Page 1 PUB. DIE-0441-000B Digital Cinema Camera Instruction Manual...
Page 2: Important Usage Instructions
• Danger of explosion if the wrong type of batteries are attached. Use only the same type of batteries. • Do not expose batteries or product to excessive heat such as the inside of a car under direct sunlight, fire, etc. EOS C500 / EOS C500 PL / CA-940N / CG-940 identification plate is located on the bottom.
Page 3 The lightning flash with arrowhead symbol, within an CAUTION equilateral triangle, is intended to alert the user to RISK OF ELECTRIC SHOCK DO NOT OPEN the presence of uninsulated “dangerous voltage” within the product’s enclosure, that may be of CAUTION: sufficient magnitude to constitute a risk of electric TO REDUCE THE RISK OF ELECTRIC shock to persons.
Page 4: Important Safety Instructions
Canon Digital Cinema Camera grounding prong. The wide blade or the third EOS C500 / EOS C500 PL and all its accessories. prong are provided for your safety. If the provided plug does not fit into your outlet, consult an 1.
Page 5 Highlights of the EOS C500/C500 PL The Canon Digital Cinema Camera EOS C500/C500 PL has been designed with the discerning professional in mind. It is truly a cinematographer’s camera. The following are just some of the many features that will help turn your creative vision into reality.
Page 6 The Cinema RAW Development software, which buttons (A 111) so that you can call up those can be downloaded from your local Canon Web site, functions with the press of a single button. You can can develop the 4K RAW data recorded with an...
Page 7: Table Of Contents
Selecting an Option from the Menu 29 Rear Panel Displays 57 Using the Customized Submenu (My Menu) 30 Canon Log Gamma and CINEMA Preset 58 Preparing the Camera 32 Checking Clips Recorded with Canon Log Gamma Preparing the Lens 32...
Page 8 Monitoring the Audio with Headphones 96 Customizing Onscreen Displays 123 Using Metadata 97 Saving and Loading Camera Settings 124 Setting a User Memo Created with Canon XF Saving Camera Settings to an SD Card 124 Utility 97 Loading Camera Settings from an SD Card 124...
Page 9 Saving MXF Clips to a Computer 153 MXF Clip Operations 130 System Requirements 153 Using the Clip Menu 130 Installing and Uninstalling Canon XF Utility Displaying Clip Information 131 (Windows) 154 Adding $ Marks or % Marks 132 Installing and Uninstalling Canon XF Utility...
Page 11: Introduction
• Photographs in the manual are simulated pictures taken with a still camera. Some screenshots have been altered to make them easier to read. • Illustrations in the manual show the Canon EOS C500 camera with a Canon EF 50mm f/1.4 USM lens attached.
Page 12: Operating Modes
About this Manual The arrow is used to abbreviate menu Operating modes selections. For a detailed explanation on indicates that a function is available in the Using the how to use the menus, refer to operating mode (the two icons left of the dividing bar) Menus (A 29).
Page 13: Supplied Accessories
Used to secure the optional WFT-E6 Wireless File Transmitter, when it is attached to the camera. The Canon XF Utilities Disc includes software for saving and managing MXF clips on a computer. For details on installing the software, refer to Saving MXF Clips to a Computer (A 153).
Page 14: Names Of Parts
Names of Parts Names of Parts 1 MAGN. (magnification) button (A 80)/ 10 Control dial (A 71, 74) Assignable button 1 (A 111) 11 STATUS button (A 180) 12 Å (white balance adjustment) button (A 76)/ 2 PEAKING button (A 80) / Assignable button 2 (A 111) INDEX button (A 126)/Ñ...
Page 15 Names of Parts 17 MON. (external monitor) terminals 1 and 2 (A 41) 25 HD/SD SDI terminal (A 147) 18 WFT terminal (A 49) 26 SD card access indicator (A 44) 27 × (headphone) terminal (A 96) 19 EXT (modular unit) terminals 1 and 2 (A 35) 20 REMOTE terminal 28 DC IN terminal (A 25) For connecting commercially available remote...
Page 16 Names of Parts 2 EF Lens mount 3 PL Lens mount 33 Mount handle (A 33) 38 Bayonet ring handles (A 35) 34 EF Lens mount index (A 32) 39 PL Lens index pin (A 35) 35 EF-S Lens mount index (A 32) 40 Bayonet ring (A 35) 36 EF Lens contacts (A 32) 37 START/STOP button (A 51)
Page 17 Names of Parts 41 Viewfinder unit 55 Rear panel (A 57) 42 Viewfinder unit LOCK/RELEASE screw (A 196) 56 MON./3G-SDI terminal cover (A 41) (rear panel’s backlight) button (A 57) 57 CF card slot cover switches for CF card slots 44 FUNC.
Page 18 Names of Parts 64 Tape measure hooks 67 Strap mounts (A 39) Use the hooks to accurately measure the distance 68 Accessory shoe with mounting hole for from the focal plane. 0.64 cm (1/4 in.) screws Focal plane marks For attaching accessories such as the optional 66 Socket for the WFT Attachment Bracket (A 49) VL-10Li II Battery Video Light.
Page 19: Monitor Unit
Names of Parts Monitor Unit Operation panel (A 20) 1 LCD panel 4 Microphone holder (A 92) 2 MIRROR button (A 37) 5 Microphone cable clamp (A 92) 3 Microphone lock screw (A 92) 6 XLR terminals CH1 (right) and CH2 (left) (A 92) Handle Unit 1 Mounting hole for 0.64 cm (1/4 in.) screws 3 Top accessory shoe...
Page 20 Names of Parts Operation panel 7 8 9 10 11 10 Ù (skip forward) button (A 128)/ 1 DISP. (display) button (A 55, 127) 2 Ñ (stop) button (A 126)/ Assignable button 15 (A 111) Assignable button 14 (A 111) 11 XLR terminal switches for CH1 (top) and CH2 3 WFM (waveform monitor) button (A 100)/ (bottom) (A 93)
Page 21: 4K Workflow Overview
4K Workflow Overview 4K Workflow Overview The following illustrates the typical 4K workflow for this camera. Operating modes: Recording Post-production Full-quality RAW data data 3G-SDI connection Cinema External 4K Color recorder grading Development RAW recording Proxy data CF card MXF data Supplied HD recording plugin...
Page 22: Color Grading With The Aces Workflow
4K Workflow Overview Color Grading with the ACES Workflow Post-production Open EXR 3G-SDI (ACES) data Cinema RAW output External 4K Color grading Development recorder ASC- RAW recording MON. 2 output ACES proxy10 Inverse ASC- On-set Color Grading ACESproxy10: ACESproxy10 video data that is output from the MON. 2 terminal when performing on-set color 4K/2K/MXF] >...
Page 23: Preparations
Preparations Preparing the Power Supply You can power the camera using a battery pack or directly using the compact power adapter. If you connect the compact power adapter to the camera while a battery pack is attached, the camera will draw power from the power outlet.
Page 24 Preparing the Power Supply Attaching the Battery Pack 1 Set the Q switch to OFF. 2 Slide the BATT. OPEN switch in the direction of the arrow and open the battery compartment cover. 3 Insert the battery pack all the way into the compartment as shown in the illustration and press it gently toward the left until it clicks.
Page 25: Using A Household Power Outlet
Preparing the Power Supply Press the BATT. INFO button to display the remaining battery charge (for 5 seconds). Depending on the battery life, the battery information may not be displayed. NOTES • The first time you use a battery pack, fully charge it and then use the camera until the battery pack is completely exhausted.
Page 26: Turning The Camera On And Off
Preparing the Power Supply Turning the Camera On and Off The camera has two operating modes: CAMERA ( ) mode for making recordings and MEDIA ( mode for playing back recordings. Select the operating mode using the Q switch. To turn on the camera Set the Q switch to CAMERA for mode or MEDIA for mode.
Page 27: Date, Time And Language Settings
Date, Time and Language Settings Date, Time and Language Settings Setting the Date and Time You will need to set the date and time of the camera before you can start using it. When the camera’s clock is not set, the [Date/Time] screen will appear automatically with the first field selected (month or day, depending on the country/region of purchase).
