Mackie 1604-VLS PRO Owner's Manual
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Mackie 1604-VLS PRO Owner's Manual

Mackie 1604-VLS PRO Owner's Manual

16-channel mic/line mixer
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1604-VLZ PRO
16-CHANNEL
MIC/LINE MIXER
OWNER'S MANUAL
MAIN INSERT
120 VAC 50/60 Hz 20W
POWER
PHANTOM
MAIN OUT
(TIP SEND
1A/250V SLO-BLO
ON
ON
BAL/UNBAL
RING RETURN)
L
L
MONO
R
R
CAUTION:
TO REDUCE THE RISK OF
FIRE REPLACE WITH SAME
TYPE FUSE AND RATING
O O
+6
UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE
UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE
INSERT
INSERT
INSERT
INSERT
INSERT
16
15
14
13
LINE
LINE
LINE
LINE
LINE
BAL
BAL
BAL
BAL
BAL
UN-
UN-
UN-
UN-
UN-
BAL
BAL
BAL
BAL
BAL
MIC 16
MIC 15
MIC 14
MIC 13
MIC 12
DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA • COPYRIGHT ©1998 • THE FOLLOWING ARE TRADEMARKS OR REGISTERED TRADEMARKS OF MACKIE DESIGN INC.: "MACKIE", "VLZ", "XDR", AND THE "RUNNING MAN" FIGURE • US PATENT NUMBER 29/049,129
1
2
3
4
5
1604-VLZ PRO
16-CHANNEL MIC/ LINE MIXER
WITH PREMIUM XDR
TM
MIC PREAMPLIFIERS
3
TRIM
1
TRIM
2
TRIM
TRIM
4
TRIM
5
TRIM
U
U
U
U
U
U
0
60
0
60
0
60
0
60
0
60
0
60
+15dB -45dB
+15dB -45dB
+15dB -45dB
+15dB -45dB
+15dB -45dB
+15dB -45dB
AUX
AUX
AUX
AUX
AUX
AUX
U
U
U
U
U
U
1
1
1
1
1
1
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
U
U
U
U
U
U
2
2
2
2
2
2
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
PRE
PRE
PRE
PRE
PRE
PRE
U
U
U
U
U
U
3
5
3
5
3
5
3
5
3
5
3
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
U
U
U
U
U
U
4
6
4
6
4
6
4
6
4
6
4
+15
+15
+15
+15
+15
+15
O O
O O
O O
O O
O O
O O
5/6
5/6
5/6
5/6
5/6
5/6
SHIFT
SHIFT
SHIFT
SHIFT
SHIFT
SHIFT
EQ
EQ
EQ
EQ
EQ
EQ
HI
HI
HI
HI
HI
U
U
U
U
U
U
12k
12k
12k
12k
12k
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
U
MID
U
MID
U
MID
U
MID
U
MID
U
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
800
800
800
800
800
800
200
2k
200
2k
200
2k
200
2k
200
2k
200
100
8k
100
8k
100
8k
100
8k
100
8k
100
8k
LOW
LOW
LOW
LOW
LOW
U
U
U
U
U
U
80Hz
80Hz
80Hz
80Hz
80Hz
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
LOW CUT
LOW CUT
LOW CUT
LOW CUT
LOW CUT
LOW CUT
75 Hz
75 Hz
75 Hz
75 Hz
