Dynamics Library - Yamaha mLAN Mixer Owner's Manual

Dynamics Library

# Title
01 Comp COMP
02 Gate GATE
03
Expand EXPAND
04 Ducking DUCKING
05
Compander(H) COMPAND-H
06
Compander(S) COMPAND-S
07 A.Dr.BD COMP
08
A.Dr.BD GATE
09 A.Dr.BD COMPAND-H
10
A.Dr.SN COMP
11
A.Dr.SN EXPAND
12 A.Dr.SN GATE
13
A.Dr.SN COMPAND-S
14
A.Dr.Tom EXPAND
15
A.Dr.OverTop COMPAND-S
16
E.B.Finger COMP
17 E.B.Slap COMP
18
Syn.Bass COMP
19
Piano1 COMP
20 Piano2 COMP
21
E.Guitar COMP
22
A.Guitar COMP
23 Strings1 COMP
24
Strings2 COMP
25
Strings3 COMP
26 BrassSection COMP
27
Syn.Pad COMP
28
SamplingPerc COMPAND-S
29 Sampling BD COMP
30 Sampling SN COMP
31
Hip Comp COMPAND-S
32 Solo Vocal1 COMP
33
Solo Vocal2 COMP
34
Chorus COMP
35 Click Erase EXPAND
36 Announcer COMPAND-H
37
Limiter1 COMPAND-S
38 Limiter2 COMP
39 Total Comp1 COMP
40
Total Comp2 COMP
Type
Compressor intended to reduce the overall volume level. Use it on the stereo output
during mixdown. It can also be used with the stereo input.
Gate template.
Expander template.
Ducking template.
Hard-knee compressor template.
Soft-knee compressor template.
Compressor program for use with acoustic kit's bass drum.
Gate program for use with acoustic kit's bass drum.
COMPAND-H program for use with acoustic kit's bass drum.
Compressor program for use with acoustic kit's snare drum.
Expander program for use with acoustic kit's snare drum.
Gate program for use with acoustic kit's snare drum.
COMPAND-H program for use with acoustic kit's snare drum.
Expander program for use with acoustic kit's tom toms, which automatically reduces
the volume when the tom toms are not played, helping to differentiate the bass and
snare drums clearly.
Soft-knees compander program to emphasize the attack and ambience of cymbals
recorded with overhead microphones. It automatically reduces the volume when the
cymbals are not played, helping to differentiate the bass and snare drums clearly.
Compressor program to level the attack and volume level of a finger-picked electric
bass guitar.
Compressor program to level the attack and volume level of a slap electric bass guitar.
Compressor program to control or emphasize the level of a synth bass.
Compressor program to brighten the tonal color of a piano.
A variation on program 19, using a deep threshold to change the entire attack and level.
Compressor program for electric guitar cutting and arpeggio-style backing perfor-
mance. The sound color can be varied using different playing styles.
Compressor program for acoustic guitar stroke and arpeggio-style backing performance.
Compressor program for strings.
A variation on program 23, intended for violas or cellos.
A variation on program 23, intended for string instruments with a very low range,
such as cellos or contrabass.
Compressor program intended for brass sounds with a fast and strong attack.
Compressor program for synth pad, intended to prevent diffusion of the sound.
Compressor program for sampled sounds, making them as powerful as real acoustic drums.
This program is for percussion sounds.
A variation on program 28, intended for sampled bass drum sounds.
A variation on program 28, intended for sampled snare drum sounds.
A variation on program 28, intended for sampled sound loops.
Compressor program suited for use with solo vocals.
A variation on program 32.
A variation on program 32, intended for chorus vocals.
Expander program to remove click track sounds that may bleed out of the musicians
monitor headphones.
Hard compander program to reduce the music level when the announcer speaks,
making the voice clearer.
A soft-knee compander program with a slow release.
A compressor program using the peak-stop style.
Compressor intended to reduce the overall volume level. Use it on the stereo output
during mixdown. It can also be used with the stereo input.
A variation on program 39 with greater compression.
Description
34