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Table 2 – continued
Surround Mode
Description
DTS Stereo
Delivers a 2-channel downmix of DTS Digital materials, or presents
a matrix-encoded surround presentation.
DTS Neo:6
DTS Neo:6 analog processing is available with DTS-ES (Matrix or Discrete)
Mode Group
signals and 2-channel analog or PCM signals to create a 3- or 5-channel
presentation.
DTS Neo:6
Depending on the number of speakers in your system, select 3- or 5-channel
Cinema
modes, enhanced for movie or video presentations.
DTS Neo:6
Available only in 5-channel mode, creates a surround presentation suitable
Music
for music recordings.
Logic 7
Exclusive to Harman Kardon, Logic 7 enhances 2-channel recordings by
Mode Group
deriving separate information for the surround back channels. This provides
more accurate placement of sound, improves panning and expands the
sound field, even when used with 5.1-channel systems. Logic 7 uses
96kHz processing. Three variants are available.
Logic 7
Especially suited to 2-channel sources containing Dolby Surround or
Cinema
matrix encoding, Logic 7 Cinema mode increases center channel intelligibility.
Logic 7
The AVR 154 is programmed at the factory to default to this mode for
Music
2-channel signals. Logic 7 Music mode is well suited to conventional
2-channel music recordings.
Logic 7
Logic 7 Enhance circulates low frequencies in the 40Hz – 120Hz range to
Enhance
the main speakers for less localized bass performance than would be achieved
solely with a subwoofer. Enhance mode is best used with music recordings.
Hall 1
Hall 1 is a DSP (digital signal processor) mode that simulates a small
concert hall.
Hall 2
Simulates a medium-sized concert hall.
Theater
Simulates a live-performance theater.
5-Channel Stereo
Useful for parties, the left- and right-channel information is played through
both the front and surround speakers on each side, while the center speaker
plays a summed mono mix.
DSP Surround Off
Turns off all surround processing and plays a pure 2-channel signal. The
signal is digitized and bass management settings are applied, making it
appropriate when a subwoofer is used.
Surround Off
Maintains an analog input signal in that form, bypassing all digital processing
(Analog Bypass)
(i.e., surround and bass management). Requires TONE OUT setting.
ADVANCED FUNCTIONS
Incoming Bitstream or Signal
• DTS 1/0/.0 or .1, 2/0/.0 or .1, 3/0/.0 or .1,
3/1/.0 or .1, 2/2/.0 or .1, 3/2/.0 or .1
• DTS 96/24
• DTS-ES Matrix
• DTS-ES Discrete
See below.
• DTS-ES Matrix
• DTS-ES Discrete
• Analog (2-channel)
• PCM (32kHz, 44.1kHz or 48kHz)
• DTS-ES Matrix
• DTS-ES Discrete
• Analog (2-channel)
• PCM (32kHz, 44.1kHz or 48kHz)
See below.
• Analog (2-channel)
• Tuner
• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
• Analog (2-channel)
• Tuner
• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
• Analog (2-channel)
• Tuner
• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
• Analog (2-channel)
• Tuner
• PCM (32kHz, 44.1kHz or 48kHz)
• Analog (2-channel)
• Tuner
• PCM (32kHz, 44.1kHz or 48kHz)
• Analog (2-channel)
• Tuner
• PCM (32kHz, 44.1kHz or 48kHz)
• Analog (2-channel)
• Tuner
• PCM (32kHz, 44.1kHz or 48kHz)
• Analog (2-channel)
• Tuner
• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
• Analog (2-channel)
• Tuner
43
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