Alternate Mode DITI Startup Manual
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Alternate Mode DITI Startup Manual

Drum intelligent trigger interface
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DRUM INTELLIGENT TRIGGER INTERFACE
DITI is the world's most powerful Trigger to MIDI Interface from Alternate Mode.
With 24 Trigger inputs, a large drum set can be MIDI converted with ease. The DITI is the first interface
of its kind to power and convert FSR drum triggers to MIDI. Products like the inHEAD™ and onHEAD™
from Aquarian DrumHeads are designed to work right out of the box with the DITI for unprecedented
dynamic range and control.
With 1024 A/D converters built in, the DITI will capture your playing dynamics unlike anything else. Each
input can be TRAINED to play within your own personal performance style. Special Interaction Training
ensures no false or double triggering, a problem plaguing other trigger to MIDI interfaces.
The DITI can convert piezo triggers, dual zone piezo triggers, membrane switch triggers, cymbal choking
cymbals, and multi zone cymbals as well. The DITI can detect pad pressure on FSR pads allowing for
dampening, and Continuous Control data being sent. The DITI also has a continuous controller input for
hi hat. If all of this wasn't enough, the DITI incorporates some of the legendary features of the drumKAT,
allowing for Alternate Note Modes, Velocity Shifts Modes , Note Shift Modes and much more.
The DITI has built in KIT TYPES that can store THOUSANDS of programs from the most popular drum
modules on the market. You simply call up your favorite sound module, and it's presets are preloaded.
You can also create your own Kits and even create your own CHAIN so that you can make your own
Song List of Presets.
Perhaps the most interesting feature of the DITI is that the controller stores "profiles" of the various drum
triggers on the market. Simply plug in the trigger, identify what you plugged in, call up one of the pre
programmed Kits (for your favorite drum module or vst soft synth) and your done. But unlike a forced
default, you can learn to tweak to the finest detail to get the DITI to respond to your every desire.
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Summary of Contents for Alternate Mode DITI

  • Page 1 DITI is the world’s most powerful Trigger to MIDI Interface from Alternate Mode. With 24 Trigger inputs, a large drum set can be MIDI converted with ease. The DITI is the first interface of its kind to power and convert FSR drum triggers to MIDI. Products like the inHEAD™ and onHEAD™...

  • Page 2: Table Of Contents

    TABLE OF CONTENTS DRUM INTELLIGENT TRIGGER INTERFACE DITI START UP GUIDE THINGS TO KNOW WITHOUT READING THE REAL MANUAL CORE FEATURES OF THE DITI ONLINE TRAINING VIDEOS PLUGGING IN YOUR TRIGGERS EDITABLE FACTORY KITS AND REINITIALIZATION EDITING BUTTONS ARROWS DISPLAY...

  • Page 3: Diti Start Up Guide

    Drum Module or Virtual Synth that you are using. Hit ENTER and the DITI is ready to go. On the second line of the screen, you will see the first 50 Kits in sequential order (called SOUND PROGRAMS) that are preprogrammed in the drum module that you just selected.
  • Page 4 There are tons of PRESET KIT TYPES that are predefined for most of the drum modules on the market. These will have the name of the drum module as its name. As soon as you hit Enter, the DITI loads in the note numbers needed to access the drum modules sounds.
  • Page 5 The DITI has the ability to LEARN how you play so that the full dynamics of the sound module are within your defined soft and hard hits. When you TRAIN a trigger pad, meaning when you “teach” the DITI what your soft and hard hits are, the DITI then takes the 127 levels of MIDI dynamics and spreads them inside this range of velocity.

  • Page 6: Things To Know Without Reading The Real Manual

    DITI first powers up. It might be easier for the very first time when you are setting up your triggers to plug in just one pad, turn the DITI on, and then do the things listed below. After you have the pad “rocking”, start again by plugging in another pad, then turn the DITI off and on.
  • Page 7 DITI will show you the MAXIMUM value it saw. When you feel good about that, hit ENTER. ● Now the DITI will ask you to hit the pad soft. After you do that, hit ENTER. Start playing again. Notice how much better it plays. ●...

  • Page 8: Core Features Of The Diti

    FSR. This is the basic operation of the DITI. Below is a list of some of the features that the DITI can do. You might need to dig into the manual to learn how to do some of these things. In PDF format, just hit the search key and type in the name of the function you need.
  • Page 9 Factory KIT TYPES that can also be edited and saved. These KIT TYPES store the presets of your favorite drum module. This means that there are THOUSANDS of Presets built right into the DITI with the names of these sound programs taken directly from the drum module. You can edit any of these Kit Names.

  • Page 10: Online Training Videos

    ONLINE TRAINING VIDEOS Basic DITI CONCEPTS http://youtu.be/XzMfp7Wz0fk The INTERFACE http://youtu.be/zaTFHY_r2hU GLOBAL EDITS http://youtu.be/TmDHSix7wzI EDIT MODE http://youtu.be/QqfPxnIyIfM DITI INTERACTION MATRIX http://youtu.be/3Ys8zOYxoMU PAD TRAINING http://youtu.be/LrW_ThRnDyc PRACTICAL APPLICATIONS PART 1 http://youtu.be/7VZFlXxnFLM PRACTICAL APPLICATIONS PART 2 http://youtu.be/TmRCr2oPl1I eRIM http://youtu.be/PPNLEHvZKnQ ! 1 0...
  • Page 11 Sound Module Name (Factory/User) Sound Progam 1----50 Chain (assign Sound Program in any order) Input Type Channel Hi Hat Exclusive Slot 1-32 Chic Type Gain Max/Min Velocity Foot Controller Threshold Dampen Kit Name Mask Time Gate Volume Dynamic Curve Sounds Pad Control Bank LSB/MSB Switch Pad...
  • Page 12 THE INTERFACE When you first turn on the DITI, the screen displays the current software version. Immediately after that, the DITI goes into PLAY MODE. Play mode is the normal operation of the DITI when you are playing, not editing.
  • Page 13 You can also use the special function MIDI note functions for Program Change Increment or Decrement. Because there are many Factory Kit Types with names and 50 sounds programs in each and 50 User Types, the DITI can store 1000’s of kits. ! 1 3...

  • Page 14: Plugging In Your Triggers

    L.E.Ds 
 On the DITI you will notice that there are 12 inputs. These are stereo inputs, meaning that it is possible to have up to 24 triggers active at once. Each trigger input also has a number assigned to it (1-12), and in turn each input number has a letter ( A or B ). This letter represents which channel you are editing.
  • Page 15 GLOBAL Section. For the sake of clarification however, the important thing to remember is that the assignment of what is actually plugged into the DITI changes how it reads and interprets information about each pad. Luckily all of this data crunching is done in the background.

