SH-101. . . until now! The SH-1oh1 accent consists of an envelope with a fixed fast attack and a decay adjustable between one millisecond and five seconds. It can be routed to the VCA, filter or both while the amount can be adjusted individually.
3.1 New features While the original SH-101 sequencer features one sequence with a maxi- mum of 100 steps, the SH-1oh1 provides 32 sequences with 120 steps each. Additionally the sequences can be chained to create a song. This can be done live while an other song is playing.
You will hear the note including the attributes (except glide). Press KEY TRANSPOSE to enter a rest. To delete the last step press DOWN. SH-1oh1 now plays the new final note of the sequence. The sequence is saved in the SH-1oh1 memory and will be available again after power up even without a battery or external power supply.
3.5. SWITCH SEQUENCE 3.5 Switch sequence The SH-1oh1 features 32 different sequences with 120 steps each. Each of the 32 keyboard keys has a sequence assigned to it. 3.5.1 Select sequence to play Press and hold PLAY and press one of the keyboard keys to select a se- quence.
’GATE’ setting on the SH-101’s envelope selector. TIME Figure 2: ADSR overview Additional filter LFO The SH-1oh1 features an additional LFO for the filter which outputs a triangular waveform. Its frequency can be adjusted from 0.12 Hz - 8...
Midi value Figure 3: Attack, Decay and Release times and their corresponding MIDI controller values kHz using a fine and coarse control. High LFO frequencies sound especially interesting with a high resonance setting. The amount can also be adjusted. See the MIDI controller chart for corresponding controller numbers. Arpeggiator, sequencer and random-LFO clocks The ’RANDOM LFO’...
10 6. ARPEGGIATOR, SEQUENCER AND RANDOM-LFO CLOCKS filter LFO described in chapter 5. The SH-1oh1 sequencer, arpeggiator and ‘RANDOM’ LFO mode (and only the RANDOM mode) can be clocked by multiple sources: the internal LFO or external trigger input, MIDI clock, or MIDI notes.
128 and MIDI value 127 to 192. This is to make sure the useful values of 128 and 192 are included. The divider can also be used to clock the SH-1oh1 to an external DIN-SYNC clock. Divider factors useful for this purpose are included. The table below shows the divider factors selectable via the config menu with a few selected...
C9 by using CV2. However keep in mind that portamento is not working properly in this range and the control voltage output by CV OUT may distort. It is therefore recommended to use SH-1oh1 in the range delimited by C2 and D#7.
9.2.1 MIDI out as played On the as-played channel only the key presses on the SH-101’s keyboard are sent. If you record this channel and send its output back to the SH-1oh1, the synth will sound exactly the same as when you played it.
The velocity information of a MIDI note on event can be mapped to a variety of targets in the SH-1oh1. The mapping can be configured in the config menu or by using MIDI controller number 34. For details, see the MIDI controller chart above or in the appendix.
ADSR while the other parameters remain unchanged. 9.6 MIDI merger The SH-1oh1 includes a MIDI merger sometimes referred to as ’MIDI soft- through’. When activated all in coming MIDI data is merged with the data generated by the SH-1oh1 and passed to the MIDI output.
12 / C1 KEY TRANSPOSE 10 Config menu The SH-1oh1’s internal config menu can be used to set many parameters using the keyboard. The only exception are the settings of the triangular LFO and the additional filter ADSR. 10.1 Enter and exit the config menu To enter the config menu, press and hold KEY TRANSPOSE and press...
10.2. USING THE CONFIG MENU pages. Upon entering the config menu, the last page used will be active. 10.2.1 UP page On the UP page, the lower 17 keys of the keyboard are used to select a parameter’s value, and the rest are used to choose the parameter itself. To set the value for a parameter, first press the key associated with the parameter (such as ’MIDI-in channel’) and then press one of the value keys to set its value (6, for example).
11. APPENDIX MIDI merger data delay: 100 s (end of received MIDI message to start of sent one) MIDI merger data jitter: 500 s MIDI merger clock delay: 300 s + 50 s (start of received MIDI clock to start of sent one) MIDI merger clock jitter: Note: The length of a MIDI byte is about 300 s.
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ARPEGGIATOR Upwards: ........................Downwards: ....................... DOWN Up / down: ........................U & D Random: ........................DOWN U & D CONFIG MENU Enter con g menu: ....................HOLD TRANSPOSE Leave con g menu: ....................HOLD TRANSPOSE Figure 6: SH-1oh1 cheat sheet...
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11. APPENDIX PAGE: U&D PAGE: UP None/O Cuto Vol Acc Filter Acc Switch Attack Decay Sustain Release internall m. clock m. note internall m. clock m. note clock on clock data on m. clock As-Played data o As-Spunds ARP/SEQ Midi A/S int.
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