75 Hz
75 Hz
18dB/OCT
18dB/OCT
18dB/OCT
18dB/OCT
18dB/OCT
18dB/OCT
PAN
PAN
PAN
PAN
PAN
PAN
L
R
L
R
L
R
L
R
L
R
L
R
1
2
3
4
5
6
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
OL
OL
OL
OL
OL
-20
-20
-20
-20
-20
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
1–2
1–2
1–2
1–2
1–2
3–4
3–4
3–4
3–4
3–4
L - R
L - R
L - R
L - R
L - R
L - R
O O
O O
O O
O O
O O
O O
TAPE
TAPE
C-R OUT
SUB OUT
AUX RETURN
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
INPUT
OUTPUT
L
3
1
4
L
L
L
(MONO)
(MONO)
R
4
2
R
R
R
INSERT
INSERT
INSERT
INSERT
INSERT
12
11
10
9
8
LINE
LINE
LINE
LINE
LINE
BAL
BAL
BAL
BAL
BAL
UN-
UN-
UN-
UN-
UN-
BAL
BAL
BAL
BAL
BAL
MIC 11
MIC 10
MIC 9
MIC 8
MIC 7
XDR
TM
EXTENDED DYNAMIC RANGE MIC PREAMPLIFIERS ARE PROPRIETARY TO MACKIE DESIGNS, INC.
6
7
8
9
10
6
TRIM
7
TRIM
8
TRIM
9
TRIM
10
TRIM
11
TRIM
U
U
U
U
U
U
0
60
0
60
0
60
0
60
0
60
0
+15dB -45dB
+15dB -45dB
+15dB -45dB
+15dB -45dB
+15dB -45dB
+15dB -45dB
AUX
AUX
AUX
AUX
AUX
AUX
U
U
U
U
U
U
1
1
1
1
1
1
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
U
U
U
U
U
U
2
2
2
2
2
2
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
PRE
PRE
PRE
PRE
PRE
PRE
U
U
U
U
U
U
5
3
5
3
5
3
5
3
5
3
5
3
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
U
U
U
U
U
U
6
4
6
4
6
4
6
4
6
4
6
4
+15
+15
+15
+15
+15
+15
O O
O O
O O
O O
O O
O O
5/6
5/6
5/6
5/6
5/6
5/6
SHIFT
SHIFT
SHIFT
SHIFT
SHIFT
SHIFT
EQ
EQ
EQ
EQ
EQ
EQ
HI
HI
HI
HI
HI
HI
U
U
U
U
U
U
12k
12k
12k
12k
12k
12k
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
MID
U
MID
U
MID
U
MID
U
MID
U
MID
U
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
800
800
800
800
800
800
2k
200
2k
200
2k
200
2k
200
2k
200
2k
200
100
100
100
8k
100
8k
100
8k
8k
100
8k
LOW
LOW
LOW
LOW
LOW
LOW
U
U
U
U
U
U
80Hz
80Hz
80Hz
80Hz
80Hz
80Hz
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
LOW CUT
LOW CUT
LOW CUT
LOW CUT
LOW CUT
LOW CUT
75 Hz
75 Hz
75 Hz
75 Hz
75 Hz
75 Hz
18dB/OCT
18dB/OCT
18dB/OCT
18dB/OCT
18dB/OCT
18dB/OCT
PAN
PAN
PAN
PAN
PAN
PAN
L
R
L
R
L
R
L
R
L
R
L
7
8
9
10
11
12
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
OL
OL
OL
OL
OL
OL
-20
-20
-20
-20
-20
-20
SOLO
SOLO
SOLO
SOLO
SOLO
1–2
1–2
1–2
1–2
1–2
1–2
3–4
3–4
3–4
3–4
3–4
3–4