  • Page 16: Editing Buttons

    THE FOUR EDITING BUTTONS There are Four Types of Editing on the DITI. Each Type gets it’s own BUTTON on the panel. EDIT GLOBAL INTERACTION TRAIN When you press on any of these buttons, the screen displays one of the functions that are available within that Edit Type.

  • Page 17: Arrows

    THE ARROWS Notice that there are Up / Down arrows, Left / Right arrows and Enter. These buttons work the same way for all functions. The UP / DOWN Arrows change the VALUE of what you are editing The LEFT / RIGHT Arrows move through the different Screens (like a cursor) within the EDITING TYPE.
  • Page 18 ! 1 8...

  • Page 19: Display

    THE LEDs’ and TRIGGER INPUTS The DITI has twelve trigger inputs, but each input has an A and B, so it is possible to have 24 (piezo) pads. FSR pads need an input to power them, so if all of your trigger pads are FSR, the the DITI can accommodate 12 of them.
  • Page 20 You can use an adapter, STEREO Male ¼” jack to two female MONO jack inputs. This will allow you to have two single zone trigger pads on one input. The DITI will also accommodate dual zone Mesh heads, cymbals with choking, etc. More on that later.

  • Page 21: Edit Mode

    Play Mode. If you are in Edit and you press on any of the other Functions, the DITI Jumps directly to the last edited screen in that function. These features will really help you get around the DITI in no time.

  • Page 22: Midi Channel

    This is a tremendous feature to use when you are Editing note numbers, channels, etc, but can be a problem when you are setting up the DITI for the first time. So for now, manually select the trigger pad you want to edit, then jump to the EDIT Screen by simply holding down the EDIT button.
  • Page 23 You can even tell the DITI to play chords. On the second line of the display, the SLOT “xx” tells you what Position (1 through 32) you are editing. Each of these 32 slots (positions) can be assigned to any of the 127 note numbers, plus special “KAT”...

  • Page 24: Special Diti Functions

    SPECIAL DITI FUNCTIONS AFTER MIDI NOTE 127 Unique to the DITI (and trapKAT), there are special functions that can be assessed by advancing the MIDI note Number past 127. These are amazing features that make the DITI very powerful. Here are the list of these features.
  • Page 25 
 This is the Sequence Start Command. When this function is assigned to a pad, the DITI sends out a Sequence Start Command to the sound source or MIDI sequencer.

  • Page 26: Midi Velocity Range

    This function comes in handy when you are using a membrane switch cymbal pad. The membrane switch on a trigger pad tells the DITI to play a different sound (slot two or three or five instead of one), when it is pressed. If the Choke function is assigned to SLOT 4, the cymbal pad will respond to choking when the pad is pressed.
  • Page 27 Assigning the MIDI MAXIMUM VELOCITY Velocity Range 00-127 On this display, you can change the MIDI Maximum Velocity on the selected pad. The MIDI Velocity Ranges from 000-127. Use the Up or Down Arrows to change the MIDI Velocity. You will see an “...

  • Page 28: Dampen Mode

    This is how dampening works on a piezo trigger. When you dynamically train a pad in the TRAIN Screen, the DITI asks you to hit the pad hard then soft. Your minimum and maximum velocity settings are superimposed within this dynamic playing range.

  • Page 29: Gate Time

    They Include INFINITE GATE When this setting is Entered, the DITI will only play NOTE ON Commands and will not send out any NOTE OFFs. Normally, the DITI sends out a NOTE OFF Command after the Programmed...

  • Page 30: Sustain

    In this Mode, NOTE OFFs are not sent until after you stop playing on a pad. This allows you to play cymbal rolls without the “machine gun” effect. After you stop playing, the DITI waits about 6 seconds, then sends out ONE note OFF command for that Note Number. One note off usually shuts off all of the note ons.

  • Page 31: Pad Control Modes

    Note Shift Velocity Control The DITI offers special modes that use pressure and pad velocity in some very unique ways. Note Shift Mode uses velocity to send out a range of note numbers controlled by your soft and hard hits. Velocity Control Mode uses your playing velocity to send out controller values to any controller number.
  • Page 32 VC sends out a CC# value. The CC# number is assigned to SLOT 1. So if for example, you set SLOT 1 to PAN, as you play from soft to hard, the DITI will send out pan messages going from left to right. POSITIONAL SENSING But there's more, and this is where it gets really interesting.

  • Page 33: Assigning Fsr Trigger Switch

    (another trigger) What the DITI does when this function is turned on is to decide if the sound should be a cross stick (slot two) or a rim shot (slot one) dependent on if there is pressure (your hand) on the...

  • Page 34: Setting Up An Fsr Pad Or Footswitch

    FSR), the DITI will see continuous pressure movement. Setting up an FSR pad Trigger or an FSR Foot Switch in this way allows the DITI to use the INPUT TYPE=FSR Pressure. The DITI will then send out continuous control values based on the pressure of the pad (the CC# is assigned to Slot 1).

  • Page 35: Assigning Sound Function

    SIMPLE mode on the drumKAT. SOUNDS = 2 SOUNDS HARDEST In this Mode, the DITI will play one note from soft to hard, but will add a second note (slot 02) on the hardest hit (velocity 127) SOUNDS = 2 SOUNDS HARD...
  • Page 36 In this Mode, the DITI will play one note from soft to hard, but will add a second note (slot 02) on at a velocity around 80. The second sound will start with a low velocity, and will increase in velocity up to 127.
  • Page 37 SOUNDS = 3 SOUNDS HARD In this Mode, the DITI will play one note from soft to hard, but will add a second note (slot 02) on at a velocity around 50, and a third note (slot 03) on a velocity around 50. The second and third sounds will start with a low velocity, and will increase in velocity up to 127.
  • Page 38 In this mode, the slots gradually come in one at a time until at 127 all 4 slots are playing SOUNDS = 4 SIMULTANEOUS SOUNDS In this Mode, the DITI will play both note slots 01 and 02 and 03 and 04 from soft to hard at the same time.

  • Page 39: Special Kit Functions

    NOTE SLOT to aREST (alternate reset). The DITI will then play SLOTS 1 through 16, then start over again. You can also take advantage of the aFREEZ and aREST2 functions to reset the alternate pattern at will or freeze the alternating pattern at the slot that you want.

