Focusrite TwinTrak Pro User Manual
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CONTENTS

CONTENTS ......................................................................................................................1
IMPORTANT SAFETY INSTRUCTIONS...................................................................1
INTRODUCTION ...........................................................................................................2
GETTING TO KNOW THE UNIT ...............................................................................2
REAR PANEL CONNECTIONS ...................................................................................3
GETTING STARTED ......................................................................................................3
FACILITIES AND CONTROLS .....................................................................................4
DISCRETE CLASS A PRE-AMP ...............................................................................4
MID SCOOP EQ ..........................................................................................................5
OPTICAL COMPRESSOR.........................................................................................6
OUTPUT LEVEL .........................................................................................................6
LATENCY FREE MONITORING ...........................................................................7
MONITOR LEVELS....................................................................................................7
LATENCY FREE MONITORING CONNECTIONS ...........................................8
DIGITAL........................................................................................................................8
DIGITAL CONNECTIONS .......................................................................................8
DIGITAL OUTPUT OPTION ........................................................................................9
MIC PRE-AMP INPUT IMPEDANCE..........................................................................9
VARIABLE IMPEDANCE: IN DEPTH EXPLANATION......................................9
IMPEDANCE SETTING QUICK GUIDE..............................................................10
WORDCLOCK ...............................................................................................................10
WORKING WITH STEREO SIGNALS ......................................................................10
A BEGINNER'S GUIDE TO COMPRESSION ..........................................................12
FREQUENTLY ASKED QUESTIONS........................................................................14
TROUBLESHOOTING .................................................................................................16
CONTACTING US ........................................................................................................16
TWINTRAK PRO AND YOUR STUDIO.................................................................17
SPECIFICATIONS ..........................................................................................................25
FOCUSRITE DISTRIBUTOR LIST............................................................................27

IMPORTANT SAFETY INSTRUCTIONS

Please read all of these instructions and save them for future reference. Follow all
warnings and instructions marked on the unit.
Do not obstruct air vents in the rear panel. Do not insert objects through any
apertures.
Do not use a damaged or frayed power cord.
Unplug the unit before cleaning. Clean with a damp cloth only. Do not spill
liquid on the unit.
Ensure adequate airflow around the unit to prevent overheating. As this is a Class
A unit, we recommend leaving a blank 1U panel above the unit to aid ventilation.
Unplug the unit and refer servicing to qualified service personnel under the
following conditions: If the power cord or plug is damaged; if liquid has entered
the unit; if the unit has been dropped or the case damaged; if the unit does not
operate normally or exhibits a distinct change in performance. Adjust only those
controls that are covered by the operating instructions.
Do not defeat the safety purpose of the polarised or grounding-type plug. A
polarised plug has two blades with one wider than the other. A grounding type
plug has two blades and a third grounding prong. The wider blade or the third
prong is provided for your safety. When the plug provided does not fit into your
outlet, consult an electrician for replacement of the obsolete outlet.
WARNING: THIS UNIT MUST BE EARTHED BY THE POWER CORD.
UNDER NO CIRCUMSTANCES SHOULD THE MAINS EARTH BE
DISCONNECTED FROM THE MAINS LEAD.
This unit is supplied pre-configured to operate only at the voltage indicated on the
rear panel. Ensure correct mains voltage is available and the correct fuse value is fitted
before connecting to the mains supply. To avoid the risk of fire, replace the mains fuse
only with the correct value fuse, as marked on the rear panel. The internal power
supply unit contains no user serviceable parts. Refer all servicing to a qualified service
engineer, through the appropriate Focusrite dealer.
RACK VENTILATION: AS THE TWINTRAK PRO IS A CLASS A
DEVICE, PLEASE ENSURE IT IS PLACED TOWARDS THE BOTTOM
OF YOUR EQUIPMENT RACK, WITH SUFFICIENT SPACE ABOVE
AND BELOW FOR VENTILATION.
1

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Summary of Contents for Focusrite TwinTrak Pro

  • Page 1: Table Of Contents

    Refer all servicing to a qualified service engineer, through the appropriate Focusrite dealer. TROUBLESHOOTING ....................16 CONTACTING US ......................16 RACK VENTILATION: AS THE TWINTRAK PRO IS A CLASS A TWINTRAK PRO AND YOUR STUDIO..............17 DEVICE, PLEASE ENSURE IT IS PLACED TOWARDS THE BOTTOM SPECIFICATIONS ......................25 OF YOUR EQUIPMENT RACK, WITH SUFFICIENT SPACE ABOVE AND BELOW FOR VENTILATION.
  • Page 2: Introduction

    INTRODUCTION There are 3 separate signal processing sections within each of TwinTrak Pro's two record paths: TwinTrak Pro is an extremely focused and cost-effective stereo processor; the perfect ‘analogue plug-in’ for any modern audio recording studio. It provides all the necessary •...
  • Page 3: Rear Panel Connections

    2. Connect the appropriate OUTPUTS (either +4 dBu balanced XLR or –10 dBV unbalanced jack) from both channels on the rear panel of the TwinTrak Pro to your recorder or audio interface. If using the digital output option, connect the digital output to the digital input of your recorder or audio interface.
  • Page 4: Facilities And Controls

    This is an XLR connector that allows you to connect a microphone MIC INPUT to the unit. If using the TwinTrak Pro’s mic pre and feeding the output into a mixing console, bypass the console’s own mic pre and connect the TwinTrak Pro output to the mixing console channel’s line input.
  • Page 5: Mid Scoop Eq