Page 28: Displaying The Date And Time While Recording
Date, Time and Language Settings Displaying the Date and Time while Recording [£ LCD/VF Setup] You can display the date and time on the screen. [Custom Display 2] Operating modes: [Date/Time] 1 Press the MENU button. 2 Push the joystick up/down or turn the SELECT dial to select [Off] [£...
Page 29: Using The Menus
Using the Menus Using the Menus mode, many of the camera’s functions can be adjusted from the menu for general settings, which opens after pressing the MENU button. You can also register frequently used menu settings in a customized submenu (My Menu) for easy access. In mode, press the MENU button to open the menu for general settings or SET to open the clip menu for clip operations.
Page 30: Using The Customized Submenu (My Menu)
Using the Menus 5 Push the joystick right or press SET. • The orange selection frame will appear on a setting option. • Press the CANCEL button to return to the previous submenu. 6 Push the joystick up/down or turn the SELECT dial to select the desired setting option and then press SET.
Page 31 Using the Menus Removing Menu Settings [¥ My Menu] 1 Open the My Menu [Delete] screen. [¥ My Menu] > [Edit] > [Delete] [Edit] 2 Push the joystick up/down or turn the SELECT dial to select the setting you want to remove and then press SET. [Delete] 3 Select [OK] and then press SET twice.
Page 32: Preparing The Camera
Preparing the Camera Preparing the Camera This section outlines the basic preparations for the camera such as attaching a lens and attaching the modular units to the camera: monitor unit, handle unit, eye cup, etc. This section also covers how to adjust the viewfinder and LCD screen.
Page 33 Preparing the Camera Index mark 2 Attaching an EF Lens 1 Set the Q switch to OFF. 2 Turn the mount handle clockwise until it stops. 3 Remove the body cap from the camera and any dust caps from the lens.
Page 34 Correction data for future lenses will be made available as part of the regular updates released for the camera’s firmware. For more details, visit your local Canon Web site. - Depending on the recording conditions, noise may appear in the periphery of the image as a result of the correction.
Page 35: Attaching And Removing The Monitor Unit
Preparing the Camera - When using non-Canon lenses, peripheral illumination will not be corrected. Even if the [~ Camera Setup] > [Periph. Illum. Corr.] setting is available (not grayed out), it is recommended to set it to [Off]. 3 Attaching a PL Lens...
Page 36: Using The Viewfinder
Preparing the Camera Using the Viewfinder Adjusting the Viewfinder’s Position 1 Gently pull out the viewfinder until it stops. 2 Adjust the viewfinder’s angle as necessary. • The viewfinder unit can be adjusted up to 60º vertically. Attaching and Detaching the Eye Cup Attach the eye cup so that it covers the rubber portion of the viewfinder unit.
Page 37: Using The Lcd Panel
Preparing the Camera Attaching the Viewfinder Cap Pointing the viewfinder lens at the sun or other strong light sources may cause damage to internal components. When you are not using the viewfinder, make sure to attach the viewfinder cap to the viewfinder.
Page 38: Adjusting The Viewfinder/Lcd Screen
Preparing the Camera Adjusting the Viewfinder/LCD Screen [£ LCD/VF Setup] You can adjust the brightness, contrast, color, sharpness, and backlight of the viewfinder and LCD screen independently of each other. These [LCD Setup] adjustments will not affect your recordings. [VF Setup] Operating modes: [Brightness: ±0] [Contrast: ±0]...
Page 39: Attaching The Handle Unit
Preparing the Camera Using a Tripod with 0.64 cm (1/4 in.) Mounting Screws To use a tripod with 0.64 cm (1/4 in.) mounting screws, first attach the supplied tripod adapter base to the camera and then attach the tripod to the adapter base. 1 Remove the original TB-1 tripod base from the camera.
Page 40: Removing And Attaching The Terminal Covers
Preparing the Camera Removing and Attaching the Terminal Covers You can remove the plastic covers of the following terminals and SD card slot to access them more readily. For Connecting to a 4K- or 2K-Compatible information on removing the MON./3G-SDI terminal cover, refer to External Recorder (A 41).
Page 41: Connecting To A 4K- Or 2K-Compatible External Recorder
Refer also to the external recorder’s instruction manual for details on how to record. * To make 4K recordings, the external recorder must be compatible with Canon RAW files. Refer to Canon’s Web site for the latest information on compatible recorders.
Page 42 Connecting to a 4K- or 2K-Compatible External Recorder Video signal output from the 3G-SDI terminals The following summarizes the video signal output from the 3G-SDI terminals for general shooting situations. The figures in parentheses apply to 2K mode. Video configuration (A 60) Output signal System priority / 3G-SDI 1...
Page 43: Preparing Recording Media
* The camera can record custom picture files and a camera settings file onto the SD card as well. The SD card serves also to store user memo files created with the supplied software Canon XF Utility that you can then read and embed in the clips’ metadata.
Page 44: Removing A Cf Card
Preparing Recording Media Removing a CF card 1 Wait until the access indicator for the card slot with the CF card to be removed is off. 2 Slide the CF card slot cover switch in the direction of the arrow. •...
Page 45: Initializing The Recording Media
Preparing Recording Media • If you set the [w Other Functions] > [Media Access LED] function to [Off], the access indicators will not illuminate. Initializing the Recording Media The first time you use any recording media with this camera, initialize it first. You can also initialize a recording media to permanently delete all the data it contains.
Page 46: Switching Between The Cf Card Slots
Preparing Recording Media Switching Between the CF Card Slots The camera features two CF card slots, CF2 (CF card slot A) and CF3 (CF card slot B). If both slots contain a CF card, you can switch between them as necessary. Operating modes: Press the SLOT SELECT button.
Page 47: Checking The Available Recording Time For Cf Cards
Preparing Recording Media • If a CF card becomes full during double slot recording, recording on both cards will stop. On the other hand, if an error occurs with one of the cards, recording will continue on the other card. •...
Page 48: Adjusting The Black Balance
Adjusting the Black Balance Adjusting the Black Balance You can have the camera adjust the black balance automatically when ambient temperature changes considerably or if there is a noticeable change in a true black video signal. Operating modes: 1 Open the [ABB] screen. [~ Camera Setup] [~ Camera Setup] >...
Page 49: Remote Operation Via The Wi-Fi Remote Application
* For details about compatible devices, operating systems, Web browsers, etc. please visit your local Canon Web site. Operating modes:...
Page 50 Remote Operation Via the Wi-Fi Remote Application...
Page 51: Recording
Recording Recording Video This section explains the recording basics. Before you use an external recorder, make sure it is operating correctly. Before you begin recording on a CF card, make a test recording first to check if the camera is operating correctly.
Page 52 Recording Video 3 Select [4K], [2K] or [MXF] and then press SET. 4K/2K/MXF Setup] • The system priority changes to the selected menu item. Hereafter, each mode will be referred to in this manual as “4K mode”, “2K mode” and “MXF mode”, respectively. [System Priority] •...
Page 53 - Do not open the CF card slot cover of the CF card slot being accessed and remove the CF card. - Do not disconnect the power source or turn off the camera. • Be sure to save your recordings regularly (A 153), especially after making important recordings. Canon shall not be liable for any loss or corruption of data.
Page 54: Remote Operation Using Wi-Fi Remote
Recording Video • By default, [w Other Functions] > [Fan] is set to [Automatic] and the internal cooling fan will be activated during record pause mode. While recording, when the camera's internal temperature goes below a predetermined level, the cooling fan will deactivate. You can also set the cooling fan to be activated at all times.
Page 55: Onscreen Displays
Recording Video Onscreen Displays Refer to this section for an explanation of the various screen displays that appear in mode. You can use the custom display function ( 123) to turn off individual onscreen displays if they are not required. 30 31 32 When displaying the date and time ( 28):...
Page 56 Recording Video NOTES • You can press the DISP. button to switch the onscreen displays in the following sequence. Show all onscreen displays show only onscreen markers* hide all onscreen displays. > * Only when the [£ LCD/VF Setup] [Markers] setting is enabled. 1 CF card status/available recording time •...