  • Page 40: Hihat Select

    The chick and splash sound usually is provided by the drum software’s interpretation of how fast you are playing the pedal. If you need the DITI to provide the chick and splash sounds, you can by assigning a note number to the CHK input. The splash can be set on SLOT 2 of the CHK input.
  • Page 41 Chick = MIDI NOTE #44 Closed = MIDI NOTE #42 Open+ MIDI NOTE # 46 When you first Select the GM Hi HAT, the DITI will pre assign these note numbers to the selected trigger pad (8 or 9) HATNOTE In this mode, the pad assigned to HATNOTE plays 8 different note numbers depending on the position of the HiHAT pedal.
  • Page 42 This means that the chick sound is controlled by the movement of the pedal. Alternate Mode has a HI HAT trigger pedal called the eHAT. If the user wants to have even greater control of the velocity of the chic, the user can then assign the DITI CHIC TYPE to ! 4 2...

  • Page 43: Foot Controller

    How hard to play will control the volume of the chick. A stereo cable is required for this function. Input 7 on the DITI is the FOOT CONTROLLER input. It will read Controller information from the Tip of the Stereo cable (7A CTL) , and Velocity (voltage) information coming in from the ring of the cable (7B).
  • Page 44 The DITI allows the Foot Controller to send out more than just chic and splash information. Controller # 4 is used by many drum software companies to determine pedal board position. Used in conjunction with a trigger pad assigned to the HiHAT MIDI note number (determined by the software/sound module), the DITI will be able to control the sounds of opened through closed with HHAT pedal.

  • Page 45: Editing Kit Names

    Assigning the EDIT KIT NAME There are 30 User Kits in the DITI. Each Kit can have its own unique name. There are also hundreds of Sound Programs that are part of a KIT TYPE. These Sound Programs can also have their names changed by you.

  • Page 46: Program Change

    The DITI can send out one Program Change per Kit. The MIDI Channel for the Program Change must be defined in the Program Change Channel Screen. The DITI sends out a Bank, Program and Volume Change per Kit on a assigned MIDI Channel. PROGRAM CHANGE MIDI CHANNEL...

  • Page 47: Bank Change

    The DITI sounds out the Bank Change Command on the MIDI Channel that the Program Change Command is set to. Every time you enter a new KIT on the DITI, it automatically sends out the BANK, VOLUME and PROGRAM CHANGE assigned to the...
  • Page 48 When you reinitialize the DITI, the DITI still remembers the ROM KIT TYPEs, but your individual USER Kits will be lost. Every KIT can have its own set of PAD TYPES. If you move to different drum modules (KITS), make sure that the right PAD TYPE is set for each input.

  • Page 49: Global Screens

    To access this mode, use the Up/ Down arrows to find the trigger you are looking for. If Automatic is not displayed next to the Trigger Input number, then the DITI will rely on you to change the Trigger Input when you are editing.
  • Page 50 PAD TYPE PAD TYPE ! 5 0...
  • Page 51 ! 5 1...

  • Page 52: Pad Types

    GLOBAL Edits for each trigger input. It is a time consuming task to set up every trigger input. It can also be intimidating and confusing because there is so much power under the hood of the DITI with lots of choices and variables at your fingertips.
  • Page 53 Enter. What is a PAD TYPE? There are many different kinds of trigger pads that will function in the DITI. Each one of these triggers needs its’ own unique set of parameter values to make them play properly. There is a long list (and constantly growing) list of pads that are in the market today.
  • Page 54 DITI, it loads in the dynamic range values automatically. This is the best way to get started on the DITI. By simply telling the DITI what your hard and soft hits are, it will tailor the dynamics of the trigger to your own personal playing style.
  • Page 55 
 The DITI does the same thing. Every time you turn on the DITI, it looks at all of the trigger inputs and evaluates if any of the FSR inputs have any pressure (load) on the signal. The DITI looks at these values and creates a new “idle” level. This ensures that there will be no false triggering.
  • Page 56 HiHAT CONTROLLER PRESSURE CONTROLLER Selecting the INPUT TYPE on the DITI defines what kind of trigger you are using on the input and also defines what the function is. When you entered the PAD TYPE on the proceeding screen, the DITI automatically sets this INPUT TYPE. You can however experiment with these settings or start from scratch by creating your own User PAD Type, then define what INPUT Type you need.

  • Page 57: Input Types

    INPUT TYPE = TRIGGER When a trigger input is set to TRIGGER, the DITI is looking for voltage. Piezo Trigger pads are this variety of a trigger, and is the most common electronic pad on the market. If an inHEAD™...
  • Page 58 INPUT TYPE = FSR When a trigger input is set to FSR, this tells the DITI to set the B input as the power source for FSR sensors. Single zone FSR pads like the Aquarian inHEAD™ and onHEAD™ are pads that use this setting. In this case, a stereo cable is used.
  • Page 59 If we were using inputs 1 and 2 on the DITI, 1B would be set to FSR , and 1A would be set to TRIGGER. 3A and 3B would both be set to TRIGGER. The Input B on Trigger One powers all of the zones on the sensor and converts them to TRIGGERS.
  • Page 60 ! 6 0...
  • Page 61 As explained throughout this manual, FSR requires a power source in order detect pressure. Normally, an FSR pad is plugged into the DITI, and the input type is set to FSR. The Tip is set to Trigger and everything is fine. The only concern is that this configuration essentially took up TWO inputs on the DITI.
  • Page 62 FSRT+RIM CONVERTER BOX FEATURES The DITI Converter box allows you to plug in either an Aquarian tip/sleeve FSR product (example= inHEAD) or an Alternate Mode version tip-ring sensor, (the DITI DIRECT version of iNHEAD or altZONE). It moves these signals to a ring-sleeve configuration so that we can get the dual zones on the one input.
  • Page 63 (one the membrane switch) and hit it hard. Hit the ENTER button. The DITI will then ask you to Hit the Pad SOFT. Play as soft as you can, but make sure that the DITI see's the signal before pressing on the ENTER pad.
  • Page 64 On the DITI, if you assign SLOT 4 to CHOKEON, then also assign a note to SLOT 5, when the cymbal choke gesture is detected, slot 5's MIDI note will also be sent. The gate time for slot 5 is determined by the triggers gate setting.

