Yamaha CL1 Owner's Manual
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Yamaha CL1 Owner's Manual

Cl editor owner's manual
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See also: Service Manual , Reference Manual
Special Notices
• The software and this owner's manual are the exclu-
sive copyrights of Yamaha Corporation.
• Copying of the software or reproduction of this
manual in whole or in part by any means is expressly
forbidden without the written consent of the manu-
facturer.
• Copying of the commercially available music
sequence data and/or digital audio files is strictly
prohibited except for your personal use.
• Yamaha makes no representations or warranties
with regard to the use of the software and documen-
tation and cannot be held responsible for the results
of the use of this manual and the software.
• The screen displays as illustrated in this owner's
manual are for instructional purposes, and may
appear somewhat different from the screens which
appear on your computer.
• For information on modification of system software,
certain functions, or specifications due to version
update of the application, please visit the following
website:
http://www.yamahaproaudio.com/
• Windows is a registered trademark of Microsoft
Corporation in the U.S. and other countries.
• Apple, Mac and Macintosh are trademarks of Apple
Inc., registered in the U.S. and other countries.
• The company names and product names in this
Owner's Manual are the trademarks or registered
trademarks of their respective companies.
❏ Yamaha Pro Audio Global Site
http://www.yamahaproaudio.com/
CL Editor
CL Editor
CL Editor
Owner's Manual
Owner's Manual
Owner's Manual
Contents
Getting Started ......................................... 2
Master window ......................................... 9
Overview window ................................... 12
Selected Channel window....................... 25
Library window ....................................... 45
Premium Rack Library window ............... 48
Patch Editor window ............................... 49
Virtual Rack window................................ 53
Meter window ......................................... 67
Group/Link window ................................ 69
Scene window ......................................... 73
Custom Fader Bank window ................... 81
Sends On Fader window ......................... 85
Outport Setup window ........................... 86
Keyboard Shortcuts................................. 88
Index........................................................ 89
®
* Specifications and descriptions in this owner's manual are
Description of menus and buttons
In the event that menu and button names on a Windows
system are different from those on a Mac, this manual uses
the Windows menu and button names followed by the Mac
menu and button names in parentheses.
1
for information purposes only. Yamaha Corp. reserves the
right to change or modify products or specifications at any
time without prior notice.
CL Editor Owner's Manual

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  • Page 1: Table Of Contents

    Master window ......... 9 • Copying of the software or reproduction of this Overview window ........12 manual in whole or in part by any means is expressly Selected Channel window....... 25 forbidden without the written consent of the manu- Library window ........

  • Page 2: Getting Started

    Overview of CL Editor CL Editor enables you to remotely control a Yamaha CL mixing console (such as CL5, CL3, or CL1; hereinafter collectively called “CL” in this document). CL Editor also enables you to save the parameter settings on your computer.

  • Page 3: Mixer Setup

    Set Default Press this button to use the settings (except for the IP Address in the Network section) currently specified in the System Setup dialog box as the default settings. The next time when you start up CL Editor, it will use these settings.
  • Page 4 To open the Create User Key dialogbox, choose [Create User Key] from the [File] menu. This creates a user key (with “.CLU” file name extension) that can be read from a USB flash drive by the CL console to automatically set user-specific parameters.
  • Page 5 CH OPERATION INPUT, ST IN, MIX, MATRIX, ST/MONO, DCA: Select the channels whose parameters will be operable. Change the operating privileges for the head amp gain (analog gain) and phantom power of the selected chan- nels. PROCESSING: Change the operating privileges for overall signal processing parameters (except for fader and [ON] button) of the selected channel.
  • Page 6 Choose [Exit] from the [File] menu. Files dedicated for CL Editor have a filename extension of “.CLE”. Files in which only the CL console data is saved (file- name extension “.CLF”) can also be handled, allowing you to use a USB flash drive to exchange data with the CL console.
  • Page 7 You can choose Tile or Cascade to arrange the windows within the editor. ● Tile ● Cascade In the Library window or Scene window, click the tabs located at the top of the window to switch between pages. CL Editor Owner’s Manual...

  • Page 8: Other Functions

    ❏ Resetting to the default value (Ctrl( )+click) Move the cursor to a control or a parameter value, then hold down the <Ctrl>(< >) key and click the mouse button to reset the value to the default (e.g., to reset a pan setting to Center).

