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to SUB GAIN (3) of channels 1 ~ 16 selection of the
GROUP/SUB selector (2) in the schematic, but as the
ouput of TRK 1 ~ 7 are to be monitored here, all SUB
GAIN (3) other than channels 1 — ? must be set to
Set MONITOR selector (26} tc CUE to allow listening to
the CUE buss sound (this is because sounds of TOM,
etc, are already on the STEREO buss}, and set all CUE/L-
R selector (5) to CUE (to prevent cresting s loop}. By
this setup, the total sound can be adjusted by the CUE
master level knob (31}, and each sound volume and
perspective for TRK 1 - 7 can be adjusted by the
channel 1 ~ 7 SUB MIX sections (3} ana (4), In this
exam pi e, the SUB PAN (4} is set With consideration to
the perspective plan at mixdown (Raise the MONi IOR
level knob (2B) when using the monitor speaker, and the
PHONES level knob (29) for monitoring with the
headphones.}.
RECORDING WITH ADDED EFFECTS
In the example of Fig. 1, the monitored sound was "dry"
(raw sound with no effects added}, but it is often desired
to record on the assumption that effects will be added
(or effects sound sent to the monitor system only wlthoui
recording on tape) later at mixdown. For example, if SD
and others are to be monitored with reverb added, it could
he doms as follows.
1. The sound source signals are sent to the reverb unit
using the AllX 1 ~ 4 sends (3} of the channel
(channel 2 if it :s SD} on which reverb is to be added,
(Refer to "INTERCONNECTION WITH VARIOUS
PROCESSORS", page 9,}
2. Return the reverb output to the INPUT jacks (33),
(34} of an open channel (such as channels 15, 16)
and send it to the SUB MIX section {3], (4)
(GROUP/SUB selector (2) -* SUB). Then, set CUE/L-
R selector (5) to CUE, set the total sound volume
by SUB GAIN (3), set the perspective by SUB PAN
(4} rind send it to the CUE buss tor monitoring.
VlanhcT perspective
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Fig. 4
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