  • Page 65: Membrane Switch

    DITI is called CHOKEON that is used in SLOT 4 of the TRIGGER. When CHOKEON is active, the DITI sends out a note off and a polyphonic aftertouch command for that note. It also has the ability to send out an alternative note number in slot 5.
  • Page 66 1-127 as pressure is applied to it. There are 127 different types of CC Messages. Things like modulation, HiHAT control, LFO control, are examples of the different types of CC messages that can be sent out. The DITI can send out any of these 127 messages.
  • Page 67 When an input type is set to CC, SLOT ONE is assigned to a CC Controller Number. But remember, the DITI can send out more than sound at a time. If you set the SOUND function to TWO SIMULATE SOUNDS, then the DITI can also send out a note number and its velocity along with the continuous controller data.

  • Page 68: Fsr Foot Switches

    FOR SUSTAIN / PRESSURE / CONTINUOUS CONTROL Normally, when you call up a PAD Type that is set for FSR, the DITI will automatically preset the GAIN level that is optimized for triggering. When you want to use the pad to control sustain, a different GAIN is needed.
  • Page 69 1/4” cable is needed. The DITI can derive a chick sound from either the A input or the B. In the KIT EDIT Screens, you must choose between CONTROL or TRIGGER for the Chick Type. If you set the Chick Type to CONTROL, the chick is calculated by the speed of your movement.
  • Page 70 MEET OUR NEW HiHAT PEDAL..eHAT2 Our new hatKAT2 pedal, fits underneath your bass drum pedal (as long as it has a base plate). This pedal is an FSR HiHAT pedal. It has an incredible range and feel because we are using nubounce rubber as the spring mechanism. ! 7 0...
  • Page 71 Inputs A and B When a trigger is stuck, the DITI looks to see what input has the highest velocity. The DITI will only allow one signal to sound at a time.

  • Page 72: Gain Control

    An explanation of the GAIN NAMES and what they mean. GAIN There are sixteen possible GAIN settings for the DITI, which may be broken down into three different groups. The first group of GAIN sensitivity goes from 1- 4, 1 being the highest sensitivity. These gain settings determines the sensitivity and range of a trigger.
  • Page 73 Experiment with the GAIN settings to determine what works best for your particular pad and playing style. You can’t damage the DITI with a “wrong” setting (but you CAN make it play poorly!) it is also possible to have both the pull down resistor R and the C capacitor in the Gain structure.
  • Page 74 Yes, there are many different types of Gain Structure Choices that you can pick on the DITI. This design allows the DITI to work with most of the trigger pads on the market. It also gives you the opportunity to see how the various GAIN settings affect how the trigger performs.

  • Page 75: Threshold

    THRESHOLD THRESHOLD 000-200 This screen controls the low end sensitivity of the trigger pad. The lower the number, the more sensitive the pad becomes on small hits. Too low of a threshold setting can cause the pad to false trigger. Too high of a threshold setting can cause the pad to become insensitive to hits. The goal is to get the lowest threshold setting without false or double triggering.