L - R
L - R
L - R
L - R
L - R
O O
O O
O O
O O
O O
O O
TRACK
TRACK
TRACK
1
2
3
AUX SEND
DIRECT OUT
BAL/UNBAL
BAL/UNBAL
3
2
1
5
3
1
7
L
L
L
(MONO)
6
4
2
8
R
R
R
INSERT
INSERT
INSERT
INSERT
INSERT
7
6
5
4
3
LINE
LINE
LINE
LINE
LINE
BAL
BAL
BAL
BAL
BAL
UN-
UN-
UN-
UN-
UN-
BAL
BAL
BAL
BAL
BAL
MIC 6
MIC 5
MIC 4
MIC 3
MIC 2
11
12
13
14
14
12
TRIM
13
TRIM
TRIM
15
TRIM
16
U
U
U
U
1604-VLZ PRO
16-CHANNEL MIC/ LINE MIXER
WITH PREMIUM XDR
TM
60
0
60
0
60
0
60
0
60
+15dB -45dB
+15dB -45dB
+15dB -45dB
+15dB -45dB
AUX
AUX
AUX
AUX
U
U
U
U
U
1
1
1
1
1
1
O O
+15
O O
+15
O O
+15
O O
+15
O O
+10
O O
U
U
U
U
U
2
2
2
2
2
2
O O
+15
O O
+15
O O
+15
O O
+15
O O
+10
O O
PRE
PRE
PRE
PRE
AUX
SEND
U
U
U
U
5
3
5
3
5
3
5
3
5
1
3
SOLO
O O
+15
O O
+15
O O
+15
O O
+15
O O
U
U
U
U
2
6
4
6
4
6
4
6
4
6
SOLO
4
+15
+15
+15
+15
O O
O O
O O
O O
PHAN
PWR
O O
5/6
5/6
5/6
5/6
SHIFT
SHIFT
SHIFT
SHIFT
EQ
EQ
EQ
EQ
HI
HI
HI
HI
HI
U
U
U
U
12k
12k
12k
12k
12k
-15
+15
-15
+15
-15
+15
-15
+15
O O
MAX
O O
CTL ROOM / PHONES
MID
U
MID
U
MID
U
MID
U
MID
TAPE IN
TAPE
TAPE TO
-15
+15
-15
+15
-15
+15
-15
+15
MAIN MIX
800
800
800
800
SUBS 1–2
2k
200
2k
200
2k
200
2k
200
2k
100
100
100
8k
8k
8k
8k
100
8k
O O
LOW
LOW
LOW
LOW
LOW
SOLO
U
U
U
U
SUBS 3–4
80Hz
80Hz
80Hz
80Hz
80Hz
MAIN MIX
MODE
-15
+15
-15
+15
-15
+15
-15
+15
LOW CUT
LOW CUT
LOW CUT
LOW CUT
CTL ROOM
NORMAL
75 Hz
75 Hz
75 Hz
75 Hz
SOURCE
LEVEL SET
18dB/OCT
18dB/OCT
18dB/OCT
18dB/OCT
PAN
PAN
PAN
PAN
ASSIGN TO MAIN MIX
LEFT
LEFT
R
L
R
L
R
L
R
L
R
13
14
15
16
MUTE
MUTE
MUTE
MUTE
RIGHT
RIGHT
1
2
OL
OL
OL
OL
OL
-20
-20
-20
-20
-20
SOLO
SOLO
SOLO
SOLO
SOLO
1–2
1–2
1–2
1–2
1–2
3–4
3–4
3–4
3–4
3–4
L - R
L - R
L - R
L - R
L - R
O O
O O
O O
O O
TRACK
TRACK
TRACK
TRACK
TRACK
4
5
6
7
8
5
3
1
6
4
2
INSERT
2
1
LINE
BAL
UN-
BAL
MIC 1
15
16
12V
0.5A
MIC PREAMPLIFIERS
LAMP
U
U
TO AUX
1
SEND 1
+20
O O
+15
EFFECTS TO
U
U
MONITORS
TO AUX
2
SEND 2
+20
O O
+15
U
ASSIGN OPTIONS
MAIN MIX
1–2
+20
TO SUBS
3–4
U
C-R / PHNS
RETURNS
+20
ONLY
SOLO
STEREO AUX RETURN
LEFT RIGHT
U
0 dB=0 dBu
28
10
+20
7
4
2
0
2
4
MAX
LEVEL
7
SET
10
20
30
RUDE
(AFL)
SOLO
(PFL)
LIGHT
LEFT
LEFT
PHONES
RIGHT
RIGHT
MAIN
3
4
MIX
dB
dB
10
10
5
5
U
U
5
5
10
10
20
20
30
30
40
40
50
50
60
60
O O
O O

