Behringer Tube Ultragain MIC200 User Manual page 6

TUBE ULTRAGAIN MIC200
applications is not recommended. No matter what your applica-
tion is, the clip LED warns you to reduce the gain setting to avoid
distortion.
This +48 V switch activates the phantom power supply for the XLR
{5}
input. Phantom power supply is required for operating condenser
microphones. Dynamic microphones require no phantom power.
Press the LOW CUT switch to eliminate undesired subsonic noise,
{6}
such as floor rumble.
With the PHASE REVERSE switch, the input signal is reversed
{7}
by 180°. This function is available for both mic and line signals.
Use this function in a multi-microphone setup if you detect phase
cancellations in specific frequency bands.
The OUTPUT control governs the output level within a range from
{8}
-oo to +10 dB. If the control is turned all the way to the left, there is
no output signal at all. The more the control is turned to the right,
the higher the output level.
The PREAMP MODE rotary switch gives you a wide selection
{9}
of preamp presets. The options available are: WARM, WARM/
LIMITER, LIMITER and NEUTRAL:
WARM (moving clockwise, starting at 9 o'clock):
These settings make sense if you wish to add that typical warmth associ-
ated with analog signals.
KEYB: For electronic keyboard instruments of all types.
=
E-GTR: Electric guitar.
=
VOCAL: Speech and vocals.
=
VALVE: Warm, analog tube sound.
=
WARM + LIMITER (moving clockwise, starting at 12 o'clock):
Use these settings when working with high volumes or with sounds with
frequent signal peaks, and if directly recording an instrument with a mic
(e. g. drums) to insert additional warmth.
MULTI: Various applications.
=
VOCAL: Speech and vocals.
=
A-GTR: Acoustic guitar.
=
PIANO: Piano/grand piano.
=
6 Control elements