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Kurzweil K2500 - PERFORMANCE GUIDE REV F PART NUMBER 910252 CHAP 6 Manual
Kurzweil K2500 - PERFORMANCE GUIDE REV F PART NUMBER 910252 CHAP 6 Manual

Kurzweil K2500 - PERFORMANCE GUIDE REV F PART NUMBER 910252 CHAP 6 Manual

Control sources

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Chapter 6
Control Sources
Control sources are assigned as values for control source parameters, like Src1 and Src2, Depth
Control for Src2, and LFO rate control. Assigning a control source to one of these parameters is
like connecting control source outputs to various inputs on early modular synthesizers. You
can think of each control source parameter as the input to a synthesizer module, and the values
for those parameters as the outputs of modules generating control signals.
For the control sources to have an effect, two things have to happen. First, the control source
must be assigned as the value for (patched to) a control source parameter like Src1. In other
words, for a control source parameter to have an effect, it must be programmed to respond to a
particular control message. Second, the control source must generate a signal. The level of the
control source's signal determines how much effect it has on the control source parameter to
which it's assigned.
In terms of generating signals, there are two types of control sources. The first, which might be
called hardware control sources, require some physical movement to transmit them. The
control source called MWheel (MIDI 01) is probably the most prominent example of this type of
control source. When you move your MIDI controller's Mod Wheel, it sends a Modulation
message (MIDI 01), unless you've programmed it to send something else. By default, when the
K2500 receives a MIDI 01 message, it responds by sending a control signal to whatever control
source is assigned as the value for the ModWhl parameter on the MIDI mode RECV page. Of
course, you can program the Mod Whl parameter to send any available control source signal in
response to MIDI 01 messages.
Some of these hardware control sources have physical controls "hard-wired" to transmit them.
That is, there are certain physical controls that always generate these control signals. Every time
you strike one of your MIDI controller's keys (or pluck a string, or whatever), for example, a
Note on message is generated, along with an Attack velocity message. So any time you strike a
key, any control source parameter that has AttVel assigned as its value will be affected by the
Attack velocity message. Similarly, every time you move the physical Pitch Wheel, a PWheel
message is generated. Whether this affects anything depends on whether you have assigned
any control source parameters to respond to the PWheel message (in other words, whether any
control source parameter has PWheel assigned as its value).
On the MIDI XMIT page (and in the Setup Editor) you'll find six parameters that correspond to
the standard physical controls found on many keyboard controllers: Mod Wheel, Foot
Switches 1 and 2, the Control Pedal (CPedal), the Controller Slider (Slider), and mono pressure
(Press). As long as the LocalKbdCh parameter on the RECV page in MIDI mode matches the
transmit channel of your MIDI controller, these parameters will always respond to specific
MIDI control messages: ModWhl always responds to Modulation messages (MIDI 01); FtSw1
always responds to Sustain (MIDI 64); FtSw2 always responds to Sostenuto (MIDI 66); CPedal
always responds to Foot (MIDI 04); Slider always responds to Data (MIDI 06); Press always
responds to mono pressure.
The values you assign for these six parameters determine which control messages will be
transmitted to the K2500 and to its MIDI Out port when you move the corresponding controls
on your MIDI controller. If you look at the MIDI XMIT page, you'll see that the parameter
called ModWhl has a default value of MWheel. You can interpret this as follows: "Moving the
Mod Wheel on my MIDI controller sends the MWheel (Modulation, MIDI 01) message to the
Control Sources
6-1

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Summary of Contents for Kurzweil K2500 - PERFORMANCE GUIDE REV F PART NUMBER 910252 CHAP 6

