Effect And Valve Force Settings - Korg TRITON Extreme TRITON Extreme music workstation/sampler Operation Manual

Effect and Valve Force settings

The effect section of the TRITON Extreme provides five
insert effects, two master effects, one master EQ (stereo
3-band EQ), and a mixer that controls the routing of these
components.
You can choose from 102 types of full-digital effects for
each insert effect, and from 89 types for each master effect.
The effects are categorized as follows.
Categories of the 102 effect types
001–015 Filter and dynamics effects, such as EQ and compressor
016–031 Phase modulation effects, such as chorus and phaser
032–040 Other modulation and pitch-shift effects such as rotary
speaker and pitch shifter
041–051 Early reflection and delay effects
052–057 Reverb effects
058–089 Mono + mono chain effects that internally connect two
mono effects in series
090–102 Double-size effects
You can select effects 000–089 for IFX1, 2, 3, 4, 5, MFX1,
and MFX2.
You can select effects 090–102 for IFX2, 3, or 4. This is
because these are double-size effects which require twice
as much processing as the other effects.
Effects in each mode
In Program mode, insert effects can be used as part of the
sound-creating process, in the same way that the output
sound of the oscillator (OSC) is processed by the filter and
amp to create the final sound. Then the master effects can
be used to apply spatial-type effects such as reverb. The
stereo 3-band master EQ is located immediately before the
OUTPUT (MAIN) L/MONO and R outputs and is used to
make final adjustments in tone. These settings can be
made independently for each program.
Send
Oscillator Filter Amplifier Insert Effect 1-5
In Combination mode, Sequencer mode, and Song Play
mode, insert effects can be used to help create the sound
of each timbre/track. The master effects are used to apply
overall spatial processing, and the master EQ is used to
make overall adjustments in tone.
You can make these settings independently for each com-
bination in Combination mode, independently for each
song in Sequencer mode, and in Song Play mode for the
entire mode.
Send
Timbre 1 / Track 1
Insert Effect 1-5
Timbre 2 / Track 2
Timbre 8 / Track 16
Return
Master Effect 1,2
OUTPUT
Master EQ
L/MONO, R
Return
Master Effect 1,2
OUTPUT
Master EQ
L/MONO, R
In Sampling mode, you can sample while applying insert
effects to the audio coming in via AUDIO INPUT 1, 2, or
S/P DIF IN jacks. Settings in Sampling mode are made in
Input (SAMPLING) (Sampling P0: Input/Setup). These
settings are valid only for Sampling mode.
You can also sample while applying an insert effect to the
samples assigned to a multisample.
AUDIO INPUT (1, 2) Insert Effect 1-5
S/P DIF IN (L, R)
Sample Insert Effect 1-5
The external input from the AUDIO INPUT 1, 2, or S/P
DIF IN jacks is also valid in modes other than Sampling
mode. In Program, Combination, Sequencer, and Song
Play modes, you can use the insert effects, master effects,
and master EQ. Settings for external signal input via the
AUDIO INPUT 1, 2, and S/P DIF IN can be made in
"Input (COMBI, PROG, SEQ, S.PLAY, MEDIA)" (set in
Global P0: 0–3a or in the corresponding mode).
In these modes, the external input sound from each jack
can be processed by the TRITON Extreme's effects and
sampled, or the TRITON Extreme can be used as a 4-in
(AUDIO INPUT 1, 2, and S/P DIF IN L, R) 6-out effect
processor. The TRITON Extreme can also be used as a
vocoder effect (093: Vocoder) that uses external mic input
to control internal sounds.
Send
Oscillator Filter Amplifier Insert Effect 1-5
AUDIO INPUT (1, 2)
S/P DIF IN (L, R)
When effects are applied to the external input sound
from the AUDIO INPUT 1, 2, and S/P DIF IN jacks,
certain effect types or parameter settings may cause
oscillation to occur. If this occurs, adjust the input
level, output level, or effect parameters. Please be
aware of this particularly when using an effect that
has a high gain.
Sample
Recording
Resampling
Return
Master Effect 1,2
OUTPUT
Master EQ
L/MONO, R
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