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■Recognized Standard Chords
All chords in the chart are "C-root" chords.
Chord Name/[Abbreviation]
Major [M]
Add ninth [(9)]
Sixth [6]
Sixth ninth [6(9)]
Major seventh [M7]
Major seventh ninth [M7(9)]
Major seventh add sharp eleventh [M7(#11)]
Flatted fifth [(b5)]
Major seventh flatted fifth [M7b5]
Suspended fourth [sus4]
Augmented [aug]
Major seventh augmented [M7aug]
Minor [m]
Minor add ninth [m(9)]
Minor sixth [m6]
Minor seventh [m7]
Minor seventh ninth [m7(9)]
Minor seventh add eleventh [m7(11)]
Minor major seventh [mM7]
Minor major seventh ninth [mM7(9)]
Minor seventh flatted fifth [m7b5]
Minor major seventh flatted fifth [mM7b5]
Diminished [dim]
Diminished seventh [dim7]
Seventh [7]
Seventh flatted ninth [7(b9)]
Seventh add flatted thirteenth [7(b13)]
Seventh ninth [7(9)]
Seventh add sharp eleventh [7(#11)]
Seventh add thirteenth [7(13)]
Seventh sharp ninth [7(#9)]
Seventh flatted fifth [7b5]
Seventh augmented [7aug]
Seventh suspended fourth [7sus4]
Suspended second [sus2]
NOTE
• Notes in parentheses can be omitted.
• Playing two same root keys in the adjacent octaves produces accompa-
niment based only on the root.
• A perfect fifth (1 + 5) produces accompaniment based only on the root
and fifth which can be used with both major and minor chords.
• The chord fingerings listed are all in "root" position, but other inversions
can be used—with the following exceptions: m7, m7 b 5, 6, m6, sus4,
aug, dim7, 7 b 5, 6(9), sus2.
● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
Normal Voicing
Chord (C)
1 - 3 - 5
1 - 2 - 3 - 5
1 - (3) - 5 - 6
1 - 2 - 3 - (5) - 6
1 - 3 - (5) - 7
1 - 2 - 3 - (5) - 7
1 - (2) - 3 - #4 - 5 - 7 or
1 - 2 - 3 - #4 - (5) - 7
1 - 3 - b5
1 - 3 - b5 - 7
1 - 4 - 5
1 - 3 - #5
1 - (3) - #5 - 7
1 - b3 - 5
1 - 2 - b3 - 5
1 - b3 - 5 - 6
1 - b3 - (5) - b7
1 - 2 - b3 - (5) - b7
1 - (2) - b3 - 4 - 5 - (b7)
1 - b3 - (5) - 7
1 - 2 - b3 - (5) - 7
1 - b3 - b5 - b7
1 - b3 - b5 - 7
1 - b3 - b5
1 - b3 - b5 - 6
1 - 3 - (5) - b7 or
1 - (3) - 5 - b7
1 - b2 - 3 - (5) - b7
1 - 3 - 5 - b6 - b7
1 - 2 - 3 - (5) - b7
1 - (2) - 3 - #4 - 5 - b7 or
1 - 2 - 3 - #4 - (5) - b7
1 - 3 - (5) - 6 - b7
1 - #2 - 3 - (5) - b7
1 - 3 - b5 - b7
1 - 3 - #5 - b7
1 - 4 - 5 - b7
1 - 2 - 5
* These chords are not shown in the Dictionary function.
NOTE
• Inversion of the m7(11) chords are not recognized if the notes shown in
parentheses are omitted.
• The auto accompaniment will sometimes not change when related
chords are played in sequence (e.g. some minor chords followed by the
minor seventh).
• Two-note fingerings will produce a chord based on the previously played
chord.
Style (Auto-accompaniment) Functions
Display
C
C
(
)
9
C
9
C
C
C
6
6
(
9
)
6 9
C
*
C
6
C
C
M7
M7
(
)
9
M7 9
C
*
C
M7
M7 #11
(
#11
)
C
*
C
M7
b5
(
b5
)
C
*
C
(
b5
)
M7 b5
C
*
C
M7
C
C
sus4
sus4
C
C
aug
aug
C
*
C
M7aug
M7aug
C
C
m
m
(
)
9
C
m9
C
m
C
C
m6
m6
C
C
m7
m7
(
)
m7 9
9
C
C
m7
(
)
m7 11
11
C
*
C
m7
C
C
mM7
mM7
(
)
9
mM7 9
C
*
C
mM7
(
b5
)
m7 b5
C
C
m7
(
b5
)
mM7 b5
C
*
C
mM7
C
C
dim
dim
C
C
dim7
dim7
C
C
7
7
(
b9
)
7 b9
C
C
7
(
b13
)
7 b13
C
C
7
(
)
9
7 9
C
C
7
7 #11
(
#11
)
C
C
7
(
13
)
7 13
C
C
7
(
#9
)
7 #9
C
C
7
7 b5
C
C
*
7b5
C
C
7aug
7aug
C
C
7sus4
7sus4
C
C
*
sus2
sus2
85
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