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200M ENTERTAINER STEREO MIXER
OWNER'S MANUAL
16. Connect monitors to the right amplifier output.
Set up a monitor mix using the individual moni¬
tor pots. Slowly bring up the MONITOR Master
control. Use the right graphic EQ to minimize
feedback.
USING A TAPE RECORDER (See Figure 3)
There are several points at which a tape recorder can
be hooked up to the 200M in order to record:
1. stereo outputs
2. mono output
3. equalizer outputs
4. monitor send
5. effects send
The stereo and mono outputs are not affected by the
graphic equalizers in the 200M. Use these outputs
for the majority of recording hookups, especially
when the equalizers are being used to correct a
feedback problem or poor room acoustics.
The equalizer outputs can be used for a tape record¬
ing. Best results from these outputs are obtained
when the equalizer is not being used, or when it is
used for general response shaping.
For specialized applications, the monitor and/or ef¬
fects outputs may be used. The MONITOR output
has the attribute of being independent of nearly all
the mixer's controls. Conversely, the EFX SEND is
affected by nearly all the input channel controls. Use
either of these when a special mono mix goes to the
tape recorder. For example:
1. A conference is being recorded and all
microphones connected to the 200M need to go to
the tape recorder regardless of the settings of the
individual faders. For this, choose the MONITOR
send, since its signal source is pre fader, pre EQ.
2. A recording of the board output is desired, but for
one reason or another, the mix available at the mono
output just isn't quite right (some things are too loud,
other things aren't loud enough).
fifteen
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