  • Page 76: Dynamic Curve

    What Gain Setting you use and how you play (your TRAINING of the DITI) will definitely have an effect on the curve. Also what sound module you use interacts with the DITI’s curve because it has its own set of velocity curves.
  • Page 77 The number that you are seeing in the curve is the actual VELOCITY Point. So when you are looking at a MIDI Scope and seeing velocity values as you are playing, you can go to that point in the curve and move it up or down to get the response you are looking for. BUILT IN DYNAMIC CURVES Yamaha XP 100 SD Piezo Cymbal...
  • Page 78 CURVE LISTINGS Product Curves INPUT TYPE 16 Point CURVES ! 7 8...
  • Page 79 DYNAMIC CURVE NUMBERS onHEAD™ FULL RANGE (Gain of RC2) 05-30-50-60 70 75 80 80 85 85 90 90 95 100 105 127 ONHEAD™ COMPRESSED (Gain of RC2) 15 15 25 30 40 45 50 55 70 75 80 85 90 100 120 127 ONHEAD™...
  • Page 80 ONHEAD™ Tom Tom Curve (Gain of R4) Scan of 8 not 10 10 15 20 25 35 40 45 50 55 60 65 75 80 85 90 127 drumtec MESH HEAD Full Rng (tip) (Gain of R3) 05 40 40 55 55 65 75 80 80 80 80 85 90 90 90 127...
  • Page 81 inHEAD Compressed (Gain of 4) Scan of 8 20 25 30 35 40 45 50 55 65 70 75 80 95 95 100 127 Yamaha XP 100 SD (Gain of 3) 01 20 30 40 50 60 65 70 75 85 90 95 100 105 105 127 Yamaha PCY 135 (Gain of 1) 30 40 50 55...
  • Page 82 General Curves Piezo Curve Linear Curve User Curves 1-5 USER DYNAMIC CURVE The User Curves 12,13,14,15,16, are Curves that you can create for yourself. After ENTERing the USER DYN CURVE Number that you want to edit, use the right arrow key to move through the SIXTEEN VALUE Points in the Curve.
  • Page 83 ! 8 3...
  • Page 84 0001-1023 MAXIMUM DYNAMIC 0001-1022 When you TRAIN the trigger pad, the DITI automatically remembers your softest and hardest hits, and translates them into values and stores them here. There are approximately 900 levels of dynamics that the DITI can recognize.
  • Page 85 The DITI is capable of sending and receiving System Exclusive Messages. You can send this information to another DITI, or attach a USB MIDI Interface to your computer and store these files on the computer using programs like SYSEX LIBRARIAN for the MAC or MIDIOX for the PC or music sequence programs that store SYSEX Files.
  • Page 86 Both the receiving and sending DITI will provide screen feedback on the progress and sucess of the file COPY CURRENT KIT COPY CURRENT KIT 1-60 There are 30 USER KITS In the DITI. You can copy any Kit to any Kit by using this function. ! 8 6...
  • Page 87 Merge is ON / OFF Information coming in from the MIDI IN on the DITI can be routed to the MIDI OUT when the MIDI MERGE is set to ON. A good use for this would be when both triggers plugged into the DITI and another MIDI Controller plugged into the MIDI in jack can both route information to a single drum machine.
  • Page 88 The DITI has a special TRAIN function specifically design to address both of those issues. What it does it when you train for interaction, the DITI scans all of the other triggers and see if they are triggering. It suppresses those signals by imposing an envelope over the signal. It also temporarily raises the threshold on those offending pads.
  • Page 89 To LOCK in this value, hold down the ENTER pad until you see an L. You can toggle this out Remember, if the Envelope Duration is set too high, the DITI will not be able to play fast strikes because the envelope duration functions similar to a mask time.
  • Page 90 ENVELOPE THRESHOLD This setting controls the sensitivity of the offending trigger pads. If you have trouble with a pad false triggering after you train it, raise the offending pad's ENVELOPE THRESHOLD. 
 Remember, this is not for the pad that you trained for interaction. It is for the trigger that is still interacting.
  • Page 91 A TECHNICAL EXPLANATION OF HOW TRIGGER INTERACTION WORKS The envelope is a "picture" of the signal produced when a pad is struck and is created during Envelope Training. The envelope is used to prevent two types of interaction: interaction between the pad that is struck and the other pads, and interaction between the pad that is struck and itself (double triggering).
  • Page 92 If you have a three zone sensor for example, and are using inputs one and two on the DITI, the A channel on input one would be set to Trigger and the B channel set to FSR. This normally is set for you automatically when you call up the PAD TYPE.
  • Page 93 (and itself) when a pad is struck. When you select a pad and strike it (repeatedly), the DITI stores an Envelope that controls the thresholds and mask times of the other pads plugged IMPORTANT….wait about 1 second between hits so that the DITI doesn’t think triggers...
  • Page 94 TRAIN MAXIMUM DYNAMIC The DITI is now asking you to play the trigger with the maximum velocity that you expect to play at. Don’t over play. Be realistic. Soon after you strike the pad, the display will give you a value.
  • Page 95 Now play the pad soft. The minimum dynamic is displayed. Hit the ENTER key to get out of TRAIN MODE. If your soft hit does not get a response from the DITI, it means that you either have to lower the threshold in the Global Screen or have to RAISE the Gain Setting.
  • Page 96 TRAINING YOUR HiHAT PEDAL Training your HiHAT pedal is similar to training your other pads on the DITI, but there are a few differences. Make sure that you are in the 7A input, padCTL before TRAINING. In order to get to the HiHAT Training Screen, you must press the TRAIN button and HOLD IT DOWN until you see the MAX CONTROLLER Screen.
  • Page 97 Please note that this TRAINING is necessary for proper dynamics of your HiHAT pedal. In the Kit Edit Screens, you can tell the DITI if you are using a trigger (input b) or the controller (input a) for the chick and splash sounds.