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Summary of Contents for Mackie 1604-VLS PRO

  • Page 1 EXTENDED DYNAMIC RANGE MIC PREAMPLIFIERS ARE PROPRIETARY TO MACKIE DESIGNS, INC. DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA • COPYRIGHT ©1998 • THE FOLLOWING ARE TRADEMARKS OR REGISTERED TRADEMARKS OF MACKIE DESIGN INC.: "MACKIE", "VLZ", "XDR", AND THE "RUNNING MAN" FIGURE • US PATENT NUMBER 29/049,129...

  • Page 2: Safety Instructions

    16. Power Precautions — Unplug this Mackie product during lightning storms livret d'instruction accompagnant l'appareil. or when unused for long periods of time. Note that this Mackie product is not completely disconnected from the AC mains service when the power switch is SAFETY INSTRUCTIONS in the OFF position.

  • Page 3: Level-Setting Procedure

    “Turn the trim up until the clip another one. light comes on, then back off a hair” trick. When a Mackie Designs mixer clip light comes on, you INSTANT MIXING really are about to clip. Here’s how to get going This procedure really works —...

  • Page 4: Channel Strips

    EXTENDED DYNAMIC RANGE MIC PREAMPLIFIERS ARE PROPRIETARY TO MACKIE DESIGNS, INC. DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA • COPYRIGHT ©1998 • THE FOLLOWING ARE TRADEMARKS OR REGISTERED TRADEMARKS OF MACKIE DESIGN INC.: "MACKIE", "VLZ", "XDR", AND THE "RUNNING MAN" FIGURE • US PATENT NUMBER 29/049,129...

  • Page 5: Table Of Contents

    CONTENTS LEVEL-SETTING PROCEDURE ......3 PRE ............21 INSTANT MIXING ..........3 5/6 SHIFT ..........21 HOOKUP DIAGRAMS ........6 OUTPUT SECTION DESCRIPTION ..... 22 CONVERTING TO RACKMOUNT MODE ....9 MAIN MIX FADER ........22 PATCHBAY DESCRIPTION ....... 10 VLZ MIX ARCHITECTURE ......

  • Page 6: Hookup Diagrams

    HOOKUP DIAGRAMS FULL SYMMETRY DUAL DIFFERENTIAL HIGH CURRENT DESIGN Stereo Power Amplifier 1604-VLZ PRO 8-Track Tracking...
  • Page 7 1604-VLZ PRO Stereo P.A.
  • Page 8 1604-VLZ PRO Video Setup...

  • Page 9: Converting To Rackmount Mode

    CONVERTING TO RACKMOUNT MODE Not only is the new 1604-VLZ PRO a compact, An optional accessory called the ROTOPOD- professional-quality tabletop mixer, it’s rack- VLZ is available and can be used in desktop or mountable! Its unique rotating input pod rackmount installations.

  • Page 10: Patchbay Description

    EXTENDED DYNAMIC RANGE MIC PREAMPLIFIERS ARE PROPRIETARY TO MACKIE DESIGNS, INC. DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA • COPYRIGHT ©1998 • THE FOLLOWING ARE TRADEMARKS OR REGISTERED TRADEMARKS OF MACKIE DESIGN INC.: "MACKIE", "VLZ", "XDR", AND THE "RUNNING MAN" FIGURE • US PATENT NUMBER 29/049,129...

  • Page 11: Line Inputs

    LINE INPUTS This 15dB of attenuation can be very handy TRIM when you are inserting a signal that is very hot, These " jacks share circuitry (but not or you want to add a lot of EQ gain, or both. phantom power) with the mic preamps.

  • Page 12: Split Monitoring

    Another method of interfacing a multitrack is called inline monitoring, and requires a mixing console dedicated to that, like the Mackie The outputs of the multitrack are then 8•Bus. Each of its channels is actually two chan-...

  • Page 13: Effects: Serial Or Parallel

    EXTENDED DYNAMIC RANGE MIC PREAMPLIFIERS ARE PROPRIETARY TO MACKIE DESIGNS, INC. DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA • COPYRIGHT ©1998 • THE FOLLOWING ARE TRADEMARKS OR REGISTERED TRADEMARKS OF MACKIE DESIGN INC.: "MACKIE", "VLZ", "XDR", AND THE "RUNNING MAN" FIGURE • US PATENT NUMBER 29/049,129...

