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c) Mastering
The ideal for mastering is an invisible transfer from
tape
to
lacquer
at
the
maximum
level
possible.
When
using
a
conventional
limiter
to
prevent
overcutting,
the
bass
or
kickdrum modulates
the high
end, causing
"holes" and
loss of
transient
1!feel".
If the
lead track
is very
transient, the
whole
mix
may
"duck"
during
peaks.
Due
to
its multiband
technology
and
intelligent
control
circuits,
the
Studio
Dominator will
not cause
these effects.
At the
same time, a
higher level disc may be safely cut with more predictable groove
spacing.
4.3 Live Sound
As with recording electronics, P.A.
equipment has headroom
limitations.
Although
power
amps amd
speakers
may
be more
forgiving than digital audio to short term peaks, various
types
of
audible,
objectionable
distortion
may
be
generated.
Furthermore, the amps and
speakers themselves may be
driven to
failure.
The studio Dominator not only prevents system overload
while maintaining audio
quality, but actually
improves overall
system performance.
It does this
by enabling all parts of
the
sound system to
safely run at
their maximum operating
levels,
continuously.
A
great increase
in effeciency
may be realized
now that headroom is no longer such a consideration.
Stage monitors always
demand maximum controlled
loudness.
The Studio Dominator's limiting, crossover and EQ controls allow
precise
tailoring
of
the
sound
for
maximum
level
before
feedback.
4.4 Other Applications
Once
the
characteristics
of
the
Studio
Dominator
are
understood, other applications become obvious, such as -
*
Film and Video
post-production- The limited dynamic
range
and unpleasant sound of overmodulation in these media
make
the Studio Dominator an essential tool in any post house.
*
Tape Duplication- Master tapes can be recorded at a
higher
level,
making
the
dupes "hotter\!
with
lower
noise and
transient distortion.
*
Satellite
Transmission
- Signal-to-noise
ratio
can
be
improved,
and
pre-emphasis
induced
high
frequency
modulation distortion avoided.
Overshoots from
companding
can be
reducede for
greater channel
modulation and lower
distortion.
14
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