  • Page 98 INDEX 3 zone 58, 61, 75, 109 alternate freeze 23, 24, 113 alternate reset 23, 24, 34, 38, 66 alternating 22, 24, 34, 38 altzone 5, 8, 9, 60, 108 arrows 5, 7, 8, 12, 13, 20, 21, 22, 25, 26, 44, 46, 48, 72, 86, 95 automatic 5, 7, 13, 15, 16, 20, 34, 41, 46, 47, 48, 52, 55, 57, 61, 62, 65, 66, 83, 85, 87, 88, 91...
  • Page 99 8, 10, 20, 39, 42, 47, 57, 62, 67, 88, 95, 96, 111, 112 curve listings damp switch dampen 1, 9, 27, 28, 62, 63 data dump 84, 85 Diti Direct 8, 57, 58, 60, 109 dual zone 9, 19, 59, 60, 61 Dynamic Curve ! 9 9...
  • Page 100 9, 26, 74, 75, 78, 83, 95 dynamic range 27, 52, 69, 72, 83, 95 EDIT 7, 10, 11, 12, 13, 15, 16, 18, 20, 21, 22, 26, 44, 46, 47, 48, 51, 63, 65, 67, 81, 84, 94, 95, 96 editing buttons 15, 20 envelope settings...
  • Page 101 9, 11, 14, 15, 20, 24, 26, 38, 39, 51, 52, 84, 85, 94, 95, 96 global screens 6, 20, 27, 39, 47, 51, 64, 94, 96 10, 39 GM HiHAT 39, 40 hard 5, 8, 13, 27, 29, 30, 31, 35, 36, 37, 38, 42, 52, 61, 70, 72, 81, 83, 86, 87, 94 hat controller 31, 55, 67...
  • Page 102 5, 14, 27, 34, 52, 55, 56, 57, 58, 59, 61, 64, 65, 66, 67, 69, 72, 77, 84 Inputs 1, 5, 7, 9, 13, 14, 18, 19, 20, 33, 39, 42, 53, 56, 58, 59, 66, 69, 72, 91, 95, 113, 114, 115 interface 1, 11, 12, 84 Interaction...
  • Page 103 1, 9, 14, 25, 61, 62, 63 membrane switch pads 7, 56 mesh 19, 50, 51, 56, 79, 105 MIDI CHANNEL 9, 20, 21, 43, 44, 45, 46 midi merge MIDI velocity 25, 26, 74, 81 45, 46 multi zone 58, 91 none 33, 39, 41...
  • Page 104 online training videos pad control 28, 32, 33 pad types 5, 50, 53, 56, 76 piezo 1, 5, 7, 9, 14, 108, 109 piezo dampen 27, 28, 63 piezo triggers 1, 7, 13, 14, 18, 27, 33, 56, 63, 69, 73 PLAY MODE 7, 12, 15, 16, 18, 20, 46 pmcp...
  • Page 105 5, 12, 13, 16, 44, 46 SOUNDS 4, 12, 16, 18, 21, 22, 24, 31, 33, 34, 35, 36, 37, 38, 39, 40, 41, 43, 46, 59, 61, 62, 65, 66, 96 SPECIAL DITI FUNCTIONS sustain 9, 23, 29, 33, 36, 32, 33, 56 SWITCH...
  • Page 106 threshold 5, 65, 73, 76, 87, 88, 89, 90, 92, 94, 106, 107, 108, 109, 114 7, 8, 12, 13, 14, 18, 24, 27, 29, 32, 41, 42, 59, 61, 64, 67, 72, 79, 91, 95 tip ring 8, 14, 57, 60, 111 tip sleeve 8, 14, 57, 58, 60, 111, 113, 114 train...
  • Page 107 ! 1 07...
  • Page 108 APPENDIX A PAD TYPE LISTINGS altZONE FOR BASS DRM input A PAD TYPE altzone for Bass Input Type Trigger Exclusive GAIN Threshold Mask Time Curve altZONE Min Dyn Max Dyn Scan Count Env Duration ************ Input B Input Type Gain ——————————————————————————————...
  • Page 109 altZONE input A PAD TYPE altzone Input Type Trigger Exclusive GAIN Threshold Mask Time Curve altZONE Min Dyn Max Dyn Scan Count Env Duration ************ Input B Input Type Gain —————————————————————————————— Aquarian EBD input A PAD TYPE altzone Input Type Trigger Exclusive GAIN...
  • Page 110 Env Duration ************ Input B —————————————————————————————— DRUMTEC MESH HEAD input A PAD TYPE Drumtec Mesh Head Input Type Trigger Exclusive GAIN Threshold Mask Time Curve drum-tec Full Min Dyn Max Dyn Scan Count Env Duration EnvThresh ************ Input B Input Type Trigger Exclusive GAIN...
  • Page 111 Env Duration Env Thres —————————————————————————— eHAT 2 CTRL PAD TYPE eHAT2 (was KAT HH) Input Type HIHAT Controller Exclusive GAIN hatcurve Threshold Mask Time Curve altZONE Min Dyn Max Controller ************ Max dyn Min Dyn —————————————————————————— eKIC input A PAD TYPE eKIC Input Type Trigger...
  • Page 112 GAIN hatcurve Threshold Mask Time Curve piezo curve Min Dyn Max Controller duration scan —————————————————————————— FSR for Continuous Control input A PAD TYPE FSR for C. Cntrl (was FSR Controller) Input Type Controll CC# Exclusive GAIN Threshold Mask Time Curve inhead compressed Min Dyn Max Controller...
  • Page 113 FSR TRIGGER input A FSR Trigger PAD TYPE Trigger Input Type Controll CC# Exclusive GAIN Threshold Mask Time Curve inHEAD compressed Min Dyn Max Controller ——— input B input type ————————————————————————————————————————— inHEAD for SNARE input A PAD TYPE inHEAD for Snare Input Type Trigger Exclusive...
  • Page 114 ——— input B input type ————————————————————————————————————————— inHEAD Compressed input A PAD TYPE inHEAD Compressed Input Type Trigger Exclusive GAIN Threshold Mask Time Curve inHEAD Compressed Min Dyn Max Controller env dur ——— input B input type ! 1 14...
  • Page 115 inHEAD for Toms (inputs 3-6) input A PAD TYPE inHEAD for Toms Input Type Trigger Exclusive GAIN Threshold Mask Time Curve inHEAD COMPRESSED Min Dyn Max Controller env dur ——— input B input type FSR GAIN R4 —————————————————————————————————————————- inHEAD+ RIM(inputs 3-6) input B (FSR HEAD) PAD TYPE inHEAD+RIM...
  • Page 116 Max Controller env dur MIN ENV ENV THRE ——— input A (TRIGGER) PAD TYPE inHEAD+RIM Input Type Trigger Exclusive GAIN Threshold Mask Time Curve ONHEAD+RIM A Min Dyn Max Controller env dur MIN ENV ENV THRE Interact Level ———————————————————————————— onHEAD FULL RANGE input A PAD TYPE onHEAD Full Range...
  • Page 117 GAIN Threshold Mask Time Curve onHEAD Full Range Min Dyn Max Controller env dur ——— input B input type ————————————————————————————————————————— onHEAD Compressed input A PAD TYPE onHEAD Full Range Input Type Trigger Exclusive GAIN Threshold Mask Time Curve onHEAD Compressed Min Dyn Max Controller env dur...
  • Page 118 input type ————————————————————————————————————————— onHEAD Shelf input A PAD TYPE onHEAD Shelf Input Type Trigger Exclusive GAIN Threshold Mask Time Curve onHEAD Shelf Min Dyn Max Controller env dur ——— input B input type ————————————————————————————————————————— onHEAD+RIM (inputs 3-6) input B FSR PAD TYPE onHEAD Full Range Input Type...
  • Page 119 Curve onHEAD+RimB Min Dyn Max Controller env dur ************ input A (TRIGGER) PAD TYPE inHEAD+RIM Input Type Trigger Exclusive GAIN Threshold Mask Time Curve ONHEAD+RIM A Min Dyn Max Controller env dur MIN ENV ENV THRE Interact Level ————————————————————————————————————————— KAT KT3 HiHAT input A PAD TYPE KAT KT3 HiHAT...