  • Page 14: C-R Outs (Control Room Outputs)

    This method is exactly WARNING: When we say the same as the double- the headphone amp is busing feature found in loud, we’re not kidding. It other mixers. Built-in double can cause permanent ear busing is nothing more than damage. Even intermedi- Y-cords living inside the mixer instead of ate levels may be painfully loud with some hanging out the back.

  • Page 15: Main Insert

    MAIN INSERT ing mono signals to mic inputs like camcorders, telephone interface boxes, even answering These " jacks are for connecting serial machines. With the pot all the way up (fully effects such as compressors, equalizers, de- clockwise), you’ll have 6dB of extra gain with essers, or filters .

  • Page 16: Power Switch

    EXTENDED DYNAMIC RANGE MIC PREAMPLIFIERS ARE PROPRIETARY TO MACKIE DESIGNS, INC. DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA • COPYRIGHT ©1998 • THE FOLLOWING ARE TRADEMARKS OR REGISTERED TRADEMARKS OF MACKIE DESIGN INC.: "MACKIE", "VLZ", "XDR", AND THE "RUNNING MAN" FIGURE • US PATENT NUMBER 29/049,129...

  • Page 17: Channel Strip Description

    (the track). It is possible for airborne “U” LIKE UNITY GAIN crud to land on the track. Should that happen, Mackie mixers have a “U” you may hear scratchy noises or signal drop- symbol on almost every level outs as the wiper stumbles over the crud. Do control.

  • Page 18: Solo

    LEVEL SET (PFL) is also the preferred mode If you’re printing new tracks or bouncing ex- isting ones, you’ll also use the 1–2 and 3–4 for SR (sound reinforcement, or live sound), to switches, but not the L–R switch. Here, you preview channels before they are let into the mix.

  • Page 19: Mute

    CONSTANT LOUDNESS ! ! ! come on as a result of clipping. That’s pretty boring. So, to liven things up, this LED will The 1604-VLZ PRO’s glow steadily when that channel’s MUTE PAN controls employ a de- switch is engaged. sign called “Constant If you need a quick reference to these LEDs, Loudness.”...

  • Page 20: Low Cut

    LOW CUT The LOW CUT switch, often referred to as a high pass filter (all depends on how you look at it), cuts bass frequencies below 75Hz at a rate of 18dB per octave. This ain’t no thrown-in –5 TRIM dime-store filter —...

  • Page 21: Pre

    In PRE mode (switch down), AUX 1 and 2 We recommend going into a stereo reverb in follow the TRIM and LOW CUT settings only. mono and returning in stereo. We have found EQ, PAN, fader and MUTE settings have no ef- that on most “stereo”...

  • Page 22: Output Section Description

    OUTPUT SECTION DESCRIPTION You’ve just learned about the At Mackie, audio quality is much more im- input channels and how the sig- portant than the price of wall warts. All of our 1604-VLZ PRO 0.5A 16-CHANNEL MIC/ LINE MIXER nals get in and out. The signals...

  • Page 23: Tape In (Level)

    TAPE IN (LEVEL) Now you know how to select the signals you want to send to the engineer’s control room This knob controls the level of the stereo signal and/or phones. From there, these signals all pass coming from the TAPE INPUT RCA jacks. Its range through the same level control, aptly named: is off when fully down, unity at the center detent, CTL ROOM/PHONES...

  • Page 24: Mode (Normal (Afl)/Level Set (Pfl))

    It won’t give you stereo placement, but will give you signal even if the fader is turned down. you’re mixing on a Mackie. No other company Remember, LEVEL SET (PFL) taps the chan- is so concerned about your level of SOLO nel signal before the fader.

  • Page 25: Meters

    TO AUX SEND 2 At the risk of creating another standard, gain (turned fully up). As with Mackie’s compact mixers address the need of some other level controls, you may SEND ASSIGN OPTIONS both crowds by calling things as they are: 0dBu never need the additional gain, but 1 –...

  • Page 26: Aux Sends Solo

    AUX SENDS SOLO EFFECTS TO MONITORS Once again, in a live sound situations AUX If you want to add reverb or delay to the SEND 1 and 2 are likely to feed your stage stage monitor mixes, these are the knobs for monitors.