  • Page 9: Master Window

    Master window In the Master window you can synchronize to the CL itself, recall scenes, and display the Overview window. To open this window, choose [Master] from the [Windows] menu. ❏ CHANNEL SELECT This indicates the number and name of the channel to which your operations will apply. To switch channels, you can either click the [SELECT] button and choose from the list that appears, or you can click the plus/minus (+/–) channel select buttons on the left or right side...

  • Page 10: Scene Memory

    Indicates the number of the scene that is selected for store or recall. 2Protect indicator The lock icon is displayed for scenes that are protected. You will be unable to overwrite or modify the titles of such scenes. For read-only scenes, “R” appears instead.
  • Page 11 ❏ Bank Select Keys Opens the corresponding window in the Overview window. These are not linked with the bank select key section on the panel of the CL itself. NOTE INPUT [1-16] button Opens the INPUT CH 1–16 window. [17-32] button Opens the INPUT CH 17–32 window.

  • Page 12: Overview Window

    This window displays the mix parameters of INPUT CH 1–16, 17–32, 33–48, 49–64 (only CL3/CL5), or 65–72 (only CL5.) The parameters shown in the window can be selected from the [View] menu or the menu that appears when you right- click (<control>...

  • Page 13: Digital Gain

    INPUT CH to VARI type MIX/MATRIX buses. You can also drag the bar graph to left or right to set the send level. While you drag the bar graph, the send level is shown in the numerical display area for PAN/TO STEREO MONO ( You can set the minimum value (–∞...

  • Page 14: Channel Name

    You can set this to the minimum value (–∞ dB) by holding down the <Ctrl>(< >) key of your computer keyboard and clicking the fader knob, or set it to the nominal value (0.00 dB) by holding down the <Ctrl>(< >) key and <Shift> key and clicking the fader knob.

  • Page 15: St In Window

    ST IN window In this window you can view and edit the mix parameters of ST IN channels 1–8. The parameters shown in the window can be selected from the [View] menu or the menu that appears when you right-click (<control> key + click) in the window.
  • Page 16 Selected Channel window will open as an additional view. Channel name This is a text box that displays the channel name. You can also edit the channel name in this text box. CL Editor Owner’s Manual...

  • Page 17: Mix Window

    MIX window In this window you can view and edit the parameters of MIX channels 1–24. The parameters shown in the window can be selected from the [View] menu or the menu that appears when you right-click (<control> key + click) in the window.
  • Page 18 The stereo bus setting can be made in Mix Bus Setup of the Mixer Setup dialogbox. The [ST] button is an on/off switch for the signal that is sent from the mix channel to the STEREO bus. The [M(C)] button is an on/off switch for the signal that is sent from the mix channel to the MONO bus.
  • Page 19 Selected Channel window will open as an additional view. Channel name This is a text box that displays the channel name. You can also edit the channel name in this text box. CL Editor Owner’s Manual...

  • Page 20: Matrix Window

    MATRIX window In this window you can view and edit the parameters of MATRIX channels 1–8. The parameters shown in the window can be selected from the [View] menu or the menu that appears when you right-click (<control> key + click) in the window.
  • Page 21 Selected Channel window will open as an additional view. Channel name This is a text box that displays the channel name. You can also edit the channel name in this text box. CL Editor Owner’s Manual...

  • Page 22: Stereo/Mono Window

    STEREO/MONO window In this window you can view and edit the parameters of the STEREO and MONO channels. The parameters shown in the window can be selected from the [View] menu or the menu that appears when you right-click (<control> key + click) in the window.
  • Page 23 Selected Channel window will open as an additional view. Channel name This is a text box that displays the channel name. You can also edit the channel name in this text box. CL Editor Owner’s Manual...

  • Page 24: Dca Window

    If the fader is at nominal level, the green indicator at the right of the fader will light. If a DCA group is set to Recall Safe, the R character at the lower right of the fader is dis- played in green.

