Harman Kardon AVR 158 Owner's Manual page 31

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AVR 158
Table A9 – Surround Modes (cont.)
Surround Mode
Description
dtS digital
using a different encoding/decoding method from dolby digital, dtS digital
also provides up to five discrete main channels, plus an lFe channel.
dtS-hd
dtS-hd is a high-definition audio format that complements the high-definition video
found on blu-ray disc and hd-dVd discs. It is transmitted using a dtS core with
high-resolution extensions. even when only dtS 5.1 surround sound is desired (or
available, if the multizone system is in use), the higher capacity of high-resolution
discs serves up dtS at twice the bit rate used on dVd-Video discs.
dtS-hd Master Audio
dtS-hd Master Audio technology delivers bit-for-bit reproductions of studio master
recordings for an incredibly accurate performance.
dtS Stereo
delivers a two-channel downmix of dtS digital materials or presents a matrix-
encoded surround presentation.
logic 7
A hArMAn proprietary technology, logic 7 technology enhances two-channel
Mode group
and matrix-encoded recordings by deriving separate information for the surround
back channels. It provides more accurate placement of sound, improves panning
and expands the sound field, even when used with 5.1-channel systems. logic 7
technology uses 96khz processing and is available in 5.1 mode. three variants are
available.
logic 7
especially suited to two-channel sources containing dolby Surround or matrix
Movie
encoding, logic 7 Movie mode increases centre-channel intelligibility.
logic 7
the AVr is programmed at the factory to default to this mode for two-
Music
channel signals. logic 7 Music mode is well suited to conventional two-
channel music recordings.
logic 7
use logic 7 game mode to enhance enjoyment of video-game consoles.
game
5-channel Stereo
useful for parties, the left- and right-channel information is played through both
the front and surround speakers on each side, while the centre speaker plays a
summed mono mix.
2-channel Stereo
turns off all surround processing and plays a pure two-channel signal or a
downmix of a multichannel signal. the signal is digitised and bass management
settings are applied, making it appropriate when a subwoofer is used.
Incoming Bitstream or Signal
dtS 1/0/.0 or .1, 2/0/.0 or .1, 3/0/.0 or .1, 3/1/.0 or
.1, 2/2/.0 or .1, 3/2/.0 or .1
dtS-eS Matrix (played as 5.1)
dtS-eS discrete (played as 5.1)
blu-ray disc or hd-dVd discs encoded with dtS-hd modes,
delivered via hdMI connection
blu-ray disc or hd-dVd discs encoded with dtS-hd Master
Audio technology, delivered via hdMI connection
dtS 1/0/.0 or .1, 2/0/.0 or .1, 3/0/.0 or .1, 3/1/.0
or .1, 2/2/.0 or .1, 3/2/.0 or .1
dtS 96/24
dtS-eS Matrix
See below
Analogue (two-channel)
tuner
pcM (32khz, 44.1khz, 48khz, 96khz)
Analogue (two-channel)
tuner
pcM (32khz, 44.1khz, 48khz, 96khz)
Analogue (two-channel)
tuner
pcM (32khz, 44.1khz, 48khz, 96khz)
Analogue (two-channel)
tuner
pcM (32khz, 44.1khz, 48khz, 96khz)
Analogue (two-channel; dSp downmix available for multichannel)
tuner
pcM (32khz, 44.1khz, 48khz, 96khz)
Appendix
31

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