  • Page 120 Min Dyn Max Controller env dur ——— input B Chick Chick MAX MAX 49 MIN 33 ————————————————————————————— KAT KT3 11” TWO ZONE input A PAD TYPE KAT KT3 11” TWO ZONE Input Type TRIGGER Exclusive GAIN THRESHOLD MASK CURVE KAT MESH Min Dyn Max Controller ENV DUR...
  • Page 121 PAD TYPE KAT KT3 11” TWO ZONE Input Type TRIGGER Exclusive GAIN THRESHOLD MASK CURVE PIEZO Min Dyn Max Controller ENV DUR ENV THRES INTERACT ————————————————————————————————————————— KAT KT3 2 ZONE CYM input A PAD TYPE KAT KT3 2 ZONE CYM Input Type TRIGGER Exclusive...
  • Page 122 INPUT B Input Type SWITCH Scan MIN DYN MAX DYN ————————————————————————————————- KAT KT3 BASS DRUM input A PAD TYPE KAT KT3 BASS DRUM Input Type TRIGGER Exclusive GAIN THRESHOLD MASK CURVE PIEZO CURVE Min Dyn Max Controller ENV DUR ENV THRES INTERACT SCAN ————————————————————————————————...
  • Page 123 Yam PCY 135 input A PAD TYPE Yam PCY 135 Input Type TRIGGER Exclusive GAIN THRESHOLD MASK CURVE Yam PCY 135 Min Dyn Max Controller ENV DUR Min Env ENV THRES INTERACT SCAN INPUT B SWITCH GAIN ———————————————————————————————— DAUZ PADs input A PAD TYPE Dauz PADs...
  • Page 124 GAIN THRESHOLD MASK CURVE PIEZO CURVE Min Dyn Max Controller ENV DUR MIN ENV ENV THRES INTERACT SCAN ———————————————————————————————— Input B set to GAIN of RC4 ———————————————————————————————— Yam XP 100 SD input A PAD TYPE Yam XP 100 SD Input Type TRIGGER Exclusive GAIN...
  • Page 125 INTERACT SCAN INPUT B SWITCH GAIN ———————————————————————————————— Rolnd FD8 HiHAT (for input 7) input A PAD TYPE Rlnd FD8 HiHAT Input Type HiHAT Controller Exclusive GAIN Hat Note Curve Min Dyn Max Controller HART ccHiHAT (for input 7) ! 1 25...
  • Page 126 input A PAD TYPE HART ccHiHAT Input Type HiHAT Controller Exclusive GAIN Hat Note Curve Min Dyn Max Controller ————————————————————————————————- PinTech HyperHAT (for input 7) input A PAD TYPE HART ccHiHAT Input Type HiHAT Controller Exclusive GAIN Hat Note Curve Min Dyn Max Controller ! 1 26...
  • Page 127 ————————————————————————————————- Yam XP 80 input A PAD TYPE Yam XP 100 SD Input Type TRIGGER Exclusive GAIN THRESHOLD MASK CURVE Yam XP 100 SD Min Dyn Max Controller ENV DUR Min Env ENV THRES INTERACT SCAN INPUT B SWITCH GAIN ! 1 27...
  • Page 128 The Aquarian InHEADs and onHEADs use a Tip/Sleeve configuration for their products. The DITI uses a TIP/RING configuration so that the B channel on the DITI can power the A channel. Alternate Mode offers a Converter Jack that connects to the Aquarian product and changes the configuration.
  • Page 129 DITI DIRECT. The connection on this sensor is a female 1'4 plug that goes directly into the DITI Alternate Mode will sell special DITI DIRECT versions of the inHEADs and onHEADs that will have the female 1/4” plug on it so that these triggers can plug directly into the DITI. ! 1 29...
  • Page 130 It has an incredible dynamic range displaying even values across the entire MIDI spectrum. When plugged into any of the DITI’s other Inputs, with the PAD TYPE set to “PMCP for C.CNTRL”, the PCMP can send out any Controller Number and Value when pressed on. This can be used for things like Pitch Bend or Sustain or any other CC# function.
  • Page 131 Programming Specifics PCMP for HI HAT PEDAL (input 7A) PAD TYPE= PMCP for HIHAT INPUT TYPE= HI HAT CONTROLLER GAIN= MAX= MIN= HH CURVE= INPUT 7B (CHK) PAD TYPE = PMCP for HiHAT INPUT TYPE= TRIGGER CHK MAX 63 MIN 02 CHICK 03 SPLASH OFF The PMCP does not need a cable converter when used for a HIHAT pedal.
  • Page 132 PCMP as a MIDI NOTE TRIGGER PEDAL (A) PAD TYPE= PCMP for TRIGGER INPUT TYPE= TRIGGER GAIN= MAX= MIN= THRESHOLD= MASK TIME= CURVE= onHEAD Full Range B CHANNEL SETTINGS GAIN THRESHOLD *NOTE* If you decide to use the PCMP into any of the Tom Tom Inputs, you will need to TRAIN the pedal or manually set the MAX to 260 in order get the full range PMCP needs converter cable to function as a trigger device.
  • Page 133 Aquarian Drumheads on the DITI without using the inBOX. By inserting this jack between the trigger and the DITI, the jack coverts the output of the trigger from Tip Sleeve to Tip Ring. The DITI needs this configuration in order to power the heads.
  • Page 134 This converter jack allows you to connect two piezo type (or single zone) triggers to any single input on the DITI, which is then separated into the A and B inputs. This allows the DITI to be expanded from twelve up to twenty four triggers!
  • Page 135 7A (CTL) input. This cable converts the Tip Sleeve configuration of the PMCP to a Tip Ring Configuration, needed by the DITI. Set the PAD TYPE on the DITI to “PMCP for C. CNTRL” REMEMBER…this adapter is not required on DITI input 7A, which is designated as a dedicated HIHAT controller input..
  • Page 136 The DITI will automatically set the GAIN to R4, the Max Train to 474 and the Min Train to 008 If you decide to use the PMCP on the TOM TOM Inputs, you will need to either RETRAIN the pedal or change the MAX TRAINING to 261 in order to get the full dynamic range.
  • Page 137 The FSR is routed to the B Channel on the DITI. The Piezo is Routed to the Tip or A channel on the DITI. On the DITI, set the PADTYPE to “FSR+RIM” One of the female 1/4” jacks accepts an FSR trigger in the Tip Ring Configuration (DITI DIRECT) The other female 1/4”...
  • Page 138 KIT TYPE LISTINGS KIT TYPE ROLAND TD30 BANK DITI PC PROGRAM CHANGE# KIT NAME msb xx lsb xx Studio off off LA Metal Swingin Burnin Birch Nashville LoudROck JJ DnB Djembe Stage RockMaster LoudJazz Overhead Loooose Fusion Room RadioMix R&B...