  • Page 25: Selected Channel Window

    Selected Channel window Here you can set the parameters of the currently selected input channel (INPUT CH 1–72(*), ST IN channels 1–8) or out- put channel (MIX channels 1–24, MATRIX channels 1–8, STEREO/MONO channels.) You can access this window in the following ways.
  • Page 26 Indicates the number and name of the channel you are editing. To switch channels, you can either click the [SELECT] button and choose from the list that appears, or you can click the plus/minus (+/–) channel select buttons on the left or right side of the icon.
  • Page 27 This selects PRE or POST as the point from which the signal is sent from the input channel to the MIX bus and MATRIX bus. The point will be PRE EQ or PRE FADER when this is on, and POST FADER when this is off. The PRE EQ/FADER setting can be specified in the Mixer Setup dialogbox.
  • Page 28 Here you can specify how the signal will be sent from the input channel to the STEREO bus/MONO bus. MODE • ST/MONO button When this button is on, the signal will be sent to the STEREO L/R bus and independently to the MONO bus. [INPUT CH 1–72] [ST IN channel 1–8] The PAN knob adjusts the panning of the signal sent from the input channel to the STE- REO bus L/R channels.
  • Page 29 LPF (Low Pass Filter) If this button is on, the HIGH EQ will function as a low pass filter. The Q knob of the HIGH EQ will disappear, and the GAIN knob will act as the low pass filter on/off switch.
  • Page 30 Specifies the amount by which the signal is attenuated while the gate is closed (or while the ducking is activated.) DECAY Specifies the time over which the gate will close (or the time to return to normal signal gain of ducking) after the hold time has elapsed.
  • Page 31 Select the type of filter applied to the selected key-in signal; HPF (high pass filter), BPF (band pass filter), or LPF (low pass filter.) The ON/OFF button switches the filter on/off. If you’ve selected BPF, use the two knobs to adjust the band pass frequency and Q. If you’ve selected HPF or LPF, use the knob to adjust the cutoff frequency.
  • Page 32 RATIO If the compressor is selected, specifies the ratio at which the input signal will be compressed when the key-in signal exceeds the threshold. If the expander is selected, specifies the ratio at which the input signal will be compressed when the key-in signal falls below the threshold.
  • Page 33 Specifies the width between the threshold level of the compressor (THRESHOLD) and the threshold level of the expander. ATTACK Specifies the time (the attack time) until it starts to compress and expand the input signal once the compander has been triggered. GAIN Adjusts the gain of the signal after it has passed through the compander.

  • Page 34: Delay Time

    TYPE Drag the knob in the screen to select the HPF (High Pass Filter) or BPF (Band Pass Filter.) Adjust the Q level of the frequency range at which the key-in signal will activate the de-esser. KEY IN SOURCE The key-in signal is set to the SELF POST EQ.
  • Page 35 DIRECT OUT GAIN Adjusts the gain of the direct output. The current value is shown in the numerical box below the knob. You can set this to the nominal value (0.0 dB) by holding down the <Ctrl>(< >) key and clicking the knob.

  • Page 36: Dca Group/Mute Group

    If the corresponding channel is off, the fader will be grayed out. Fader Adjusts the input level of the input channel. A meter indicating the signal level is shown at the right of the fader, and the current value is shown in the numerical box immediately below.

  • Page 37: If A Mix Channel Is Selected

    Select either PRE or POST as the position from which the signal is sent from the MIX channel to the MATRIX bus. PRE EQ or PRE FADER is selected if this is on, or POST FADER is selected if this is off. The PRE EQ/PRE FADER setting can be made in the Mixer Setup dialogbox.
  • Page 38 Switches the signal sent from the MIX channel to the MONO bus on/off. • LCR button When this button is on, the signal will be sent to the L/C/R buses which work in conjunction with each other. [for MONO mix channel]...
  • Page 39 LPF (Low Pass Filter) If this button is on, the HIGH EQ will function as a low pass filter. The Q knob of the HIGH EQ will disappear, and the GAIN knob will act as the low pass filter on/off switch.

  • Page 40: Mute Group

    (➥ p.30.) ❏ INSERT Except for the fact that the insert ports that can be selected are different, this is the same as for the insert settings of an input channel (➥ p.34.) ❏...