  • Page 1: Chapter 6 Control Sources

    Control Sources Chapter 6 Control Sources Control sources are assigned as values for control source parameters, like Src1 and Src2, Depth Control for Src2, and LFO rate control. Assigning a control source to one of these parameters is like connecting control source outputs to various inputs on early modular synthesizers. You can think of each control source parameter as the input to a synthesizer module, and the values for those parameters as the outputs of modules generating control signals.
  • Page 2 Control Sources K2500’s sound engine, and, if the K2500’s LocalKbdCh parameter matches my controller’s transmit channel, to the K2500’s MIDI Out port.” If you change the value of the ModWhl parameter, the Mod Wheel will no longer send the MWheel message, and any control source parameter with MWheel assigned as its value will no longer respond to movement of the Mod Wheel.
  • Page 3 Control Sources exceptions to this rule, which have to do with global control source parameters. Globals affect every note in each program’s layer(s). Consequently they can’t use local control sources as their values, since local control sources affect each note independently. Four of the control source parameters are always global: the Enable parameter on the LAYER page (Program Editor), and the three control source parameters on the EFFECT page, (Program Editor).
  • Page 4 Control Sources Descriptions of Control sources Descriptions of Control sources This section is organized into two sets of descriptions: the MIDI Control Source list, and the rest of the control sources. The numeral preceding the name of each control source can be entered on the alphanumeric pad to select the control source directly (press ENTER after typing the numeral).
  • Page 5 Control Sources MIDI Control Source List mit this message, and can be used to select programs and edit parameters on MIDI slaves if your controller can send it. MIDI 07 (Volume) This is the standard MIDI controller number for volume. The Volume parameter on the CHANLS page in MIDI mode will respond to MIDI controller 07 unless the VolLock parameter is turned on.
  • Page 6 Control Sources MIDI Control Source List MIDI 66 (SostPD) MIDI controller 66 is defined as Sostenuto Switch. The control assignment param- eter FootSw2 is set by default to MIDI controller 66, so a switch pedal on your MIDI controller which sends MIDI 66 will send sostenuto messages to the K2500 by de- fault.
  • Page 7 Control Sources Main Control Source List Main Control Source List This list contains all but the last three control sources in the MIDI Control Source list. It also contains the following control sources. All are local unless specified as global. Channel State (Chan St) Chan St refers to whether any notes are currently active on a given MIDI channel.
  • Page 8 Control Sources Main Control Source List Global ASR (GASR2) When the Globals parameter on the COMMON page is turned on, ASR2 becomes global, and is labeled GASR2. The functions of ASRs are explained in Chapter 6 in the Performance Guide , in the section “The ASR Page.” This control source does not appear in the Control Source list for parameters whose functions are local.
  • Page 9 Control Sources Main Control Source List many notes you’re playing (this is independent of the effect of attack velocity on volume). To set this up, you would go to the F4 AMP page in the Program Editor, and set the Src1 parameter to a value of ChanCnt. Then set the Depth parameter to a negative value.
  • Page 10 Control Sources Main Control Source List 62, 63 Global Random Variant 1 and 2 (GRandV 1, GRandV 2) These are also bipolar and global, and generate random control signal values be- tween -1 and +1 when assigned to a control source parameter. There is a subtle dif- ference in the randomness of the signals they generate, therefore choosing between them is a matter of preference.
  • Page 11 Control Sources Main Control Source List Polyphonic pressure (PPress) This unipolar control source responds to poly pressure (aftertouch) messages re- ceived via MIDI. It generates a signal value scaled from 0 to +1 based on the poly pressure value range of 0—127. Bipolar polyphonic pressure (BPPress) This is like PPress, but scales its signal value from -1 to +1.
  • Page 12 Control Sources Main Control Source List degrees, the signal value of LFO1ph is 0. When the phase of LFO1 is 270 degrees, the signal value of LFO1ph is -1. LFO2 This functions exactly the same as LFO1, when the Globals parameter is set to Off (on the COMMON page in the Program Editor).
  • Page 13 Control Sources Main Control Source List This generates a constant control signal value of +1. This generates a constant control signal value of -1 (the numeric entry 128 selects a value of OFF in the MIDI Control Source list). GKeyNum Uses the key number (global) to modify whatever it is patched into.
  • Page 14 Control Sources Constant Control Sources Constant Control Sources The remaining control sources are constants, which appear only when you’re assigning control sources as inputs for the FUNs. Assigning one of these values fixes the input’s control signal value at a steady level. -0.99 -0.98 -0.97...
  • Page 15: Keyboard Shortcuts For Control Sources

    Control Sources Keyboard Shortcuts for Control Sources Keyboard Shortcuts for Control Sources You can use the keyboard of your MIDI controller to choose control sources, since most key numbers correspond to a value on the control source list. If you have a certain control source that you use over and over (for example, LFO1), this can be the quickest way to enter its value.
  • Page 16 Control Sources Keyboard Shortcuts for Control Sources 6-16...

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