Introduction Thank . you . for . purchasing . this . Second . Generation . Scarlett . 6i6, . one . of . the . family . of . Focusrite . professional . audio . interfaces . incorporating . high . quality . Focusrite . analogue . pre-amplifiers. . In .
.be .used .to .drive .the .primary .monitoring .system, .though .the .signals .available .at .all . these .outputs .may .be .defined .in .Focusrite .Control. .Outputs .3 .and .4 .can .typically .be .used .for . driving . a lternative . s peakers . ( i.e., . m idfield, . n earfield, . e tc.), . o r . t o . d rive . o utboard . F X . p rocessors.
The . Scarlett . 6i6 . is . compatible . with . any . Windows-based . DAW . that . supports . ASIO . or . WDM . or . any . Mac-based . DAW . that . uses . Core . Audio. . After . installing . Focusrite . Control . and . connecting .
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Once .the .Scarlett .6i6 .is .set .as .the .preferred .Audio .Device* .in .your .DAW, .all .six .inputs .and .twelve . outputs . (this . is . the . maximum . number . of . DAW . outputs . that . can . route . to . the . Focusrite . Control .
. loudspeakers . can . be . used . if . the . vocalists . are . in . a . separate . room. . The . mix . itself . is . set . up . in . . Focusrite .Control.
.usually .be .accessed .from .your .DAW .setup .preferences. The . Scarlett . 6i6, . in . conjunction . with . Focusrite . Control, . allows . “low . latency . monitoring”, . which . overcomes . t his . p roblem. . Y ou . c an . r oute . y our . i nput . s ignals . d irectly . t o . t he . S carlett . 6 i6’s . h eadphone . a nd .
Connecting Scarlett 6i6 to loudspeakers The . 1/4” . jack . outputs . on . the . rear . panel . will . normally . be . used . to . drive . monitoring . speakers. . . Self-powered . (active) . monitors . incorporate . internal . amplifiers, . and . may . be . connected . directly. .
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. i nputs . o f . t he . S carlett . 6 i6; . O utputs . 1 . a nd . 2 . g o . t o . t he . m ain . P A . s ystem. . T he . p layer . c an . s et . u p . a . r ough . mix .in .Focusrite .Control .and .then .adjust .the .levels .of .the .two .mono .sources .against .the .stereo .ones .
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