Page 57: Rear Panel Displays
Recording Video Rear Panel Displays You can check the following information on the rear panel. This allows you to easily adjust main camera functions like the shutter speed, white balance and ISO speed/gain even when the monitor unit is not attached to the camera without having to use the viewfinder.
Page 58: Canon Log Gamma And Cinema Preset
Clips recorded using Canon Log gamma need to be processed in post-production. During post-production, you can apply a LUT (lookup table) to clips recorded using Canon Log gamma to view the clips with more natural colors. For details about available LUTs, visit your local Canon Web site.
Page 59: Using The Internal Cooling Fan
Recording Video Using the Internal Cooling Fan During mode, the camera uses an internal cooling fan to reduce the camera’s internal heat. Operating modes: 1 Open the [Fan] submenu. [w Other Functions] [w Other Functions] > [Fan] 2 Select the desired option and then press SET. Fan] Options [Automatic]...
Page 60: Video Configuration: Type Of Recording, Resolution And Frame Rate
Video Configuration: Type of Recording, Resolution and Frame Rate Video Configuration: Type of Recording, Resolution and Frame Rate Before you shoot, select the type of recording, resolution (frame size), frame rate and other settings that best match your creative needs. The options available will depend on whether the camera is in 4K mode, 2K mode or MXF mode, as well as the system frequency setting.
Page 61 Video Configuration: Type of Recording, Resolution and Frame Rate 2 Select the desired recording mode and then press SET. 4K/2K/MXF Setup] Available recording modes by system priority [2K (2048/1920)] System priority Recording mode Description Standard recording mode for 4K clips. This recording mode [Mode] features a 10-bit bit depth and should be used if you plan to develop the clip using the Cinema RAW Development...
Page 62 Video Configuration: Type of Recording, Resolution and Frame Rate Selecting the Resolution 4K/2K/MXF Setup] 1 Open the [Resolution] submenu. 4K/2K/MXF Setup] > [4K (4096/3840)] or [2K (2048/1920)] > [4K (4096/3840)] [Resolution] 2 Select the desired resolution and then press SET. [Resolution] •...
Page 63 Video Configuration: Type of Recording, Resolution and Frame Rate System frequency 59.94 Hz 50.00 Hz 24.00 Hz System priority Frame rate Mode / Resolution 23.98P 29.97P 59.94P 25.00P 50.00P 24.00P Ü Ü Ü Ü Ü Ü 12-bit / 2048×1080 Ü Ü...
Page 64: Selecting The Video Configuration For Mxf Mode
Video Configuration: Type of Recording, Resolution and Frame Rate NOTES • If you set an assignable button to [Resize MXF Output] (A 111), you can press the button to switch the resizing method. • During 4K and 2K modes, the picture output from the 3G-SDI terminals and the picture recorded on a CF card will differ in image quality due to differences in the signal processing algorithm.
Page 65 Video Configuration: Type of Recording, Resolution and Frame Rate Selecting the Frame Rate 4K/2K/MXF Setup] This procedure is not necessary for 24.00 Hz recordings. 1 Open the [Frame Rate] submenu to set the frame rate. [MXF] 4K/2K/MXF Setup] > [MXF] > [Frame Rate] 2 Select the desired option and then press SET.
Page 66: Changing Main Camera Functions With The Func. Button
Changing Main Camera Functions with the FUNC. Button Changing Main Camera Functions with the FUNC. Button You can adjust three main camera functions –shutter speed, white balance and ISO speed/gain– using the FUNC. button (direct setting mode). In direct setting mode, you can change settings using the LCD screen/ viewfinder or using only the rear panel, which is convenient when the monitor unit is not attached to the camera.
Page 67: Shutter Speed
Shutter Speed Shutter Speed Set the shutter speed based on the recording conditions. For example, you may want to set slower shutter speeds in darker environments. The camera offers the following 5 modes. Operating modes: [Speed]: Allows you to set the shutter speed (in fractions of a second). You can select the increment to use when adjusting the shutter speed between 1/3-stop and 1/4-stop increments.
Page 68: Changing The Shutter Speed Mode And Value
Shutter Speed Changing the Shutter Speed Mode and Value 1 Open the shutter [Mode] submenu. [~ Camera Setup] [~ Camera Setup] > [Shutter] > [Mode] 2 Select the desired mode and then press SET. [Shutter] • If you selected [Speed] you can select the increment scale to use when adjusting the shutter speed;...
Page 69 Shutter Speed Using Slow Shutter Mode When recording in dark surroundings, you can obtain a brighter picture by using slow shutter mode. You can also use this mode when you wish to add certain effects to your recordings, such as blurring the background during panning shots or recording a moving subject with an afterimage trail.
Page 70: Iso Speed/Gain
The minimum and maximum ISO speeds are available even when the 1-stop increment scale is selected. ISO speed required for a suitable dynamic range for Canon Log gamma. Equivalent to a gain value of 2.5 dB. This value is only available when [Extended Range] is set to [Off].
Page 71: Using The Control Dial
ISO Speed/Gain NOTES • If you set an assignable button to [FUNC. ISO/Gain] (A 111), you can press the button to enter the direct setting mode with the ISO speed/gain highlighted and ready to be adjusted. Using the Control Dial You can adjust the value of the ISO speed or gain using the control dial on the camera.
Page 72 ISO Speed/Gain NOTES • When high ISO speeds or gain levels are set, the picture may flicker slightly. ISO 12800 / 30 dB gain and higher values in particular, allow you to shoot video with a higher sensitivity but are more prone to the appearance of noise. •...
Page 73: Nd Filter
ND Filter ND Filter Using the ND filters allows you keep the aperture within an appropriate range when recording in bright surroundings*. * Closing down the aperture when recording under bright conditions may cause the picture to appear soft or out of focus. To avoid the loss of sharpness due to diffraction, use a denser ND filter or a faster shutter speed (A 67).
Page 74: Adjusting The Aperture
2 Adjusting the Aperture 2 Adjusting the Aperture You can affect the brightness of your recordings or change the depth of field by adjusting the aperture. For example, use a small aperture value for a shallow depth of field that isolates the subject in focus and nicely blurs the background.
Page 75: Remote Operation Using Wi-Fi Remote
• The selected value will be displayed on the Wi-Fi Remote screen and will be applied on the lens. NOTES • When using an EF lens with no lens contacts, such as a Canon Cinema Lens, you cannot adjust the aperture using the camera. Adjust the aperture using the lens.
Page 76: White Balance
White Balance White Balance The camera uses an electronic white balance process to calibrate the picture and ensure accurate colors under different lighting conditions. There are 3 methods of setting the white balance. Custom white balance: You can use a white object to establish the white balance and set it to one of two custom white balance positions, ÅA or ÅB.
Page 77: Remote Operation Using Wi-Fi Remote
White Balance 3 Push the joystick up/down or turn the SELECT dial to change the adjustment value and then press SET. • The selected adjustment value will be set and the camera will exit the direct setting mode. • On the screen: The selected adjustment value will appear next to the white balance icon. On the rear panel: The adjustment value display will disappear and the display will return to normal (all displays will reappear).
Page 78 White Balance • The selected value will be displayed on the Wi-Fi Remote screen and will be applied on the camera. White balance fine-tuning Color temperature If you selected ÅA or ÅB: 3 Point the camera at a white object so that it fills the whole screen. •...
Page 79: Adjusting The Focus
Adjusting the Focus Adjusting the Focus The camera does not have automatic focus control and focusing is done manually using the focus ring on the attached lens. Nevertheless, the camera offers focus assistance functions to help you adjust the focus more accurately.
Page 80: Using The Focus Assistance Functions
Adjusting the Focus NOTES • If the focus mode switch on the EF lens is set to MF, you will not be able control the focus through remote operation. Depending on the lens used, remote operation may not work correctly. •...
Page 81 Adjusting the Focus 2 If necessary, use the joystick (ÝÞ) or SELECT dial to move the orange frame around and check other parts of the image. • You can move the orange frame 5 steps vertically or horizontally. Press the CANCEL button to return the magnification frame to the center position.
