FEATURES
INDEX
Any
guitarist
can
play the
GR-300,
using
all
standard
guitar
playing techniques,
including:
hammering,
glissandos,
harmonics, chopping,
etc.
The GR-300
produces
effects
and nuances which
keyboard
synthesizers
cannot
easily
produce.
To
produce
the
effect of
the
GR-300, you would
need:
6-octave
shifters
+
6-com
pressors
+
6-chorus
machines +
6-distortion units
+
6-phase
shifters
+
waw
+
etc.
+
etc
It
is
very easy to
produce
anything
from
simple
or
complex
solo
sounds
to the
sounds
of
a
huge
band
or orchestra. All
major
functions
are
con-
trolled
with foot switches
and
require
no
hands.
Smalt,
compact
unit
(like
an
effects
box) with
all
electronic-
type
foot-controlled switching
of
major
functions;
good
for
live
perform-
ance.
Produces
stable effects for
all
styles
of
guitar
playing
which,
up
to
now, were
impossible:
hammering,
glissando,
chopping,
etc.
Totally
polyphonic:
one
VCO
for
each
string.
Instant
and
accurate
transposing
to
two
preset pitches.
Duet
switch
for
chorus
effect.
Polyphonic
distortion for
new
clarity,
even
with chords.
STANDARD CONNECTIONS
MIXED
OUTPUT
3
GUITAR SYNTHSIZER
OUTPUT
3
BASIC SETTING
4
PRODUCING
SOUND
5
VCF
5
COMPRESSION
6
VCO
VIBRATO
7
PITCH SHIFT
7
STRING
SELECTOR
9
HEXA
DISTORTION
9
USJNG
ATTACHMENTS
10
SAMPLE SOUNDS
11-13
SAMPLE
NOTES
1418
SPECIFICATIONS
19
OPTIONAL ACCESSORIES
19
Before
Starting
•
Use
a
transformer to
produce
the correct
line
voltage
if
the
line
voltage
in
your
area
does not
match
the value
specified
on
the
name
plate.
•
Keep away from
flourescent lamps,
neon
lights,
and high-power
transformers
as
these
wilt
produce
high noise
levels
in
the Guitar
Synthesizer.
•
Avoid
the use of
this
instrument
in
places
that are dusty, of high
temperature
or high
humidity.
•
Clean the control panel with
neutral deter-
gent.
Use
a
soft,
dry
cloth for
the
wooden
parts.
Do
not
use solvents
such
as
paint
thinner.
•
The GR-300
Guitar Synthesizer has
been
designed to
work
with
the
G-303
or
G-808
Guitar Controller
and
will
not
work
with the
GR-500
Guitar
Controller.
•
The
length
of
the
sound
may
be
shorter
than normal, or the synthesized
sound
may
be
one
octave higher than
normal
with
cer-
tain styles
of picking
and
stopping the
strings.
•
Synthesizer
ON/OFF
for
each
string.