  • Page 27: C-R/Phns Only (Aux Ret 4)

    TO SUBS (pre) instead of after (post). Instructions for performing these modifications C - R / PHNS RETURNS can be found on our website at www.mackie.com ONLY SOLO (click on Support). Or you can call Tech Support STEREO AUX RETURN...

  • Page 28: 1604-Vlz Pro Block Diagram

    1604-VLZ PRO BLOCK DIAGRAM...

  • Page 29: Gain Structure Diagram

    GAIN STRUCTURE DIAGRAM...

  • Page 30: Specifications

    SPECIFICATIONS Main Mix Noise Maximum Levels 20Hz–20kHz bandwidth, ⁄ " Main Out, channel Trims @ Mic in: +22dBu unity gain, channel EQs flat, all channels assigned to Main Mix, All other inputs: +22dBu odd channels panned left, even channels panned right Main Mix ⁄...

  • Page 31: Service Info

    • Try the same source signal in another channel, set number, please let Tech Support know if up exactly like the suspect channel. you need a new box. Mackie is not respon- sible for any damage that occurs due to Bad Output non-factory packaging.

  • Page 32: Appendix A: Connections

    TRS jacks and plugs are used in several different circuit, change the input routing of the signal or applications: serve other functions. Mackie uses switches in the • Stereo Headphones, and rarely, stereo micro- channel insert and bus insert jacks, input jacks phones and stereo line connections.
  • Page 33 RCA-type plugs (also known as phono plugs) The balanced-to-unbalanced connection has and jacks are often used in home stereo and video been anticipated in the wiring of Mackie jacks. equipment and in many other applications (Fig- ⁄ " TS plug inserted into a ⁄...
  • Page 34 If you insert a TS (mono) ⁄ " plug only partially (to the first click) into a Mackie insert jack, the Stereo line inputs and stereo AUX returns are a plug will not activate the jack switch and will not...
  • Page 35 MULTS AND “Y”s A mult or “Y” connector allows you to route one output to two or more inputs by simply providing parallel wiring connections. You can make “Y”s and mults for the outputs of both unbalanced and balanced circuits. Remember: Only mult or “Y”...

  • Page 36: Track Sheet

    1604-VLZPRO 16-CHANNEL MIC/ LINE MIXER WITH PREMIUM XDR MIC PREAMPLIFIERS Session: Date: NOTES: TRIM TRIM TRIM TRIM TRIM TRIM TRIM TRIM +15dB -45dB +15dB -45dB +15dB -45dB +15dB -45dB +15dB -45dB +15dB -45dB +15dB -45dB +15dB -45dB SHIFT SHIFT SHIFT SHIFT SHIFT SHIFT...
  • Page 37 EXTENDED DYNAMIC RANGE MIC PREAMPLIFIERS ARE PROPRIETARY TO MACKIE DESIGNS, INC. DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA • COPYRIGHT ©1998 • THE FOLLOWING ARE TRADEMARKS OR REGISTERED TRADEMARKS OF MACKIE DESIGN INC.: "MACKIE", "VLZ", AND THE "RUNNING MAN" FIGURE • US PATENT NUMBER 29/049,129...

  • Page 38: Colophon

    Mackie, the "Running Man" figure, VLZ and XDR are trademarks or registered trademarks of Mackie Designs Inc. All other brand names mentioned are trademarks or registered trademarks of their respective holders, and are hereby acknowledged.

  • Page 39: 1604-Vlz Pro Limited Warranty

    3-year warranty. be the subject of any warranty claims before repair C. Service and repairs of Mackie products are to be or replacement is carried out. Mackie and Mackie performed only at the factory (see D below) OR at an Authorized Service Centers may, at their option, re- Authorized Mackie Service Center (see E below).
  • Page 40 Mackie Designs Inc. 16220 Wood-Red Road NE • Woodinville, WA 98071 • USA US and Canada: 800.898.3211 Europe, Asia, Central and South America: 425.487.4333 Middle East and Africa: 31.20.654.4000 Fax: 425.487.4337 • www.mackie.com E-mail: sales@mackie.com...

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