Page 82: Onscreen Markers And Zebra Patterns
Onscreen Markers and Zebra Patterns Onscreen Markers and Zebra Patterns Using onscreen markers allows you to make sure your subject is correctly framed and is within the appropriate safe area. The zebra patterns help you identify areas that are overexposed. The onscreen displays and zebra pattern appear on the camera screen and an external monitor connected to the MON.
Page 83: Displaying Zebra Patterns
Onscreen Markers and Zebra Patterns Grid Center marker NOTES • You can turn off all onscreen displays except for the onscreen markers (A 55). • If you set an assignable button to [Markers] (A 111), you can press the button to turn the onscreen markers on and off.
Page 84: Setting The Time Code
Setting the Time Code Setting the Time Code While recording, the camera can generate a time code signal and embed it in your recordings. You can have the camera output the time code signal from the 3G-SDI terminals, MON. terminals, HD/SD SDI terminal or TIME CODE terminal (A 91).
Page 85: Selecting Drop Or Non-Drop Frame
Setting the Time Code Setting the Time Code’s Initial Value [¤ TC/UB Setup] If you set the time code mode to [Preset], you can set the initial value of the time code. [Time Code] 1 Open the time code [Setting] submenu. [¤...
Page 86 Setting the Time Code About the Time Code Display An icon may appear next to the time code depending on the operation. Refer to the following table. Icon Description The time code is set to [Regen.]. The time code is set to [Preset] and the running mode is set to [Rec Run]. The time code is set to [Preset] and the running mode is set to [Free Run].
Page 87: Setting The User Bit
Setting the User Bit Setting the User Bit The user bit display can be selected from the date or the time of [¤ TC/UB Setup] recording, or an identification code consisting of 8 characters in the hexadecimal system. There are sixteen possible characters: the numbers 0 to 9 and the letters A to F.
Page 88: Synchronizing With An External Device
Synchronizing with an External Device Synchronizing with an External Device Using genlock synchronization, you can synchronize this camera’s video signal to that of an external video device. Similarly, using an external time code signal, you can synchronize this camera’s time code to the external signal.
Page 89: Time Code Signal Input
Synchronizing with an External Device Time Code Signal Input [¤ TC/UB Setup] An external SMPTE-standard LTC timing signal received from the TIME CODE terminal will be recorded as the time code. The user bit of the [Time Code] external timing signal can also be recorded. Before connecting the device, set the TIME CODE terminal to input.
Page 90: Reference Video Signal Output
Synchronizing with an External Device Reference Video Signal Output You can output the camera’s video signal as a reference sync signal (analog blackburst or tri-level signal) through the SYNC OUT terminal to synchronize an external device to this camera. Operating modes: mode, you must first set [¤...
Page 91: Time Code Signal Output
Synchronizing with an External Device Video configuration SYNC OUT terminal HD Sync System priority Resolution Frame rate mode Blk Burst mode Normal XF Legacy 59.94i 1080/59.94i 29.97P 1080/29.97 (P/PsF) 1080/59.94i 1080/59.94i 480/59.94i 23.98P 1080/23.98 (P/PsF) 1920×1080 50.00i 1080/50.00i 1080/50.00i 1080/50.00i 576/50.00i 25.00P 1080/25.00 (P/PsF)
Page 92: Recording Audio
Recording Audio Recording Audio The camera features two-channel linear PCM audio recording and playback with a sampling frequency of 48 kHz. You can record audio using commercially available microphones (XLR terminal, MIC terminal) or line input (XLR terminal). You can select the audio input independently for channel 1 and channel 2. An audio signal will be output with the video signal from the 3G-SDI terminals, MON.
Page 93: Selecting The Audio Input From The Xlr Terminals
Recording Audio Selecting the Audio Input from the XLR Terminals Using the XLR terminals CH1 and CH2, you can record audio independently to the two audio channels from a microphone or analog audio input source. Note that the camera’s MIC terminal is given priority over the XLR terminals.
Page 94: Adjusting The Audio Level From The Xlr Terminals
Recording Audio Adjusting the Audio Level from the XLR Terminals You can set the audio recording level for audio input from the XLR terminals to auto or manual for each channel. Automatic Audio Level Adjustment Set the ã switch of the desired channel to A (automatic) to let the camera automatically adjust that channel’s audio level.
Page 95: Adjusting The Audio Level From The Mic Terminal
Recording Audio Adjusting the Microphone’s Sensitivity [¡ Audio Setup] You can adjust the microphone’s sensitivity if the XLR terminal switch is set to MIC or MIC+48V. Audio Input] 1 Open the desired XLR terminal’s sensitivity submenu. [¡ Audio Setup] > [Audio Input] > [XLR1 Mic Trimming] or [XLR2 [XLR1 Mic Trimming] Mic Trimming] [XLR2 Mic Trimming]...
Page 96: Monitoring The Audio With Headphones
Recording Audio Activating the Microphone’s Attenuator [¡ Audio Setup] If the audio level is too high and the sound sounds distorted, activate the microphone attenuator (20 dB). Audio Input] 1 Open the [MIC Att.] submenu. [¡ Audio Setup] > [Audio Input] > [MIC Att.] MIC Att.] 2 Select [On] and then press SET.
Page 97: Using Metadata
Setting a User Memo Created with Canon XF Utility Before you can add a user memo, you must first install the supplied Canon XF Utility software (A 153). Next, create the user memo and then save it to an SD card. Once you insert the SD card in the camera and select the user memo, it will be added to clips you record.
Page 98: Setting A User Memo Using Wi-Fi Remote
Wi-Fi-enabled device using the Wi-Fi Remote application. Using the Wi-Fi Remote application you have two additional advantages over user memos created with Canon XF Utility: you can change the user memo of the last clip recorded, even if you did not specify a user memo in advance; and you can enter manually the GPS information of your shooting location.
Page 99: Color Bars/Audio Reference Signal
Color Bars/Audio Reference Signal Color Bars/Audio Reference Signal You can have the camera generate and record color bars and/or a 1 kHz audio reference signal and output them from the 3G-SDI terminals , MON. terminals , HD/SD SDI terminal, HDMI OUT terminal, SYNC OUT terminal and ×...
Page 100: Video Scopes
Video Scopes Video Scopes The camera can display a simplified waveform monitor or vectorscope. It can also display an edge monitor* to help you focus. The video scopes appear only on the LCD screen. They do not appear in the viewfinder or on an external monitor.
Page 101: Configuring The Vectorscope
Video Scopes Configuring the Vectorscope [w Other Functions] The camera’s vectorscope function offers 2 modes. You can also change the gain. [WFM (LCD)] Operating modes: [Vectorscope] 1 Open the [Vectorscope] submenu. [w Other Functions] > [WFM (LCD)] > [Vectorscope] [Normal] 2 Select the desired option and then press SET.
Page 102: Adding Marks While Recording Mxf Clips
Adding Marks while Recording MXF Clips Adding Marks while Recording MXF Clips When recording on a CF card, you can flag an important shot in a clip by adding a “shot mark” (!). There are two types of shot marks, shot mark 1 (") and shot mark 2 (#), and you can add either or both types to a single clip.
Page 103: Adding An $ Mark Or % Mark To The Last Clip Recorded
Adding Marks while Recording MXF Clips NOTES • There may be up to a 0.5 second delay from when you press the button to when the camera adds the shot mark. When using the Wi-Fi Remote application, the delay may be longer depending on the conditions of the wireless signal.
Page 104: Reviewing An Mxf Clip
Reviewing an MXF Clip Reviewing an MXF Clip When the camera is in mode, you can review the last clip that was [w Other Functions] recorded on a CF card. Operating modes: Rec Review] 1 Open the [Rec Review] submenu to set the review length. [Entire Clip] [w Other Functions] >...
Page 105: Special Recording Modes
Special Recording Modes Special Recording Modes The camera features 4 special recording modes. Interval recording ([Interval Rec]): A pre-defined number of frames at a pre-defined interval will be recorded automatically. This mode is suitable for recording subjects with little movement, such as natural surroundings or plants.
