Guide To Functions And Controls; Comp Section; Sansamp Section; Boost Section - Tech 21 Bass Fly Rig Owner's Manual

GUIDE TO FUNCTIONS and CONTROLS

(in order of signal flow)

COMP Section

Comp utilizes old school, all-analog, FET-based technology from the '50s
and '60s, which is inherently warmer, more transparent and more musical
than other methods of compression.
COMP: A single, continuously variable control to dial in just the right
amount of compression you need. A little goes a long way, from soft
and barely noticeable to super squashy, infinite sustain.
TONE: As compressors typically darken your guitar signal, the Tone
control provides a pre-compression tonal boost in the frequency range
of 2-3 kHz to preserve high-end string attack and clarity. Experiment
with lower settings for warmer, rounder, more jazzy tones.
LEVEL: Adjusts the output level of the Comp section.

BOOST Section

PRE/POST BOOST: Foot-switchable boost modes, up to 10dB.
Pre-Boost interacts with the SansAmp sec-
tion to beef up drive and distortion.
Post-Boost mode increases the overall vol-
ume to punch up fills and solos.
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SANSAMP Section

The all-analog SansAmp technology enables the Bass Fly Rig to run di-
rectly into mixers of recording desks and PA systems, as well as augment
your existing amplifier set-up. It can also be used to enhance previously
recorded tracks.The SansAmp section focuses on clean tones within the
tube amplifier sound spectrum. To dirty things up, you have the flexibility
of using the Drive control, the Character control, or you can add distor-
tion with the Fuzz in the Octa section, or via the Boost section. Or all
four! Each method achieves different tones.
Speaker simulation is an integral part of the circuitry. It is designed for a
smooth, even response as would be achieved by a multiply-miked cabinet,
without the peaks, valleys, and notches associated with single miking.The
shape of the speaker curve will not adversely effect or interfere with the
frequency response of your own cabinet. The speaker simulation works in
tandem with the EQ controls to custom tailor the overall sound.
DRIVE: Adjusts the overall amount of gain and overdrive, similar to
when the output section of a tube amp is being pushed.The first half of
the rotation will increase the volume as well as the overdrive.
CHARACTER: Sweeps through an entire range of tonal possibilities.
In addition to modifying the frequency response, Character also influ-
ences the attack and drive characteristics.Therefore, you may need to
adjust your gain and tone settings after tweaking the Character control.
Below 12 o'clock serves up vintage '70s powerhouse attitudes.
Around 12 o'clock will introduce you to classic studio tones.
Above 12 o'clock increases the gain and crunch for less polite,
modern rock, indie bass sounds.
Full up gives you full-tilt distorted bass tones.
LOW, MID, HIGH: On-board post-EQ section gives you full con-
trol, like having a studio mixing board at your fingertips. Unlike passive
tone controls that only cut, these active controls cut and boost. At 12
o'clock, they are flat.
LOW is tuned to ±12dB @ 80 Hz.
MID is tuned to ±12dB @ 1 kHz.
HIGH is tuned to ±12dB @ 3.3 kHz.
LEVEL: Adjusts the output level of the unit when the SansAmp sec-
tion is engaged.This control has an exceptionally wide range for maxi-
mum compatibility with a variety of equipment.
BITE Switch: Engaged (in position), Bite activates a presence boost
to the SansAmp tube amplifier emulation circuitry to provide extra
clarity to the top end. It enhances your attack in distorted settings and
adds definition to your notes when playing in clean settings.
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