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Hint: In order to avoid having the Master Trans-
pose setting change when selecting a new Perfor-
mance or STS, use the general Master Transpose
Lock (the first parameter in this page).
Note: When the Master Transpose Lock is closed,
this parameter has no effect. However, the Master
Transpose Lock also locks the Style Performance
Transpose.
Sub Scale/Quarter Tone
When locked, selecting a Performance or STS will
not change the Sub-Scale or Quarter Tone value.
(See "Sub-Scale panel" on page 94).
STS SubScale/Quarter Tone
When closed, this lock prevents an STS change to
modify the SubScale/Quarter Tone settings,
allowing for changing sounds and effects but not
the scale. When open, changing an STS may also
change these settings.
(See "Sub-Scale panel" on page 94).
Auto Octave This lock lets you decide if the instrument will
automatically transpose the Upper tracks when
turning the SPLIT button on and off.
• If On, when turning the SPLIT button or off,
the Upper tracks transposition is left unchanged.
• If Off, when turning the SPLIT button off (Full
keyboard mode), the Upper tracks Octave Trans-
pose is automatically set to "0". When turning the
SPLIT button on (Split keyboard mode), the
Upper tracks Octave Transpose is automatically
set to "-1".
• Lock–Control pane
Assignable Switches
When locked, selecting a Performance or STS will
not change the Assignable Switch assignment.
(See
"Pad/Switch:
page 108).
Slider Mode
When locked, selecting a Performance or STS will
not change the selected status of the SLIDER
MODE button.
(See "SLIDER MODE" on page 7).
Split Point
When locked, selecting a Performance or STS will
not change the split point.
(See "Split Point" on page 95).
Assignable
Switch"
on
Global edit mode
Pad
When locked, selecting a Style or SongBook entry
will not change the Pad assignment.
(See "Pad/Switch: Pad" on page 108).
Lower
When this lock is closed, the Lower track remains
unchanged when a different Style, Performance
or STS is selected.
This is useful if, for example, you prefer to always
play with the left hand muted and reserved only
to playing chords for the arranger.
Hint: If you want the same Lower settings to be
used during all your shows, save your preferred
Lower settings to Performance 1-1 (automatically
selected on startup), then close this lock and choose
the "Write Global-Global Setup" from the page
menu.
Keyboard Mode (Split)/Chord Scanning
When this lock is closed, the status of the SPLIT
button (i.e., of the keyboard mode) and the
CHORD SCANNING section remain unchanged
when a different Performance or STS is selected.
This is useful if, for example, you prefer to always
play in Full Keyboard, with chords recognized on
the whole keyboard range.
Note: The Split (Keyboard Mode) and Chord Scan-
ning settings are reset when switching to a different
operating mode.
Hint: If you want the same Keyboard Mode and
Lower Scanning settings to be used during all your
shows, save your preferred settings to Performance
1-1 (automatically selected on startup), then close
this lock and choose the "Write Global-Global
Setup" from the page menu.
• Lock–FX & Voice Processor pane
Voice Processor Preset
When locked, selecting a Performance or STS will
not change the Voice Processor Preset.
(See "VP Preset" on page 94).
Upper 1 FXs In Sound mode, you can assign a Sound two
effects (FX1 and FX2). When you assign a new
Sound to the Upper 1 track, the FX1 and FX2 set-
tings and send levels saved with that Sound can
be automatically selected, overriding Perfor-
mance/STS settings for this track. Whether
Sound or Performance/STS effect parameters will
be considered, depends on the status of this lock.
223
General Controls: Lock
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