eventide TriceraChorus plug-in. TriceraChorus is a chorusing/detuning effect inspired by the classic tri-choruses and stompbox choruses of the 1970s and early 1980s, with some additional Eventide twists. For over 40 years, innovative effects like these have made Eventide an industry leader, and we are proud that they continue to be in demand today.

  • Page 5: Tricerachorus

    TriceraChorus pairs rich BBD-style tri-chorusing with another classic effect of the 1980s: Eventide MicroPitch detuning. This effect can be used to thicken the sound, to add static chorusing, and to spread the stereo field by detuning the left and right signals in opposite directions.

  • Page 6: Navigating The Plug-In

    2.1 Navigating the Plug-In The TriceraChorus user interface is designed with an emphasis on user control and playability. The large knobs are easily adjusted with an up-and-down motion of the mouse/finger, and all controls produce a smooth change in the audio, allowing you to glitchlessly shape the effect as you desire.

  • Page 7: Tricerachorus Parameters

    2.3 TriceraChorus Parameters Chorus/Chorale Toggles between Chorus Mode and Chorale Mode. Mode Chorus Mode produces a chorusing effect similar to those found in classic chorus stompboxes. Chorale Mode produces lush, swirling choruses inspired by classic rackmount trichorus units. It adds two three-phase LFOs, one slow and one fast, to the primary LFO, creating an ef- fect similar to combining the Preset and Manual modes on the DYTRONICS Tri-Stereo Chorus.

  • Page 8: Depth L

    Depth L Chorus modulation depth of the Left voice. When Depth L is OFF, the voice is removed from the mix, and the levels of the other voices are automatically adjusted to preserve the wet-dry blend. In mono to stereo routing, if Depth R is OFF but Depth L is ac- tive, the chorused signal will be routed to the left and the dry signal will be routed to the right.

  • Page 9: Detune Mix

    Detune Mix Mix control for the Detune section of the algorithm. The De- tuners are fed from the stereo output of the Chorus voices. De- tune Mix controls the stereo left and right channels at the same time and is independent of the Chorus Mix control. Detune Controls both detune amounts for the left and right channels.

  • Page 10: Envelope Rate

    Envelope Rate Uses the input signal’s envelope to modulate the speed of the LFO. Range is OFF, -100 to 100. With negative values, the rate of the LFO is slowed down on sig- nal attack, gradually returning to the value set by the Rate knob. Larger negative values can be used with faster Rate settings to create a fade-in vibrato effect.

  • Page 11: Performance Controls

    2.4 Performance Controls Using the Ribbon The Ribbon allows the dynamic modification of several knobs at once, emulating what you would be able to do with real hard- ware in front of you. By programming left and right ranges for any knob, the Ribbon lets you morph between settings by click- ing anywhere on the Ribbon and moving the electric arc back and forth.

  • Page 12: Hotswitch

    Hotswitch Toggles between two settings for any combination of knobs and gain controls, allowing you to quickly jump between two different sounds. To program settings for the Hotswitch, click and hold the Hotswitch until the light ring around it begins to blink. While the light ring is blinking, set the controls to the desired setting.

  • Page 13: Preset Bar

    In many DAWs there is an additional generic preset bar that saves DAW-specific presets to a separate location. We recommend saving your presets using the Eventide preset bar to ensure that your presets will be accessible from any DAW. You can also create sub-folders inside the preset folders, if you wish.

  • Page 14: Conclusion

    Conclusion part 3 We hope you enjoy the TriceraChorus plug-in and put it to good use in all of your mixes. Please be sure to check over Eventide’s other Native Plug-In offerings for more unique and interesting effects.

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