  • Page 139 SuperLoop process RockGig Hard BeBop Rock Solid 2nd Line ROBO SATURATED piccolo FATPressed BigHall KIT TYPE ROLAND TD-15_11 DITI PC PROGRAM CHANGE# KIT NAME Premium Alternative Heavy Compact Wah Wah Hop Ambient Crisp Disco Drum n Bass Savanna Brushes Studio...
  • Page 140 Ballad Loose Rough Groove Breaker Raspy Beat House Hip Hop Latin Samba Ele Drum KIT TYPE ROLAND TD20 BANK DITI PC PROGRAM CHANGE# KIT NAME msb xx lsb xx 0 VPro off off Slamin METAL JazzCombo OverDrive Titanium RotoKIT ! 1 40...
  • Page 141 UNIVERSE Skanky Brushes Spark Antique BreakBeats Studio Groover Mallet Drumline JazzGig Airtime Sploink Boogaloo Zeppy Arena Maple Shallow Ballad Raspy PopReggae BrassBiggie WetBooth 70s Record Lite Mellow Stadium TiteOctas 90s Power FxJungle Tekno TR 808 TR 909 Hex Drum Cosmosis Technology OrchPerc Survivor...
  • Page 142 User Kit KIT TYPE Roland TD6 BANK DITI PC PROGRAM CHANGE# KIT NAME msb xx lsb xx 0 AcuStick off off` Rock It Groove Jazzy Ballad X TR 808 Brushes Tekno LatnPerc Orch Set HipHop JazzFunk Syn&Bass 1ManBand DryTight Guitars...
  • Page 143 BrshSwel Electro TR 909 808Mix 909Mix 808...9 Dance808 Snowki KIT TYPE YAMAHA DTX500 BANK DITI PC PROGRAM CHANGE# KIT NAME msb 125 lsb 00 Oak Custom Maple Custom Beech Custom Rock Kit Gate Kit HipHop Kit Synth Drums Street Beat...
  • Page 144 BrokenFunk GoGo1988 Re-O Elec 5/4 Backbone Groovin 8/8 Craze Bs @Base GM Standard KIT TYPE YAMAHA DTX v2 BANK DITI PC PROGRAM CHANGE# KIT NAME msb 125 lsb 00 Acoustkt RockLive PowerKit BigRoomD RockDry1 RockDry2 RockDry3 RockDry4 ! 1 44...
  • Page 145 RockDry5 HipDanse HardGtBD kik3itm N.Y. 3 N.Y. 4 LivinIrg Hats!dog DownTown Space123 SD!Panic Reggae Tabla AlterPer SFX 1 SFX 2 Piano Vibe SteelDrm Strings Bass User Kit User Kit User Kit Acoustic Rock 1 Hip-Hop Industry N.Y. 1 N.Y. 2 Country BeBop Rock 2...
  • Page 146 KIT TYPE YAMAHA DTX MULTI 12 BANK DITI PC PROGRAM CHANGE# KIT NAME msb=125 lsb=0 PercMaster 80s Electro Sweet RnB Tabla Hand Conga Hand HandScrtchl FillsMaker Movix FX Oak Custom HardRock Mbira Japan NuRezo Kit E Trad Kit Electro Kit...
  • Page 147 Vibraphone SteelPan Balafon LargeMetal BrassyLight Vocal Drums Hipgig Cocktail Dr KIT TYPE ALESIS DM 10 BANK DITI PC PROGRAM CHANGE# KIT NAME msb xx lsb xx Fusion off off Big Mellow CableSnare Bop Brush Big Wet Clav Jam Wood Pop...
  • Page 148 Levee Deep Jam Picc Verb Slick Jazz Picc Funk Think Thin Indo Ethno KIT TYPE ROLAND TD20X BANK DITI PC PROGRAM CHANGE# KIT NAME msb xx lsb xx TD 20X off off 50s King Cntrl Room Metal Core FunkGroove 40s Bop...
  • Page 149 BluesRock DryStudio 2HH House TechFusion LetitBeat neotype jazzbop RawBeat Vintage Rock D-N-B GarageRock 80's Fumk Cashmirror Breaks 90s Rock jazzclub Jive AmbRock cosmic crossover Vintage Jazz Coolth U-Blue FunkyJungle natural LA beBop MBsHouse Bronze DarkComper Drums&DJ GATED RotoFXCity PopDelay 1985 Dizzy Brazil Perc Latin Drums...
  • Page 150 KIT TYPE YAMAHA DTX900 BANK DITI PC PROGRAM CHANGE# KIT NAME msb 125 Oak Custom lsb 00 BirchCstmAbs Power Kit Power Kit Club Set HipHop Kit 70s NY Funk Master Jazz Funky PercsMaster MapleCstmAbs BeechCstmAbs Rock Kit Grunge R&B Electric Funk...
  • Page 151 AfterHours RX5/11 Old School Human Kit Reggae Kit Cuban Brazil Asian African GM Standard KIT TYPE Pearl RED BOX BANK DITIPC PROGRAM CHANGE# KIT NAME msb xx lsb xx Temp Tasty off off 1Up 2 Down Heartland StudioCity NowMetal ShoTime ModJazz Picante 80sMonster...
  • Page 152 TranzDance BoardTape 9inch Arena Live Classic Mo Bourbon St SoundTrack Brushes 70s Alive TechnoEcho KIT TYPE ROLAND TD 10 BANK DITI PC PROGRAM CHANGE# KIT NAME msb xx lsb xx StudioV off off BigRock Tight JazzSizl SuperBwl Freak'n OldScool Tex Mex...
  • Page 153 Latin Set Orch Set BrasRing TR-808 TR-909 Dr Spin Memphis Cartoon KornBall X-Stick Big Band lowFI CarTUNE Natural Dirty 808 Ambient Far East HEAVy NextDoor Latin 3D Vintage MIDIbrsh SockHop Woody GoFigure 70's Rock Brushes Electro Rock Analog Fusion Jazz SLAPBACK COMpress LivnRoom...
  • Page 154 KIT TYPE gigKAT Bank 4 1-50 BANK DITI PC PROGRAM CHANGE# KIT NAME msb 00 lsb 04 Open Rock Squash Rock Full Room East Space CopperRing Birch Wood DeadRocker Ring-tone Gadd'sLair Hinomaru KirkeeB 25thAnniv LA A Kit1 LA A Kit2...
  • Page 155 Orngcrush Static LiteBrite Brush 1 Brush 2 PillowFuz Thigpen Fnessence Proc Pop KIT TYPE gigKAT Bank 4 51-100 BANK DITI PC PROGRAM CHANGE# KIT NAME msb 00 lsb 04 Jersey HardKnock CoralBox Cold Cash Spooge DJ Dub Beatx 101 Rhythmcon...
  • Page 156 5Kits Templte Aud Kik/Snr Mono Aud Kik/Sn Streo Stereo Kick Drums Mono Kick Drums StereoSnareDrums MonoSnare Drums Tom toms Hi Hats Rdes&Crshs&Rolls E Perc/Sound FX Vocal Percussion Drum Percussion WoodMetlShakPerc Accessory A Accessory B Accessory C BongoConga Bendir Bodhran BodhrnBendir Djembe DumBekDjembe FrameDrums...
  • Page 157 SoftBars XyLoomBa Asian Metal TablaBars SlitBars GourdBars MamboBars MIXnMatch Perc 1 MIXnMatch Perc 2 MIXnMatch Perc 3 MIXnMatch Perc 4 HoldnSilde Birdy BIrdy SacredShrine Tera Nova Oody Oody FlexiCrotale BitaGlitter DripnGlittr KIT TYPE gigKAT Bank 5 1-50 BANK DITIPC PROGRAM CHANGE# KIT NAME msb 00 lsb 05 Brt Natural Kit...
  • Page 158 Moven Air Kit Alis Punch Kit Rock Trance Kit Ringling Pop Kit Marley Kit Ltric Nat Kit TrashPan Tom Kit Tin Man Kit Cheapo Dist Kit AngryBastard Kit Vibra Lunch Kit Ricochet Kit Frida Gate Kit Metallic Cut Kit Cannibal Kit Tunnel Feel Kit Tuna Slap Kit Plywood Kit...
  • Page 159 msb 00 lsb 05 Succotash Kit Backsweep Kit Bug Zapper Kit Elektro Sand Kit Sandy Bottm Kit Box o Sand Kit Fine Grit Kit Matchmaker Kit Zucchinni Kit Pump da Well Kit Ltrk Reflux Kit Squash Clap Kit Scoopit Up Kit Tone Keeper Kit Phase E Kit Straw Blow Kit...
  • Page 160 ResNoise Kit 144ms Gated Kit FatNoise Kit Hypd Natural Kit Rango Kit NoiseSlap Toms 16Layer Cake Kit HopRoom Kit ! 1 60...
  • Page 161 ! 1 61...

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