Page 106: Frame Recording Mode
Special Recording Modes Activating Interval Recording Mode and Recording 4K/2K/MXF Setup] 1 Open the [Special Rec] submenu. 4K/2K/MXF Setup] > [Special Rec] Special Rec] 2 Select [Interval Rec] and then press SET. • [INT STBY`] (during 4K and 2K modes) or [INT STBY] (during MXF [Off] mode) appears at the top of the screen (with [INT] flashing).
Page 107 Special Recording Modes Configuring Frame Recording Mode 4K/2K/MXF Setup] 1 Open the [Rec Frames] submenu. 4K/2K/MXF Setup] > [Frame Rec] > [Rec Frames] Frame Rec] 2 Select the desired number of frames and then press SET. [Rec Frames] Number of Frames Recorded System priority Frame rate Frames recorded...
Page 108: Slow & Fast Motion Mode
Special Recording Modes Slow & Fast Motion Mode When you set the the frame rate to a progressive frame rate (A 60), the camera can record with a frame rate (shooting frame rate) that is different from the playback frame rate. Recording a clip at a higher frame rate than the [Frame Rate] setting will result in a slow motion effect during playback (up to 1/2.5 of the original speed).
Page 109 Special Recording Modes Shooting frame rate Playback frame rate 3 Press the START/STOP button to begin recording. • The tally lamp illuminates. • [S&F] changes to [Ü S&F] while recording. 4 Press the START/STOP button again to stop recording. • A clip is recorded at the set frame rate. •...
Page 110: Pre-Recording Mode
Special Recording Modes Pre-recording Mode 4K/2K/MXF Setup] When pre-recording mode is activated, the camera starts recording continuously into a temporary memory of approximately 3 seconds so Special Rec] when you press the START/STOP button, the clip will contain also approximately 3 seconds of video and audio recorded before you pressed [Off] the button.
Page 111: Customization
Customization Assignable Buttons The camera allows you to assign various functions to 15 buttons*. By assigning often-used functions, you can quickly access them with a single press of a button. Some assignable buttons are located on the monitor unit so their availability depends on the camera configuration used.
Page 112: Using An Assignable Button
Assignable Buttons NOTES • You can check the two [Assign Button] status screens (A 181) to see what functions are set for the assignable buttons. • You can reset only the functions assigned to the assignable buttons, without affecting other camera settings, with the [w Other Functions] >[Reset] >...
Page 113 Assignable Buttons Function name Description Ü Ü [Photo]* Records a photo. Ü [FUNC.] Enters the direct setting mode, replicating the function of the camera’s FUNC. button. – Enters the direct setting mode with the shutter speed highlighted and ready to be Ü...
Page 114: Custom Picture Settings
By default, the custom picture files in file slots [C8] and [C9] in the camera are protected. Remove the protection (A 115) to edit the file. The following describes when to use the preset files. [C8: CINEMA]: Uses the Canon Log gamma and color matrix for an outstanding dynamic range and an image suitable for processing in post-production.
Page 115: Renaming Custom Picture Files
Custom Picture Settings 3 Change the setting to the desired level and then press SET. Available Custom Picture Settings • Refer to (A 117) for details on the various settings. • Repeat steps 2 and 3 for other settings, as necessary. •...
Page 116 Custom Picture Settings Copying a File from the Camera to an SD Card [+ / Transfer File] 1 After selecting a file in the camera, open the [Copy To *] submenu. [+ / Transfer File] > [Copy To *] [Copy To *] 2 Select the file slot on the SD card under which to save the file and then press SET.
Page 117: Embedding Custom Picture Settings In A Recording
Use [Cine 1] for a gamma curve that results in a picture with a cinema-like feel and cinema-like tones. [Cine 2] has softer contrasts than does [Cine 1] but is also suitable for creating a cinema-like picture. [Canon Log]: Applies a logarithmic gamma curve for outstanding dynamic range. Requires image processing in post-production.
Page 118 Controls the upper part of the gamma curve (highlights of the image). By compressing the highlights, you can prevent parts of the image from being overexposed. This is not available when [Gamma] is set to [Cine 1], [Cine 2], [Canon Log] or [EOS Std.]. [Enable]: Activates/deactivates the setting.
Page 119 [Knee Aperture]: Allows you to set the sharpness of only the areas above the knee point by adjusting the gain and slope. When [Gamma] is set to [Cine 1], [Cine 2], [Canon Log] or [EOS Std.], this setting has no effect on the picture.
Page 120 [Canon Log]. [Select]: Available options are [Normal 1] to [Normal 4], [Cine 1] and [Cine 2], [Canon Log] and [EOS Std.]. Generally, this is the same setting as [Gamma]. After selecting an option, you can make more precise adjustments.
Page 121 Custom Picture Settings [B-R]: The B-R matrix changes the tint of the picture along the yellow/red and blue/cyan gradations. This setting can be adjusted from -50 to 50. (Default: ±0) [B-G]: The B-G matrix changes the tint of the picture along the yellow/green and blue/magenta gradations. This setting can be adjusted from -50 to 50.
Page 122: Customizing Functions And Onscreen Displays
Customizing Functions and Onscreen Displays Customizing Functions and Onscreen Displays Customize the camera to match your shooting style and needs. Use the [w Other Functions] > [Custom Function] setting to adjust how some of the camera’s controls and functions operate in mode.
Page 123: Customizing Onscreen Displays
Customizing Functions and Onscreen Displays Customizing Onscreen Displays [£ LCD/VF Setup] For details on which onscreen displays can be customized, refer to Onscreen Displays (A 55). For details on the setting options, refer to [Custom Display 1] [Custom Display 1] and [Custom Display 2] (A 174).
Page 124: Saving And Loading Camera Settings
Saving and Loading Camera Settings Saving and Loading Camera Settings After you adjust custom picture settings and settings in the various menus, you can save those settings on an SD card. You can load those settings at a later date or on another C500 or C500 PL camera so that you can use that camera in that same exact way.
Page 125: Playback
Playback Playing Back MXF Clips This section explains how to play back clips recorded on a CF card. For details on playing back clips using an Connecting to an External Monitor external monitor, refer to (A 144). For details on viewing photos on the SD Viewing Photos card, refer to (A 163).
Page 126: Playing Back Clips
Playing Back MXF Clips 1 $ mark/% mark (A 103, 132) 9 Currently selected CF card slot (A 46) 2 Orange selection frame 10 Clip number / Total number of clips 3 Relay recording: Appears when a clip begins on 11 Recording date (month and day only) and time one CF card and continues on the other.
Page 127: Onscreen Displays
Playing Back MXF Clips • Press the Ò button again or press SET to pause/resume the playback. • Press the Ñ button to stop the playback and return to the index screen. IMPORTANT • Observe the following precautions while the CF2 or CF3 access indicator is illuminated in red. Failure to do so may result in permanent data loss.
Page 128: Playback Controls
Playing Back MXF Clips 7 Playback operation Ð PLAY Playback Ý PAUSE Playback pause Ô/Ó Frame reverse/Frame advance F FWD × Fast playback* Ø F REV Fast reverse playback* * The playback speed (x5, x15 or x60) will also appear in the indicator. 9 Relay recording Appears when a clip begins on one CF card and continues uninterrupted on the other.
Page 129: Audio Output
Playing Back MXF Clips Audio Output During playback, audio will be available through the × (headphone) terminal. You can adjust the headphone volume with the [¡ Audio Setup] > [Audio Output] > [Headphone Volume] setting. The audio signal will also be output through the HD/SD SDI terminal and the HDMI OUT terminal.
Page 130: Mxf Clip Operations
MXF Clip Operations MXF Clip Operations Besides playing back a clip, you can perform other operations such as deleting a clip or displaying clip information. This is done through the clip menu, which contains different functions depending on the index screen.
Page 131: Displaying Clip Information
MXF Clip Operations • The function is enabled. For some functions, further action may be required. Follow the onscreen directions. • Press the CANCEL button instead to return to the clip index screen. IMPORTANT • Observe the following precautions while the CF2 or CF3 access indicator is illuminated in red. Failure to do so may result in permanent data loss.
