Yamaha Magicstomp ver. 2.10 Effect List page 32

Bass Preamp
Pre-amplifier designed for use with bass guitars.
Parameter Display
Sound Type TYPE
Gain GAIN
Master MSTR
Bass BASS
Low Middle LMID
Middle MID
High Middle HMID
Treble TRE
Bass Freq. BASF
Low Mid Freq. LMDF
Middle Freq. MIDF
High Mid Freq. HMDF
Treble Freq. TREF
Parametric EQ
PEQF
Freq.
Parametric EQ Q PEQQ
Parametric EQ
PEQG
Gain
Gate NGAT
SP SIM SW SPSW
Output Limiter OLIM
Comp. Ratio CRAT
Comp. Threshold CTHR
Comp. Attack CATT
Comp. Release CREL
Comp. Gain CGAI
Comp. Knee CKNE
Range
FLAT, TUBE, SOLID, R&B,
VINTAGE, MODERN, CLASSIC,
HEAVY, DRIVE, DIST, FUZZ
0.0 to 10.0
0.0 to 10.0
-15.0 to 15.0 dB
-15.0 to 15.0 dB
-15.0 to 15.0 dB
-15.0 to 15.0 dB
-15.0 to 15.0 dB
20.0 Hz to 320 Hz
80.0 Hz to 1.28 kHz
250 Hz to 4.00 kHz
500 Hz to 8.00 kHz
1.25 kHz to 20.0 kHz
20.0 Hz to 20.0 kHz
0.100 to 20.0
-15.0 to 15.0 dB
OFF, -53.0 to 0 dB
Off, R On, LR On
OFF, ON
1:1 to ∞:1
-54 to 0 dB
0 to 120 ms
6 to 11500 ms
0.0 to 18.0 dB
Hard, 1 to 5
Basic pre-amplifier sound types
Adjusts the amount of distortion
Adjusts the volume
Adjusts level of low frequencies
Adjusts level of lower mid frequencies
Adjusts level of mid frequencies
Adjusts level of upper mid frequencies
Adjusts level of high range frequencies
Bass EQ (peaking type) frequency
Low Mid EQ (peaking type) frequency
Middle EQ (peaking type) frequency
High Mid EQ (peaking type) frequency
Treble EQ cutoff frequency
Parametric EQ frequency
Parametric EQ bandwidth
Parametric EQ gain
Level at which the noise gate activates
Speaker Simulator ON/OFF. (OFF: Inactive. R On: Only activated on the
right channel. LR On: Active on both channels.)
Output Limiter ON/OFF
Compression ratio. Automatically adjusts the output level according to
the Comp. Gain setting.
Level at which compressor activates
Time required for compressor to peak after exceeding threshold
Time required for compressor to terminate after going below threshold
Compressor's output gain when the COMP. Ratio is set to ∞:1.
If set so that the volume level stays the same when the Comp. Ratio is
1:1 and ∞:1, it is possible to adjust the amount of compression and
keep the volume level stable.
This parameter is not effective when the Comp. Ratio is set to 1:1.
Adjusts the width of the gain curve just above the threshold
32
Description