    - With INSTRUMENT (switch), LINE (switch) and MIC (LED) TwinTrak Pro, you can select whether to record at mic, line or instrument level, all If you think two signals are out of phase, you can listen for phase as follows: from the front fascia.
  • Page 6: Optical Compressor

    This allows frequency conscious compression techniques, such as de-essing, to be applied. - TwinTrak Pro can be stereo-linked, providing true STEREO LINK (switch) - Switches the OPTICAL COMPRESSOR into the signal path.
  • Page 7: Latency Free Monitoring

    DRY (no or digital equipment from the TwinTrak Pro's analogue and digital outputs. The peak- effects) to WET (full effects).
  • Page 8: Latency Free Monitoring Connections

    ADC is synchronised to an external wordclock source. If an This means that you can monitor both the stereo mix already recorded, AND the processed signals from your TwinTrak Pro at the same time. You can leave your external wordclock source is connected, the ADC LOCK LED should light continuously.
  • Page 9: Digital Output Option

    (e.g. making a pre-amp input BNC connector, the TwinTrak Pro will attempt to synchronise to it. When the unit is impedance 200 Ω to match a 200 Ω microphone) still reduces the microphone output correctly locked to the external wordclock source the ADC LOCK LED will be and signal to noise ratio by 6 dB, which is undesirable.
  • Page 10: Impedance Setting Quick Guide

    WORDCLOCK Ribbon microphones The impedance of a ribbon microphone is worthy of special mention, as this type of microphone is affected enormously by pre-amp impedance. The ribbon impedance Whenever multiple digital audio devices are connected together digitally, all the within this type of microphone is incredibly low, around 0.2 Ω, and requires an output devices must be wordclock synchronised to avoid data transfer problems.
  • Page 11 For a complex sound source, such as an orchestra, it may be necessary for the engineer The polar pattern of the directional microphones being used will affect the perspective to use a combination of one of the above techniques with some ‘spot’ mics to bring of the recording, and therefore the positioning needs to be considered accordingly.
  • Page 12: A Beginner's Guide To Compression

    A BEGINNER'S GUIDE TO COMPRESSION Let's take an example with some real numbers. If the threshold is set to -10 dB and the ratio is set to 4:1, any signal whose level exceeds -10 dB needs to rise in level by 4 dB for the output of the compressor to rise by 1 dB.
  • Page 13 The other controls included on most compressors are attack and release. Short release times mean the compressor very quickly returns the signal to its normal level. This can produce a ‘pumping’ sound, where the changes in volume are very Attack determines the speed at which the compressor starts to reduce the gain once the audible.
  • Page 14: Frequently Asked Questions

    TV, other broadcast, dubbing suites and post-production facilities. So TwinTrak Pro is not only a pair of integrated dual channel Class A mic pres plus EQ and dual mono/stereo compressor; it's also a latency-free monitoring device. Mic Q.
  • Page 15 A. No, the TwinTrak Pro is suitable for recording many other sound sources too, such INSERT on the TwinTrak Pro require the use of a ‘Y’ cable. This is a cable that splits as electric guitars and bass (via its INSTRUMENT inputs). It is also ideal for...
  • Page 16: Troubleshooting

    A. Yes, but the correct fuse and voltage setting must be used in each territory. There is a voltage selector on the rear panel of the TwinTrak Pro, which also houses the main The OPTICAL COMPRESSOR is only working on the top channel fuse.
  • Page 17: Twintrak Pro And Your Studio

    TWINTRAK PRO AND YOUR STUDIO RECORDING ALL ANALOGUE...
  • Page 18 RECORDING ANALOGUE OUT WITH DIGITAL PLAYBACK AND ANALOGUE INSERT...
  • Page 19 RECORDING DIGITAL WITH ANALOGUE PLAYBACK...
  • Page 20 RECORDING DIGITAL WITH DIGITAL PLAYBACK...
  • Page 21 USING THE TWINTRAK PRO TO RECORD TWO MUSICIANS...
  • Page 22 STEREO RECORDING (COINCIDENT PAIR) WITH DIGITAL MONITORING...
  • Page 23 TWO APPLICATIONS IN ONE: TWINTRAK PRO USED FOR TRACKING AND DIGITAL INSERT WITHOUT RE-PLUGGING...
  • Page 24 DIGITAL INSERT FOR STEREO COMPRESSION AND MASTERING, PLUS COMPRESSOR SIDECHAIN INSERT FOR FREQUENCY- SELECTIVE COMPRESSION...
  • Page 25: Specifications

    SPECIFICATIONS MIC INPUT RESPONSE INSTRUMENT INPUT RESPONSE CHANNEL INSERT • • Gain range = 0 dB to 60 dB continuously variable Gain range (High Gain switch out) = 0 dB to 20dB Unbalanced input and output on balanced (TRS) • Input impedance = 50 Ω...
  • Page 26 Calibrated for 0 dBfs = +22 dBu and indicates the level after the output fader being sent to both the internal Unbalanced output, signal level equivalent to –6 dB AD converter and the TwinTrak Pro XLR output. • below normal operating level.
  • Page 27: Focusrite Distributor List

    Phone: +94 1 580442 Phone: +420 2 7173 5610 Fax: +91 22 636 9691 Email: admin@lydrommet.no Fax: +94 1 503174 Other territories not listed: Fax: +420 2 7273 4897 Email: randsm@vsnl.com Email: hifi@eureka.lk Please contact Focusrite United Kingdom. Email: info@mediaport.cz...
  • Page 28 NOTES...

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