Page 132: Adding $ Marks Or % Marks
MXF Clip Operations Displaying Custom Picture Settings When displaying the [Clip Info] screen of a clip that has a custom picture file recorded with it, push the joystick down or turn the SELECT dial down to display the first of three screens with the clip’s custom picture settings ([/ Data 1/3] screen).
Page 133: Copying Clips
MXF Clip Operations Deleting $ Marks from All Clips [w Other Functions] 1 Open the [Delete All $ Marks] submenu. [w Other Functions] > [Delete All $ Marks] [Delete All $ Marks] 2 Select [OK] and then press SET. • All $ marks from clips on the selected CF card will be deleted. •...
Page 134: Deleting Clips
MXF Clip Operations NOTES • You cannot copy a clip if either CF card slot cover is open. • If a clip is being copied to a card that already has a clip with the same number (the last 4 digits in the clip name), then the copied clip will be renamed with the following number.
Page 135: Displaying An Index Screen Of Shot Marks
MXF Clip Operations • The [/ Data 1/3] screen appears with the orange selection frame indicating a custom picture file slot in the camera. • Alternatively, you can press the CUSTOM PICTURE button. • You can push the joystick up/down or turn the SELECT dial to display the [/ Data 2/3] and [/ Data 3/3] screens.
Page 136: Displaying A Frame Index Screen Of A Single Clip
MXF Clip Operations Displaying a Frame Index Screen of a Single Clip You can display an index screen of a single clip broken down as frames at fixed intervals. This is useful when you have a long clip or wish to play back a clip from a certain point. You can change how many thumbnails are displayed.
Page 137: Deleting Shot Marks
MXF Clip Operations 3 Select [Add Shot Mark 1] or [Add Shot Mark 2] and then press SET. • The clip information screen appears and it prompts you to confirm the operation. 4 Select [OK] and then press SET. • The screen changes back to the previous index screen and the selected shot mark appears next to the selected clip’s thumbnail.
Page 138 MXF Clip Operations...
Page 139: External Connections
External Connections Video Output Configuration The video signal output from the MON. terminals, HD/SD SDI terminal, HDMI OUT terminal and SYNC OUT terminal depends on the clip’s video configuration, the capability of the external monitor (for video output from the HDMI OUT terminal) and on various menu settings. The HD/SD SDI terminal, HDMI OUT terminal and SYNC OUT terminal are able to output the onscreen displays and superimpose them on the picture of an external monitor (A 149).
Page 140 Video Output Configuration Video configuration HDMI OUT SYNC OUT 5, 9 for recording terminal terminal System Recording mode Resolution Frame rate priority 59.94P 29.97P 1080/59.94i 480/59.94P 1080/59.94i 480/59.94i 23.98P 4096×2160 3840×2160 50.00P 1080/50.00i 576/50.00P 1080/50.00i 576/50.00i 25.00P 24.00P 1080/60.00i – 1080/60.00i –...
Page 141: Video Output Configuration For Mxf Mode
Video Output Configuration Video Output Configuration for MXF Mode Refer to the following table for the video output configuration from each terminal during recording and playback. Operating modes: HD/SD SDI HDMI OUT SYNC OUT Video configuration 2, 3, 4 3, 5 terminal terminal terminal...
Page 142: Selecting The Color Space
DCI workflow just by adjusting the intensity. [C. Gamut]: Cinema Gamut. Color space developed by Canon and based on the specific characteristics of the camera’s sensor. Features a wider color gamut than that of DCI-P3+. Use this setting with...
Page 143 Terminal output [Color Space] [ACESPX10] Terminal LUT setting setting setting Color space Gamma [BT. 709] BT. 709 Canon Log 3G-SDI [DCI-P3+] – – DCI-P3+ Canon Log [C. Gamut] Cinema Gamut Canon Log [BT. 709] BT. 709...
Page 144: Connecting To An External Monitor
Connecting to an External Monitor Connecting to an External Monitor When you connect the camera to an external monitor for recording or playback, use the terminal on the camera that matches the one you wish to use on the monitor. Then, select the video signal output configuration (A 139).
Page 145: Using The Mon. 1 And Mon. 2 Terminals
Connecting to an External Monitor Using the MON. 1 and MON. 2 Terminals During 4K and 2K modes, the camera can output video from the MON. 1 and MON. 2 terminals (MON. terminals). The signal that is output from the MON. terminals also includes audio, time code, metadata and clip name information.
Page 146: Video Output Using Acesproxy10 (For On-Set Color Grading)
Applying a LUT to Canon Log Gamma 4K/2K/MXF Setup] When checking video recorded with Canon Log gamma on an external monitor connected to a MON. terminal or the HD/SD-SDI terminal, you can apply a LUT. MON. 1 & 2] 1 Open the [Select] submenu (under [LUT]).
Page 147: Using The Hd/Sd Sdi Terminal
• If necessary, you can superimpose the onscreen displays on the video displayed on the external monitor (A 149). NOTES • When you output from the HD/SD SDI terminal video in HD that was shot with Canon Log gamma, you can apply a LUT (A 146). Using the HDMI OUT Terminal The HDMI OUT terminal also offers a digital connection and outputs both a video and audio signal.
Page 148: Using The Sync Out Terminal
Connecting to an External Monitor Using the SYNC OUT Terminal mode: In addition to its function as a synchronization signal output terminal, you 4K/2K/MXF Setup] can use the SYNC OUT terminal also as a terminal for analog video signal mode: output.
Page 149: Superimposing Onscreen Displays To Appear On An External Monitor
Connecting to an External Monitor Options [Letterbox]: The picture is reduced in size while maintaining the aspect ratio and black letterbox bars are added to the top and bottom of the image so that the picture has a 4:3 aspect ratio. [Squeeze]: The image is squeezed from the left and right so that the entire image fits within the screen.
Page 150: Developing Raw Clips
3G-SDI terminals. After you develop the clips and export them to a full-quality standard file type such as DPX, they will be ready for color grading. Visit your local Canon Web site to download the software and receive the latest information on it. Refer to the instruction manual (PDF file) included with the software for details on its use.
Page 151: Installing And Uninstalling Cinema Raw Development (Mac Os)
• When the installation has completed, Installation has completed successfully appears. 7 Click Next and then click Finish. Uninstalling Cinema RAW Development 1 From the Start menu, select All Programs > Canon Utilities > Cinema RAW Development > Uninstall Cinema RAW Development. • A confirmation screen appears.
Page 152 Developing RAW Clips Mac OS: 1 From Applications, open Canon Utilities > Cinema RAW Development > Manual. 2 Open the folder of the language and double-click the PDF file. NOTES • You can also view the instruction manual by starting the...
Page 153: Saving Mxf Clips To A Computer
Saving MXF Clips to a Computer Saving MXF Clips to a Computer Use the software on the supplied Canon XF Utilities CD-ROM to transfer MXF clips recorded on a CF card to a computer to save them. The CD-ROM contains the following.
Page 154 Installing and Uninstalling Canon XF Utility (Windows) Installing Canon XF Utility Perform the following procedure to install the Canon XF Utility software. Note that you can select the language used for the installation process from English, French, Spanish, Italian or German (available languages depend on the region you select).
Page 155 9 Remove the CD-ROM from the computer. Uninstalling Canon XF Utility 1 From the Start menu, select All Programs > Canon Utilities > Canon XF Utility > Uninstall Canon XF Utility. • A confirmation screen appears. 2 Click Yes to begin the uninstalling the software.
Page 156 Uninstalling the Instructions for Avid’s NLE Software Plugins 1 From the Start menu, open All Programs > Canon Utilities > Desired plugin > Uninstall Canon XF Plugin for Avid Media Access Instruction Manual or Canon XF Plugin 64 for Avid Media Access Instruction Manual.
Page 157 Saving MXF Clips to a Computer 4 Click Install. 5 Select the installation method and then click Next. 6 Read the license agreement and click Agree. • If you do not select Agree, you cannot install the software. • If you selected the Easy Installation installation method, skip to step 8. 7 Select the software to install and then click Next.