  • Page 41: If A Matrix Channel Is Selected

    If a MATRIX channel is selected ❏ CHANNEL SELECT (Channel selection) Except for the fact that your editing applies to a MATRIX channel, this is the same as the channel selection for a MIX channel (➥ p.37.) ❏ FROM MIX, ST/MONO(C)
  • Page 42 (➥ p.30.) ❏ INSERT Except for the fact that the insert ports that can be selected are different, this is the same as for the insert settings of an input channel (➥ p.34.) ❏...
  • Page 43 ● STEREO channel window ● MONO channel window ❏ CHANNEL SELECT (Channel selection) Except for the fact that your editing applies to a STEREO/MONO channel, this is the same as the channel selection for a MIX channel (➥ p.37.) ❏ TO MATRIX These are the same as the TO MATRIX of a MIX channel (➥...
  • Page 44 (➥ p.30.) ❏ INSERT Except for the fact that the insert ports that can be selected are different, this is the same as for the insert settings of an input channel (➥ p.34.) ❏ RECALL SAFE/MUTE SAFE These are the same as the RECALL SAFE/MUTE SAFE of a MIX channel (➥...

  • Page 45: Library Window

    Library window Here you can edit the CL’s various libraries. You can also load library files that were saved on a drive of your computer, edit the order or title of library items, recall the desired library data, or copy desired library data to a library within the CL.
  • Page 46 Select which rack will be subject to the Store or Recall operation. In the EFFECT library, it indicates the rack number 1- 8 of the EFFECT rack. In the GEQ library, it indicates the rack number 1-16 of the GEQ and the rack number 1-8 of the EFFECT rack.
  • Page 47 This area shows the CL’s library contents. The items displayed are the same as in the FILE list ( As desired, you can copy single or multiple data items between the FILE list and the INTERNAL DATA list, and copy or move them to a different location within a list.

  • Page 48: Premium Rack Library Window

    Premium Rack Library window Here you can edit the libraries of each EQ or compressor of the PREMIUM rack. You can also load library files that were saved on a drive of your computer, edit the order or title of library items, recall the desired library data, or copy desired library data to a library within the CL.

  • Page 49: Patch Editor Window

    This window is divided into INPUT PATCH, OUTPUT PATCH, INPUT INSERT PATCH, OUTPUT INSERT PATCH, DIRECT OUT PATCH, and PATCH LIST pages. To switch pages, click the tabs shown in the upper part of the window. To display this window, choose [Patch Editor] from the [Windows] menu, and select either “INPUT PATCH, ” “OUTPUT PATCH, ”...

  • Page 50: Output Patch Page

    Output port selection Input port selection Here you can assign input/output ports to the insert-in/out of each input channel. Select the output port in the left side of the screen, and the input port in the right side of the screen.

  • Page 51: Output Insert Patch Page

    Output port selection Input port selection Here you can assign input/output ports to the insert-in/out of each output channel. Select the output port in the left side of the screen, and the input port in the right side of the screen.

  • Page 52: Input Port

    This is the number of the input channel. Input channel name This is the name of the input channel. You can click the channel name box to edit the name in this page. Input port This shows the input port assigned to the input channel. You can click this box and choose the input port from the popup menu that appears.

  • Page 53: Virtual Rack Window

    Virtual Rack window Here you can make settings for GEQ (Graphic Equalizer), effects, and PREMIUM rack. This window is divided into GEQ 1-8, GEQ 9-16, EFFECT, and PREMIUM page. To switch pages, click the tabs located at the top of the window.

  • Page 54: Input Patch

    EFFECT rack ( ➥ p.58.) Module graphic This area shows a graphic of the GEQ module that is currently assigned to the rack, and the parameters of that module. You cannot edit the parameters in this screen.
  • Page 55 Rack module editor — GEQ window ● 31BandGEQ ● Flex15GEQ In this window you can select the insertion destination of GEQ, and edit the parameters. Rack No. (Rack selection) Select the rack module of the GEQ rack that you want to control.

  • Page 56: Output Meter

    Input patch Click the CHANNEL field, and choose one of the following as the signal route that will be patched to the input channel(s) of the currently selected GEQ module. NONE No assignment INS MIX 1–24 MIX channel 1–24 insert out INS MTRX1–8...

