Creating Accompaniment Styles - Style Creator; About Creating Accompaniment Styles - Yamaha Clavinova CVP-203 Owner's Manual

Yamaha cvp-203: owners manual
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Creating Accompaniment Styles — Style Creator
This powerful feature lets you create your own original styles, which can then be used for auto accompaniment — just
as with the preset styles.
DIGITAL
RECORDING
STYLE
ACMP
AUTO FILLIN
OTS LINK

About Creating Accompaniment Styles

The chart at right shows the basic parts (or "channels") that make up each section
of an accompaniment style. To create an accompaniment style, record patterns to
the various channels one by one, for each of the sections you want to create.
I Realtime Recording (page 111)
You can record accompaniment styles by simply playing the parts from the
keyboard in real time. However, you don't have to record every part yourself
— you can choose an existing preset accompaniment style that is close to the
style you want, then add or replace parts in that style as needed to create your
own custom style.
Realtime Recording Characteristics
• Loop recording
Since auto accompaniment playback repeats the accompaniment patterns of several measures in a "loop," you can
also record patterns in a loop. For example, if you start recording with a two-measure Main section, the two
measures are repeatedly recorded. Notes that you record will play back from the next loop (repetition), letting you
record new material while hearing the parts you previously recorded.
• Overdub recording
This feature lets you record new material to a track already containing recorded data, without deleting the original
data. In style recording, the recorded data remains intact, unless you specifically delete it yourself. For example, if
you start recording with a two-measure Main section, the two measures are repeated. As you record notes to each
pass of the loop (repetition), those notes play back from the next loop, letting you overdub new material while
hearing the previous parts.
I Step Recording (page 112)
This method is like writing music notation on paper, since it allows you to enter each note or individually, and
specify its length. This is ideal for making precise recordings, or for recording parts that are difficult to play.
I Assembling an Accompaniment Style (page 113)
This convenient feature lets you create composite styles by combining
various patterns from the internal preset accompaniment styles. For
example, if you want to create your own original 8-beat style, you
could take rhythm patterns from the "8 Beat 1" style, use the bass
pattern from "8 Beat 2," and import the chord patterns from the "60's 8
Beat" style — combining the various elements to create one
accompaniment style.
I Editing the created Accompaniment Style (page 114)
With the editing features, you can custom edit the styles you've
created by real time recording, step recording, and assembling from
other styles.
METRONOME
SONG
POWER
EXTRA TRACKS
ON
OFF
TRACK 2
TRACK 1
START STOP
(STYLE)
(L)
(R)
REC
TOP
START / STOP
REW
FF
REPEAT
GUIDE
MASTER VOLUME
NEW SONG
SYNC.START
FADE IN / OUT
TEMPO
TRANSPOSE
TAP TEMPO
MIN
MAX
RESET
RESET
STYLE
ACMP
AUTO FILLIN
BREAK
INTRO
MAIN
ENDING / rit.
SYNC.STOP SYNC.START START / STOP
A
B
C
D
OTS LINK
BREAK
INTRO
MAIN
A
B
BACK
NEXT
MENU
DEMO
VOICE PART
HELP
A
F
ON / OFF
FUNCTION
B
G
LAYER
DIGITAL
C
H
LEFT
STUDIO
SOUND
D
I
CREATOR
DIGITAL
RECORDING
E
J
MIXING
BALANCE
CONSOLE
PART
CHANNEL
ON / OFF
PART
DIRECT ACCESS
1
2
3
4
5
6
7
8
EXIT
ENDING / rit.
SYNC.STOP SYNC.START START / STOP
C
D
8Beat 1
Rhythm 1
Rhythm 2
Bass
Chord 1
Chord 2
Pad
Phrase 1
Phrase 2
8Beat 2
Rhythm 1
Rhythm 2
Bass
Chord 1
Chord 2
Pad
Phrase 1
Phrase 2
VOICE EFFECT
LCD
CONTRAST
REVERB
DSP
VARIATION
HARMONY / ECHO
MONO
LEFT HOLD
VOICE
PIANO & HARPSI.
E.PIANO
ORGAN & ACCORDION
PERCUSSION
GUITAR
BASS
BRASS
WOODWIND
STRINGS
CHOIR & PAD
SYNTH.
XG
USER
ENTER
MUSIC FINDER
ONE TOUCH SETTING
1
2
3
4
REGISTRATION MEMORY
PIANO
DATA
ENTRY
FREEZE
1
2
3
4
5
6
7
8
MEMORY
Section
Channel
INTRO A - D
MAIN A - D
RHYTHM 1, RHYTHM 2,
BASS, CHORD 1,
FILL IN A - D
CHORD 2, PAD,
BREAK
PHRASE 1, PHRASE 2
ENDING A - D
For information on the part
structure of accompaniment
styles, see page 95.
60's 8 Beat
Rhythm 1
Rhythm 2
Bass
Chord 1
Chord 2
Pad
Phrase 1
Phrase 2
CVP-205/203
Rhythm 1
Rhythm 2
Bass
Chord 1
Chord 2
Pad
Phrase 1
Phrase 2
109

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