Page 158 Uninstalling the Instructions for Apple’s NLE Software Plugins 1 From Applications, open Canon Utilities. 2 Move Canon XF Plugin for Final Cut Pro or Canon XF Plugin for Final Cut Pro X to Trash. Uninstalling the Instructions for Avid’s NLE Software Plugins...
Page 159: Viewing The Software Instruction Manuals
Saving MXF Clips to a Computer 2 Move Canon XF Plugin for Avid Media Access or Canon XF Plugin 64 for Avid Media Access to Trash. Viewing the Software Instruction Manuals For details on using the software, refer to the instruction manual (PDF file) of each module. The instruction manuals are installed with the software.
Page 160 Saving MXF Clips to a Computer...
Page 161: Photos
Photos Taking Photos You can take photos when the camera is in mode or you can capture a photo from an MXF clip when the camera is in mode. Photos are saved onto the SD card. In mode, photo size is 1920x1080* or 1920x540**.
Page 162 Taking Photos IMPORTANT • Observe the following precautions while the SD card access indicator is flashing. Failure to do so may result in permanent data loss. - Do not disconnect the power source or turn off the camera. - Do not remove the SD card. NOTES •...
Page 163: Photo Playback
Photo Playback Photo Playback You can view the photos that you took with the camera. Operating modes: Displaying the [Photos] Index Screen Display the [Photos] index screen to view photos. 1 Set the Q switch to MEDIA. • The camera switches to mode and the clip index screen appears.
Page 164: Photo Operations
Photo Operations Photo Operations You can use the photo menu to delete a photo, protect or unprotect a photo, or copy a custom picture file embedded in a photo. You can display the photo menu from the [Photos] index screen or photo playback screen.
Page 165: Protecting Photos
Photo Operations Deleting All Photos [w Other Functions] 1 Display the [Photos] index screen or a photo (A 163). 2 Open the [Delete All Photos] submenu. [Delete All Photos] [w Other Functions] > [Delete All Photos] 3 Select [OK] and then press SET. •...
Page 166: Copying Custom Picture Files
Photo Operations IMPORTANT • Initializing an SD card will permanently erase all the data it contains, including protected photos and custom picture files. Copying Custom Picture Files You can copy to the camera a custom picture file embedded in a photo. Custom picture files can be copied from the photo playback screen or [Photos] index screen.
Page 167: Photo Numbering
Photo Operations Photo Numbering [w Other Functions] Photos are automatically assigned consecutive numbers from 0101 to 9900, and stored on the SD card in folders containing up to 100 photos. [Photo Numbering] Folders are numbered from 101 to 998. You can select the photo numbering method to be used.
Page 168 Photo Operations...
Page 169: Additional Information
Additional Information Menu Options For details about how to select an item, refer to Using the Menus (A 29). For details about each function, see the reference page. Menu items without a reference page are explained after the tables. Setting options in boldface indicate default values.
Page 170 Menu Options Menu item Submenu Setting options [4K (4096/3840)] [Mode] [RAW], [HRAW], [4K1K RAW] [Resolution] When [Mode] is set to [RAW]: [4096x2160], [3840x2160] When [Mode] is set to [HRAW]: [4096x1080], [3840x1080] When [Mode] is set to [4K1K RAW]: [4096x1080] [Frame Rate] For 59.94 Hz recordings: [59.94P], [29.97P], [23.98P] For 50.00 Hz recordings:...
Page 171 Menu Options Menu item Submenu Setting options [S&F Frame Rate] During 4K mode when [Mode] is set to [RAW], or 2K mode when [Mode] is set to [ 12-bit] or [ 10-bit]: For 59.94 Hz and 24.00 Hz recordings: [1] to [30], [32] to [60]* ([24]) For 50.00 Hz recordings: [1] to [25], [26] to [50]* ([24]) During 4K mode when [Mode] is set to [HRAW] / [4K1K RAW], or 2K mode...
Page 172 Menu Options Menu item Submenu Setting options [HD/SD Output] [HD Onscreen Disp.] [On], [Off] [Zebra HD Output] [On], [Off] [SD Onscreen Disp.] [On], [Off] [Resize SD Output] [Letterbox], [Squeeze], [Side Crop] [Rec Command] [On], [Off] – [Set CF Card Slot] [Relay Rec] [On], [Off] [Double Slot Rec]...
Page 173 Menu Options [¡ Audio Setup] menu Menu item Submenu Setting options Ü [Audio Input] [XLR Rec Channel] [CH1], [CH1/CH2] – [XLR1 Mic Trimming] [+12 dB], [+6 dB], [0 dB], [-6 dB], [-12 dB] Ü – [XLR2 Mic Trimming] [XLR1 Mic Att.] [On], [Off] Ü...
Page 174 Menu Options Menu item Submenu Setting options Ü [Zebra] [On], [Off] – Ü [Select] [Zebra 1], [Zebra 2], [Zebra 1&2] – [Zebra 1 Level] [70 ±5%], [75 ±5%], [80 ±5%], [85 ±5%], Ü – [90 ±5%], [95 ±5%] [Zebra 2 Level] [70%], [75%], [80%], [85%], [90%], [95%], Ü...
Page 175 Menu Options Menu item Submenu Setting options Ü [Custom Display 2] [Audio Level] [On], [Off] – Ü [Wi-Fi] [On], [Off] – – Ü [Date/Time] [Date/Time], [Time], [Date], [Off] – Ü [Metadata Display] [Date/Time] [On], [Off] – – Ü [Camera Data] [On], [Off] –...
Page 176 GENLOCK terminal and SYNC OUT terminal (tri-level signal) when the frame rate is set to 23.98P or 24.00P. [XF Legacy]: Synchronization mode compatible with Canon XF series camcorders. Synchronizes the time code at a 30-frame signal and the signal from the GENLOCK terminal and SYNC OUT terminal at a 59.94i or 60.00i signal.
Page 177 Menu Options [w Other Functions] menu Menu item Submenu Setting options Ü Ü [Reset] [All Settings] [Cancel], [OK] Ü [Camera Settings] [Cancel], [OK] – – Ü Ü [Assignable Buttons] [Cancel], [OK] [Save To *] Ü Ü [Transfer Menu/ [Menu], [Menu+/] [Load From *] Ü...
Page 178 [On], [Off] Ü Ü [Reset Hour Meter] [Cancel], [OK] – [Wi-Fi Remote] [Set Up New] For details refer to “WFT-E6 Wireless File Transmitter - Guide for Canon Camcorders” [Select] (PDF file). [Edit] Ü – – [Camera Settings] [Select User] [User Setting]...
Page 179 Menu Options [Delete Last Clip]: Deletes the last MXF clip you recorded. This setting option will not appear if you turned the camera off since recording the last clip. [Reset Hour Meter]: The camera has two “hour meters” – the first keeps track of total operation time and the second keeps track of operation time since the last time the second hour meter was reset with this function.
Page 180: Displaying The Status Screens
“WFT-E6 Wireless File Transmitter - Guide for – – Canon Camcorders” (PDF file) from your local Canon Web site and follow the instructions to complete the necessary setup. 2 only. Does not appear in the [Photos] index screen.
Page 181 4 HD/SD SDI terminal (A 58, 117, 146) 7 LCD screen/viewfinder* (A 58, 117) * When using Canon Log gamma and [£ LCD/VF Setup] > [View Assist.] is set to [On], [Wide DR] will be displayed in the [Gamma] column.
Page 182 Displaying the Status Screens * Assignable buttons 10 to 15 do not appear in mode. [Audio] Status Screen mode mode 1 XLR terminal recording channel (A 93) 6 Microphone attenuator (MIC terminal) (A 96) 2 Microphone sensitivity (XLR terminal) (A 95) 7 Headphone volume (A 129) 3 Audio peak limiter (A 94, 95) 8 Linking recording levels of XLR terminals (A 94)
Page 183 Displaying the Status Screens [4K/2K/MXF 1/2] Status Screen mode, 4K and 2K modes only) 1 3G-SDI terminal output status (A 41) 5 MON. terminal resizing method (A 145) 2 MON. terminal output status (A 145) 6 MON. terminal scan mode (A 145) 3 MON.