  • Page 57: Geq Graph

    For a Flex15GEQ, you can operate any fifteen of the thirty-one bands. This numerical display box shows the remaining number of bands that can be operated. If you have operated fifteen bands, this number will be zero, and you won’t be able to operate any additional bands.
  • Page 58 Input patch Click the L CHANNEL or R CHANNEL area, and choose one of the following as the signal route that will be patched to the L/R input channels of the internal effect. This is not shown if nothing is mounted in the rack.
  • Page 59 These indicate the level of the signals being input and output from the effect module or the GEQ module. Output patch Click the L CHANNEL or R CHANNEL area, and choose one of the following as the signal route that will be patched to the L/R output channels of the internal effect.
  • Page 60 Rack module editor — Effect window Here you can select the effect type for an internal effect, edit the parameters, and specify the input/output patching. CL Editor Owner’s Manual...
  • Page 61 Indicates the title of the currently selected effect. TYPE (EFFECT TYPE) Indicates the currently selected effect type. You can also switch the effect type from this window. To do so, click the text box, and select the desired effect type from the popup menu that appears.

  • Page 62: Effect Parameters

    H (HIGH), M (MID), and L (LOW) bands. PLAY/REC (Play/Record) buttons If “FREEZE” is selected as the effect type, you can use these buttons to record and play back the signal being input to the effect.
  • Page 63 Click the CHANNEL field (Click L CHANNEL or R CHANNEL area for the stereo EQ or compressor), and choose one of the following as the signal route that will be patched to the input channel(s) of the currently selected PREMIUM rack module.
  • Page 64 Module graphic This area shows a graphic of the PREMIUM rack module that is currently assigned to the rack, and the parameters of that module. Double-click this to open the module editor for that rack unit. By holding down the <Ctrl>(< >) key of your computer keyboard and double-clicking this, you can open multiple rack module editors.
  • Page 65 Rack module editor — Premium window Here you can select the module type (EQ or compressor) for the PREMIUM rack, edit the parameters, and specify the input/output patching. Parameter changes can be made in the specific GUI displayed on the right side of the screen for each PREMIUM rack module.
  • Page 66 Selecting the module type is not available in the PREMIUM rack. NOTE LIBRARY This button accesses the Premium rack library. Clicking this button will open the PREMIUM rack module (EQ or com- pressor) page of the Premium Rack Library window. Input patch...

  • Page 67: Meter Window

    Meter window This window shows the signal levels of each section in the CL, letting you check for the presence of signals and whether an overload is occurring. This window is divided into INPUT METER and OUTPUT METER; to switch pages, click the tabs located at the top of the window.
  • Page 68 OUTPUT METER page METERING POINT Select one of the following as the point where metering will occur. PRE EQ, PRE FADER, POST ON PEAK HOLD This is the same as in the INPUT METER page. Meters This is the same as in the INPUT METER page.

  • Page 69: Group/Link Window

    Group/Link window In this window you can select the channels that will be assigned to each DCA group and mute group. This window is divided into three pages; the DCA GROUP ASSIGN page, the MUTE GROUP ASSIGN page and CHANNEL LINK page.

  • Page 70: Mute Group Assign Page

    MUTE GROUP ASSIGN page Here you can specify the channels that will be assigned to mute groups 1–8. The upper part of the screen lets you assign input channels to mute groups, and the lower part of the screen lets you assign output channels to mute groups.

  • Page 71: Channel Link Page

    Link buttons Use these buttons to select the link group A-Z, a-n to which you want each input channel to be assigned. If you don’t want an input channel to be linked, select NONE. You can assign up to forty groups (CL5: 40 groups, CL3: 36 groups, CL1: 28 groups) for INPUT CH 1–72 (CL3: 1-64, CL1: 1-48.)
  • Page 72 Mute settings TO ST TO ST settings DELAY Delay settings The HA, FADER, DIGITAL GAIN, and DELAY parameters will maintain level differences between linked NOTE channels. SEND PARAMETER Specify the link status for each MIX/MATRIX SEND bus. CL Editor Owner’s Manual...

  • Page 73: Scene Window

    SCENE MEMORY page Here you can edit the CL’s scene memories. You can also load scene library files from a USB flash drive or from a drive of your computer, and edit them. In this case, you can re-save all scenes to a file after editing, recall just a desired scene, or copy a desired scene to the scene memory of the CL itself.

  • Page 74: Fade Time

    Indicates the status of the Focus Recall settings. The indicator will lit in black when all parameters are set to off. It will lit in green when all parameters are set to on and lit in blue when only some parameters are set to on.
  • Page 75 This area shows the CL’s scene memory contents. The items displayed are the same as in the FILE list ( As desired, you can copy single or multiple scenes between the FILE list and the INTERNAL DATA list, and copy or move them to a different location within a list.

