Warwick AMPs Owner's Manual page 5

Clean Funk
2ND STAGE OFF
TONE SEE PICTURE
CRUNCH SEE PICTURE
CONTOUR
LOW FLAT
MID BOOST
HIGH FLAT
1 1 1
CONT. LOW MID
B/C B/C
2ND STAGE TONE
CRUNCH
6
4 8
2 10
0 12
LOW
Hollow Reggae
2ND STAGE OFF
TONE SEE PICTURE
CRUNCH SEE PICTURE
CONTOUR
LOW BOOST
MID CUT
HIGH CUT
1 1 1
CONT. LOW MID
B/C
B/C
CRUNCH 2ND STAGE TONE
6
4 8
2 10
0 12
LOW
These setting examples aim at helping you to
better handle with the control stage and to utilise
it for the realisation of your sound conceptions. Set
channel 1 according to the examples and adjust
the TONE control to the left and to the right
within the suggested area, respectively. press the
switches to learn more about their efficiency.
20
EXAMPLES
Hard Funk
2ND STAGE
TONE SEE PICTURE
CRUNCH SEE PICTURE
ON CONTOUR
LOW BOOST
MID
HIGH BOOST
1 1 1 1
HIGH CONT. LOW MID
B/C B/C B/C
2ND STAGE
CRUNCH
6
4 8
2 10
0 12
HIGH LOW
Clear compress
2ND STAGE
TONE SEE PICTURE
CRUNCH SEE PICTURE
ON CONTOUR
LOW
MID
HIGH BOOST
1 1 1 1
HIGH CONT. LOW MID
B/C
B/C B/C
CRUNCH 2ND STAGE
6
4 8
2 10
0 12
HIGH LOW
Straight Rock
ON 2ND STAGE
TONE SEE PICTURE
CRUNCH SEE PICTURE
ON CONTOUR
LOW
CUT MID
HIGH
1 1 1 1
HIGH CONT. LOW MID
B/C B/C B/C
TONE 2ND STAGE
CRUNCH
6
4 8
2 10
0 12
HIGH
Tapping/chords
OFF 2ND STAGE
TONE SEE PICTURE
CRUNCH SEE PICTURE
OFF CONTOUR
FLAT LOW
FLAT MID
HIGH
1 1 1 1
HIGH CONT. LOW MID
B/C
B/C B/C
TONE CRUNCH 2ND STAGE
6
4 8
2 10
0 12
HIGH
CRUNCH settings are level-dependent. The
examples suppose GAIN has been set to OK. As
Rock-parts are usually performed harder than
tapping-techniques, rather than compensating for
this gap with GAIN to obtain the desired
compression, you could just raise the CRUNCH
control in this case.
Fat and ugly
ON 2ND STAGE
TONE SEE PICTURE
CRUNCH SEE PICTURE
OFF CONTOUR
BOOST LOW
FLAT MID
FLAT HIGH
1 1 1
HIGH CONT. LOW
B/C B/C
TONE 2ND STAGE
CRUNCH
6
4 8
2 10
0 12
LOW HIGH
Ballade
ON 2ND STAGE
TONE SEE PICTURE
CRUNCH SEE PICTURE
ON CONTOUR
CUT LOW
BOOST MID
FLAT HIGH
1 1 1
HIGH CONT. LOW
B/C
B/C
TONE CRUNCH 2ND STAGE
6
4 8
2 10
0 12
LOW HIGH
ON
ON
BOOST
BOOST
CUT
1 1
MID HIGH
B/C B/C
TONE
LOW HIGH
ON
OFF
BOOST
BOOST
CUT
1 1
MID HIGH
B/C B/C
TONE
LOW HIGH