Yamaha TX7 Owner's Manual page 16

(Limit
key operation examples)
LOWEST <HIGHEST
lL
Range between L
and
H
LOWEST
=
HIGHEST
II
H
Only one note
produced
LOWEST
>
HIGHEST
II
Range below
H
and above L
Real-Time Control
Functions
ATTENUATION
[ATTENUATION
7
This function
sets
the
volume
level
of
the
corresponding voice.
This
is
particularly
useful for
balancing the
levels of different
voices.
The
attenuation
range
is
from
to 7,
selected using the
N0/-1
and YES/ +
1
buttons.
A
setting of
7 corresponds
to
maximum
volume (minimum
attenuation),
and
a
setting of
corresponds
to
minimum
volume
(maximum
attenuation).
This
group
of
functions
pertains to effects
which are controlled via controllers
built
into
or
connected
to
the
DX
synthesizer
being used with the TX7.
Please note
that
all
functions
in
this
group, except the pitch
wheel
functions,
have
exactly the
same parameters
which produce the
same
effects via
the different
controllers.
The parameters
for
MODULATION
WHEEL, FOOT CONTROLLER,
BREATH CONTROLLER
and
AFTER
TOUCH
are
all
the
same: depth (0
—
15),
pitch (off
or on),
amplitude
(off or
on)
and
EG
bias (off or
on). For these four
controllers to function,
however,
the
AMPLITUDE MODULATION
SENSITIVITY
and
PITCH
MODULATION
SENSITIVITY
parameters
in
the voice data
of
the cor-
responding voice
must be
set to a
value other than
0.
The
LFO
modulation speed
setting
is
also integral
with the actual
voice
data,
and must be
set
as required
for
each
voice.
PW RNG
=
.STP
=
PITCH
WHEEL
RANGE
This function permits the
DX7
pitch
wheel
to control
TX7
voices.
The
pitch
wheel,
parameters
can be
programmed
individually
for
each
voice.
The
pitch
wheel range
can be
set
from
to
1
2.
At the
pitch
wheel
has
no
effect.
Each increment increases
the pitch
wheel range by
one
semitone. Thus, the
pitch
wheel
range
would
be
set
to
7
to
achieve
a full fifth
(plus/
-minus
one
fifth
from
center position) range.
A
setting of
1
2
would
give
a full
octave pitch
bend,
up and down. The
desired pitch
bend range
is
set
using the
N0/-1
and
YES/+1
buttons.
15