  • Page 76: Recall Safe Page

    RECALL SAFE page Here you can make settings for the Recall Safe function that excludes only specific channels from recall operations of all scenes. INPUT SAFE PARAMETERS In this area you can view and edit the Recall Safe settings for all input channels and ST IN channels.
  • Page 77 OUTPUT SAFE PARAMETERS In this area you can view and edit the Recall Safe settings for all output channels. The items in this area are the same as in the Input Safe Parameters area ( GLOBAL RECALL SAFE In this area you can view and edit the Recall Safe parameters. These are not channel parameters, but CL global parame- ters for such things as patches, DCA groups, and racks.

  • Page 78: Fade Time Page

    PANEL SNAPSHOT Excludes the PANEL SNAPSHOT (the settings for the banks selected in fader blocks A, B, and C on the top panel of the CL) from recall operations when the button is on. SET ALL This button switches on all buttons for all parameters.
  • Page 79 This button enables/disables the Fade function for the faders of the current scene. FADE TIME Drag this knob in the screen to adjust the fade time. The current value is shown in the numerical box immediately below. CL Editor Owner’s Manual...

  • Page 80: Custom Fader Bank Setup Window

    Custom Fader Bank Setup window In this window you can make settings for the Custom Fader Bank and Master Fader. This window is divided into A, B, C (only CL5), and MASTER pages. It is set for 8 channel faders section or 16 channels units for each A/B/C Bank.

  • Page 81: Custom Fader Bank Window

    Shows the channel strip that is assigned to the channel patch. This is the same as the channel strip in the Overview win- dow. Indicates only L or R channel for the ST IN and ST channel. You can switch between L and R by clicking the [SEL] button.

  • Page 82: User Defined Keys Setup Window

    User Defined Keys Setup window In this window, you can specify the functions or parameters to be assigned to the USER DEFINED keys of the CL. Opera- tion of each parameter is done by the USER DEFINED keys of the CL.

  • Page 83: User Defined Knobs Setup Window

    To open this window, choose [User Defined Knobs Setup] from [Windows] menu. CURRENT USER Displays the name of the user currently logged into the CL console. If the CL has not yet been synchronized with the Editor, this field displays “Administrator. ”...

  • Page 84: User Defined Knobs

    Assignable Encoder Select the functions or parameters you wish to assign to the ASSIGN knob of the CL. Click the Assignable Encoder knob to open the Parameter List dialog box. For more information on the assignable parameters, please refer to the CL’s Manual.

  • Page 85: Sends On Fader Window

    Click the button (in the Sends On Fader window) for the MIX/MATRIX bus for which you want to adjust the send level. Then switch the send level off or on, and adjust the send level using the [ON] button and fader for the input channel dis- played in the Overview window.

  • Page 86: Outport Setup Window

    ), the DELAY SCALE field will be hidden in the screen. • meter (343.59m/s) The delay time is shown as a distance in meters, calculated as the speed of sound (343.59 m/s) at an air temperature of 20°C (68°F) multiplied by the delay time (seconds.) •...

  • Page 87: Gain Knob

    Adjusts the gain level for the signal assigned to the output port. To change the value, rotate (by dragging) the knob in the screen. You can adjust the setting in 0.1 dB steps over a range of –96 to +0 dB. The current value is shown immedi- ately below the knob.

  • Page 88: Keyboard Shortcuts

    +Option+1 Opens the INPUT CH (CH17-32) window Ctrl+Alt+2 +Option+2 Opens the INPUT CH (CH33-48) window Ctrl+Alt+3 +Option+3 Opens the INPUT CH (CH49-64) window (CL5, 3) Ctrl+Alt+4 +Option+4 Opens the INPUT CH (CH65-72) window (CL5) Ctrl+Alt+5 +Option+5 Windows menu Opens the ST IN window...

  • Page 89: Index

    Index BYPASS ......59 Keyboard Shortcuts ......88 SAVE ........... 45 ........45 SAVE AS ... 73 Save as a different name Save under a different name ..45 CLEAR ......47 Library window ........45 ....73 SCENE MEMORY page .... 49 CLEAR ALL –...

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