1-4 OSCILLATOR B l F 5 T
Figure
1-2
OSC
B
TEST
PATCH
1. Patch according t o Figure 1-2.
2. Check t h a t
OSC
B FREQUENCY knob range
exceeds
one octave. For reference,
play C2 and remember pitch. Then hold C1
and
raise OSC
B
FREQ. The pitch should
increase
smoothly, approaching t h e reference tone
at
7
-
8
on t h e dial. A t 10 t h e pitch
should be
at
least a whole s t e p above
the reference.
3.
Turn
OSC
B FKEQ
t o 0.
Check OSC B
OCTAVE switch by playing C2 and switching
octaves
down
t o 2, 1,
and
0.
NOTE:
When
switching
octaves
with
a
key
depressed, it is
normal to hear
the pitch
"jump"
between octaves.
4.
Switch
OSC
B
OCTAVE
to
2.
Switch
OSC
0
SAWTOOTH
off.
Switch
OSC
B
TRIANGLE on. The
difference
between
the
''brassy"
sawtooth
and
"dull1'
triangle wave
should be
obvious.
The
triangle waveshape
has
very little harmonic
energy. Switch
OSC
I 3
TRIANGLE
off.
5. Switch
OSC B
PULSE
on. Rotate
OSC
B
PULSE WIDTH knob
0
-
10,
listening f o r t h e
timbral effect of
varying harmonics.
The
pulse will
degenerate to
dc
(or
very
nearly
dc--99% duty
cycle)
at
the
extreme knob settings, resulting in no
(or
very
little) sound.
Find t h e setting where t h e
second harmonic drops out
(50% duty
cycle).
This normally
occurs
between dial markings 5 and 6.
6 . Switch OSC
B
LO
FREQ
on.
Raise 6SC
B
FREQ
t o about
6
t o more
easily hear
OSC
B
"track"
the keyboard
at
lev$
frequencies. NOTE:
he
OSC B LO FREQ switch
extends
OSC
B's
FREQ range
t o
sub-audio. I t is
therefore
normal
qhat
if
OSC
B FREQUENCY
is set to 10,
t h e LO
FREQ
s w i t c h will appear
to h a v e nd effect.
Switch
0 5 C B
LO
FREQ
to NORMAL.
/
7. Switch
OSC B KYBD
off and c h e c k t h a t OSC
B
ceases "tracking" t h e
keyboard.
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