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MODULATION
CONTROL
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The Harmonic
Synthesizer features
a
common ,,LFO
Rate,,
used
Tor
modulating
the
frequency and amplirude
of
Oseiffator
I
and
Uscr
tlator 2.
and che frequency
of
rhe
Dynamic
Filter.
However,
you
can
use
external inputs
to
"r"""_
"iJ"
-trr"
-
ii*"a
internal
LFO
for
any
or
all
of
these
in
order
i".""-t1."-'
modulations
at different
rates
or
for
additional
t""rriu.rt
shapes,
thus
vastly
expanding
the
sonic
p.""ilifiii""-of'-ifr.
!4iEio
TMo
o Ee
o* o* oE=o<
Tr-
12l2irod.
ooo00
instrument
The
internal
LFO
can
be
set
to
,,Mono,,,
60
that
it
starts
from zero
when
the
instrument
is first
turned on
and does
not
reset. ifris-i!
p.eferatfe for
vibrato
effects.
I{hen
moved
to
,,po1y,,
tfre
r,rO
*av.ioii il
restartea
uni-quely
for
each
hote played. which
can be
particulariy interesting
when
used
jn
coniunctjon
with
the
tremolo
effect. tf,.
""i"'"r,
be syDced Lo
a
hosL !empo
or
be free-running.
Set
the.M,odulation
Shape
for
each
0scillator,
then the
Frequency
uodulation
amount
("Vibrato
Depth',)
and
Amptitude Modufation
.rorni-
il,f""rofo
O.ptf,,,).
Tf
you enabte Aftertouch
via
the
MIDI
section, set the
,,Vibrato
Depth,,
to
the
value you wish
to
apply
to
the
maximum
aftertoucf,
f.r"f y""
send,
thus
vibrato
wilt
be zero
until
aftertouch
is
applied,
"p
i" if-t",
maximum
Vibrato
Depth
level
set.
.rPst
HAFlMtil?E
=Vil?HE=?==F!
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