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Modulation effects
MODULATION GROUP
(PITC, PI-lA
, F'LA ,
CHO)
One from
this
group can be used ut a time (but not 1,i'ith S F X ) .
Use PITCH (-12-0-+12 range) to shift pitch in semitone steps up to one
octave higher or lower.
Use FINE (-10-0-+90) for fine atljustment above or below PITCH setting.
Use BALANCE (0-10) to adjust between shifted and direct sound.
This is used for harmonies, doubling, and thickening effects. First adjust
PITCH. then FINE. Try creating unison, fifths, and non-cyclic chorus-like
effects.
PHA:Phaser and Midrange Boost
Use PATTERN
(1
or
2 )
to sc3lect Phaser or Midrange Boost.
PATTERN
1
:
Phaser
Use DEPTH (0-10) to adjust the amount of rnodulation and resonance.
Use FREQ (0-50) to adjust rnodulation speed.
This creates rotating speaker sounds and other phase shifted effects.
P A T T E R N
2:
h~lidrunge Boost
Use DEPTH (0-10) to adjust lcvel of peak boost.
Use FREQ (0-50) to adjust midrange frequency.
Midrange boost gives different amplifier characteristics. It allows the
guitarist to create a wide range of personal tonal styles.
FLA: Flanger
Use DEPTH (0-10) to adjust amount of modulation.
Use FREQ (0-50) to adjust modulation speed.
Use PEAK (0-10) to adjust strength of the resonance peak.
Flanging prociuces peaks that are harmonically related, unlike simple
phasing. At high peak levels
i t
produces almost metallic ringing sounds.
Use DEPTH (0-10) to adjust the amount of modulation.
Use FREQ (0-10) to adjust modulation speed.
Use PATTERN (1 or 2) to select mono or slereo.
Like flanging, chorus depends on the interaction between delayed and
non-delayed signal components. Like phasing, it can help create a full-
bodied sound.
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