Brunetti XL REVO LTD Owner's Manual
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Brunetti XL REVO LTD Owner's Manual

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O W NE R ❜ S MANUA L
Personal S/N
By reading this manual you will deeply know the device you bought and will have the chance
to fully experience its potential. Our sets are handmade. This is why you could find some
sound and structural differences. This testifies the handmade making of the product.

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Summary of Contents for Brunetti XL REVO LTD

  • Page 1 O W NE R ❜ S MANUA L Personal S/N By reading this manual you will deeply know the device you bought and will have the chance to fully experience its potential. Our sets are handmade. This is why you could find some sound and structural differences.

  • Page 3: Congratulations On Your Choice

    CONGRATULATIONS ON YOUR CHOICE! Brunetti celebrates 15 years from the first XL, one of our flagship products, by offering a limited edition in 50 pieces! XL R-EVO LTD is an updated and customised version of the valued XL R-EVO amp.

  • Page 4: Front Panel

    It operates on the final wrong. Please, contact our support stage power from full FOCUS: controls definition (3000Hz) centre at support@brunetti.it XLEAD channel controls (70W) to 1/5 (15W) VOLUME: controls the output level of the power-amp stage DEPTH: controls “depth” of sound...
  • Page 5 The CLEAN channel on XL R-EVO LTD has a well defined and balanced sound on medium frequencies, CLEAN with several uses. The controls allows you to obtain different timbre combinations. It is possible to set out a low regulation of the PRE control to find a dry and defined sound. While selecting higher values sound becomes fatter and crunchy according to the dynamics of your way to play the instrument.

  • Page 6: Power Limit

    So, it is a “shaping” method studied by Marco Brunetti to reduce the amp general sound pressure but preserving the timbre qualities.

  • Page 7: Rear Panel

    Please refer to the manufacturer for all repairs and tubes replacement to insure the correct working of the preamplifier. It does not exist service centres licensed by Brunetti Marco & C. The manufacturer declines all responsibility for malfunctioning due to assistance not provided or authorized by Brunetti & C.

  • Page 8: Effects Loop Use

    EFFECTS LOOP USE PRE OUT is a preamp output which could be used to send the preamplified signal to an external power amp with its own cabinet, to a triamping system, to a tuner or a rack multieffects. SEND is the preamp output to send signals to the input of an external effect unit. It has been conceived to use both stomp effects and rack unit effects with the best sound results.
  • Page 9 GENERAL INFO ON EFFECTS AND LOOP FILTER EFFECTS The filter effects main feature is the physical alteration of the signal wave, as a fuzz, overdrive or distortion pedal does. This family of effects finds its best place between guitar and preamp input. MODULATION EFFECTS The modulation effects main feature (see example) is the addition or the overlapping of other curves or waves to the input signal.

  • Page 10: Switching Channels

    SWITCHING CHANNELS You can operate the channels and the functions of your XL R-EVO LTD in manual, pedalboard or MIDI mode. The manual controls are three light push buttons on the front panel. They can switch channels, the selection will be enlighted, and memorize MIDI setting of the amp. (See next section of this manual).

  • Page 11: Midi Connections

    MIDI CONNECTIONS Effect MIDI IN Head Head MIDI IN MIDI IN MIDI THRU MIDI THRU MIDI THRU Effect Effect Head MIDI IN MIDI IN MIDI IN MIDI OUT MIDI OUT MIDI THRU Switcher MIDI IN MIDI Footswitch MIDI Footswitch MIDI OUT MIDI Footswitch For MIDI cascade connection of several devices it is important to remind that devices receiving MIDI signal have to be in OMNI mode (to receive signals on one of the 16 available channels)

  • Page 12: Speakers Connections

    SPEAKERS CONNECTIONS When you connect a speaker or a cabinet to a tube amplifier you have to check the correspondence between impedance of the cabinet and the amp. If you have one speaker/cabinet the impedance correspondence is direct (ex, speaker 16 ohm – selector 16 ohm), but if you are connecting more speakers (or cabinets) you have to know the load the amp has to support in order to select the right impedance value.
  • Page 13 HEAD HEAD Impedance Impedance Speaker Speaker Selector Selector Cassa 2x12” Cassa 2x12” Cassa 2x12” MONO 8Ω MONO 8Ω MONO 8Ω HEAD HEAD Impedance Impedance Speaker Speaker Selector Selector 4x12” 4x12” 4x12” MONO 16Ω MONO 16Ω MONO 16Ω Non conventional connection HEAD Non conventional connection Impedance...
  • Page 14 INFO ON PREAMP TUBES Tubes used to preamplify signal hardly wears out and are long-lasting. Problems are connected mostly to microphonics and noise. Microphonic is the skill of the tube to reproduce the signal and external vibrations. This is clearer on high gain stages as distorted channels of modern guitar amplifiers.

  • Page 15: Tubes Layout

    TUBES LAYOUT REAR PANEL 12AX7 12AX7 12AX7 12AX7 12AX7 6550 6550 KT88 KT88 LOOP DRIVER CLEAN BOOST BOOST BOOST LEAD LEAD LEAD FRONT PANEL...

  • Page 16: General Info And Warnings

    Please refer to the manufacturer for all repairs and tubes replacement to insure the correct working of the preamplifier. It does not exist service centres licensed by Brunetti Marco & C. The manufacturer declines all responsibility for malfunctioning due to assistance not provided or authorized by Brunetti & C.

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