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23
By now,
you should have
a
rough
idea
of
where
the controls are
and
what
effects
they
should have on
the
sound.
You
are
about ready
to
put
at1
this
raw knowledge
to practical
use, but
before
you
do,
G0
BACK AND oNCE AGAIN READ THE PAGE ON
CRITICAL
ANAIOG CONTROLS.
It
will
only take
a
minute.
Tho6e
controls
are what
it,s all
about _
interfac-
ing the
hunan
being
with the electronic
machine.
you have an
idea
of
what
you would
like to
hear, but the
machine
doesn't.
you must
te1l it
through
the
controls.
Now,
read
that
page, and
1et,s get
on
with the best
part
_
making
the
sounds.--..
Now
go through
the
folder
"Set-Up Sheets,' (pages 24-55).
NqlE:
When
referring to
the
Set-Up Sheets,
ANY
CONTROLS
NOT
APPLIED
SHOULD
BE
IN
TI]E
'OFF'
OB "UINIMUM'
POSITION.
DOING YOUR O\{N THING:
The
most
exciting thing
about synthesis
is
creating your
own
voices.
Having
tried
several
Set-UpB
created
by
someone
e1se, you probably have
some
ideas of
your
own.
Of
course, you
can
stil1
create
further variations
on
the
Set-Ups
by
re-combining
them
I
But
if
you
just
want
to
enjoy our
lovely presets,
then
feel
free
to
do
that!
rTPS
HAEIMIITIIE
=VFI?HEEI=EE!
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