Page 184 Displaying the Status Screens [Metadata 2/2] Status Screen mode only) 1 Country code (A 172) 3 User code 2 Organization code [Battery/Hour Meter] Status Screen 1 Remaining recording time 4 Total operation time (A 179) 2 Remaining battery level indicator 5 Operation time since using [Reset Hour Meter] 3 Battery life indicator (A 179)
Page 185 Displaying the Status Screens [/ Data 2/3] Status Screen mode only) 1 Sharpness settings (level, horizontal detail 4 Coring settings (level, offset, curve and depth) frequency, horizontal/vertical detail balance, and (A 119) limit) (A 119) 5 Noise reduction (A 120) 2 Sharpness settings (select, knee aperture gain 6 Color matrix settings (select, gain and phase) and slope) (A 119)
Page 186: Troubleshooting
Troubleshooting Troubleshooting If you have a problem with your camera, refer to this section. Consult a Canon Service Center if the problem persists. Power source The camera will not turn on or it turns off by itself. - The battery pack is exhausted. Replace or charge the battery pack.
Page 187 The built-in ND filter is stuck and does not change. - The electronic motor that drives the ND filter may not be working correctly. As an emergency measure, you can operate the ND filter manually (A 198). Eventually, consult a Canon Service Center. Playing Back MXF Clips Cannot delete a clip.
Page 188: Picture And Sound
Troubleshooting appears in red on the screen. - The camera’s internal temperature has risen while appeared in yellow on the screen. - If [Other Functions] > [Fan] is set to [On], turn off the camera and wait until the temperature has lowered. mode, when [Other Functions] >...
Page 189: List Of Messages
Troubleshooting order. For error messages related to the optional WFT-E6 Wireless File Transmitter refer to the section of the ‘WFT-E6 Wireless File Transmitter - Guide for Canon Camcorders’ (A 34). Accessing CF A/CF B Do not remove - You opened the CF card slot cover while the camera was accessing the CF card. Close the CF card slot cover.
Page 190 CF A/CF B Management data is not supported and will be deleted - This message may appear if you insert into the camera a CF card that was initialized by a Canon professional camcorder. Check the contents of the CF card.
Page 191 - If data on the CF card is corrupted, such as when the power suddenly turned off while recording, the data must be recovered. When this message appears, select [OK] and press SET. Fan error - The cooling fan may not be working properly. Consult a Canon Service Center. File name error >...
Page 192 System error - Turn off the camera and back on again. If this does not solve the problem, there may be a malfunction with the camera. Consult a Canon Service Center. This photo cannot be displayed - You may not be able to display photos taken with other devices or image files created or edited on a computer.
Page 193: Handling Precautions
If any of the above should get into the camera it may damage the camera and/or the lens. Consult a Canon Service Center as soon as possible. • Be careful to avoid dust and dirt particles accumulating on the lens or entering the camera. When you finish using the camera, make sure to attach the body cap to the lens mount and the lens cap and dust cap to the lens.
Page 194 Regarding the use of non-Canon battery packs • We recommend using genuine Canon battery packs bearing the Intelligent System mark. • If you attach to the camera battery packs that are not genuine Canon battery packs, the remaining battery time will not be displayed. IMPORTANT...
Page 195: Recording Media
Recording Media • We recommend backing up the recordings on the recording media onto your computer. Data may be corrupted or lost due to defects or exposure to static electricity. Canon shall not be liable for lost or corrupted data.
Page 196: Maintenance/Others
Maintenance/Others Maintenance/Others Cleaning Camera Body • Use a soft, dry cloth to clean the camera body. Never use chemically treated cloths or volatile solvents such as paint thinner. Lens • Remove any dust or dirt particles using a non-aerosol type blower brush. •...
Page 197 • Filters can be reused by washing them in water or mild detergent. Make sure filters are completely dry before attaching them to the camera. • Contact a Canon Service Center to purchase replacement filters. Condensation Moving the camera rapidly between hot and cold temperatures may cause condensation (water droplets) to form on its internal surfaces.
Page 198 You can use the compact power adapter to operate the camera and to charge battery packs in any country with power supply between 100 and 240 V AC, 50/60 Hz. Consult a Canon Service Center for information on plug adapters for overseas use.
Page 199: Optional Accessories
This product is designed to achieve excellent performance when used with genuine Canon accessories. Canon shall not be liable for any damage to this product and/or accidents such as fire, etc., caused by the malfunction of non-genuine Canon accessories (e.g., a leakage and/or explosion of a battery pack). Please note that this warranty does not apply to repairs arising out of the malfunction of non-genuine Canon accessories, although you may request such repairs on a chargeable basis.
Page 200 Optional Accessories Battery Packs When you need extra battery packs, select from the following: BP-950G, BP-955, BP-970G*, BP-975* When you use battery packs bearing the Intelligent System mark, the camera will communicate with the battery and display the remaining usage time (accurate to 1 minute).
Page 201 Using the SBR-1000 for additional support of the camera with the neck strap will significantly lighten the load of the camera’s weight while shooting. This mark identifies genuine Canon video accessories. When you use Canon video equipment, we recommend Canon-brand accessories or products bearing the same mark.
Page 202: Specifications
• Viewfinder: 1.3 cm (0.52 in.), approx. 1,555,000 dots, 100% coverage • Lens Mount 2 Canon EF mount compatible with Canon EF lenses (including EF-S lenses) 3 PL Lens mount without data interface terminals Lens multiplication factor (for 35mm equivalent focal length): Approx.
Page 203 • Shutter Speed Speed (1/3-stop increments, 1/4-stop increments), angle, clear scan, slow, off • 2 Lens Peripheral Illumination Correction: Available for Canon EF lenses Some Canon EF lenses are not compatible with peripheral illumination correction. • Sensor Sensitivity (MXF mode, ISO 640 (0 dB), 2000 lux, 89.9% reflection) 59.94 Hz mode: F9 (1920x1080 at 59.94i) 50.00 Hz mode: F10 (1920x1080 at 50.00i)
Page 204 Specifications SD-SDI: SMPTE 259M Video: Resolution: 640x480, 768x576 Frame rate: 59.94i, 50.00i Embedded audio, time code (VITC/LTC), LUT (BT. 709, Wide DR) Available frame rates depend on the resolution and recording mode settings. • HDMI OUT Terminal HDMI connector, output only •...
Page 205 Specifications • Weight ** Camera unit only: 2 1820 g (4.0 lb.) 3 1930 g (4.3 lb.) Camera with monitor unit, BP-955 battery pack and two CF cards: 2 2705 g (6.0 lb.) 3 2815 g (6.2 lb.) Camera with monitor unit, handle unit, BP-955 battery pack and two CF cards: 2 2885 g (6.4 lb.) 3 2995 g (6.6 lb.) **All weights are approximate.
Page 206 Specifications CG-940 Battery Charger • Rated Input: 100 – 240 V AC, 50/60 Hz, 24 W • Rated Output: 8.4 V DC, 1.5/2.0 A • Operating Temperature: 0 – 40 °C (32 – 104 °F) • Dimensions (W x H x D): 85 x 51 x 110 mm (3.3 x 2.0 x 4.3 in.) •...
Page 207: Index
Camera settings ......124 Canon Log gamma ..... .58 CF card Focus-related functions .
Page 208 Onscreen markers ..... . .82 On-set color grading ....22, 146 Index screens Changing clip thumbnail .
Page 209 Status screens ......180 SYNC OUT terminal ....90, 148 Waveform monitor .
Page 210 Bovenkerkerweg 59, 1185 XB Amstelveen, The Netherlands MÉXICO CANON MEXICANA, S DE RL DE CV http://www.canon.com.mx 52 (55) 5249-4905 Visit your local Canon Web site to download the latest version of this Instruction Manual. © CANON INC. 2013 PUB. DIE-0441-000B...

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Eos c500

Canon EOS C500 PL Instruction Manual

1 Introduction

2 Preparations

3 Recording

4 Customization

5 Playback

6 External Connections

7 Photos

8 Additional Information

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