Peavey Unity 2002-12 RQ User Manual
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Peavey Unity 2002-12 RQ User Manual

Twelve input compact mixer
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Table of Contents
  • General Description
  • Clip Led
  • Fader
  • Led Meters
  • Phantom Power
  • Power
  • Effects Master
  • LEFT and RIGHT OUTPUTS
  • Monitor out
  • Headphone Output
  • Unity 2002-12 RQ Console
  • Input Specifications
  • Output Specifications
  • Hum and Noise
  • Levels
  • Descripción General
  • Important Safety Instructions

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COVER 4 UNITY 2002-12 RQ
COVER 4 UNITY 2002-12 RQ

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Summary of Contents for Peavey Unity 2002-12 RQ

  • Page 1 COVER 4 UNITY 2002-12 RQ COVER 4 UNITY 2002-12 RQ...
  • Page 2 Intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. Intended to alert the user of the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.
  • Page 3 GENERAL DESCRIPTION: ™ The Unity 2002-12 RQ is a twelve input compact mixer that can be used in sound reinforcement or recording applications. It has been engineered for maximum headroom and minimum noise, with a 10 dB headroom improvement over other designs. Quality low-noise precision parts are used throughout the mixer.
  • Page 4 10. CLIP LED: Normally indicates that the channel signal level is nearing the overload point. This circuit monitors the input gain and equalization for overload. It illuminates at +19 dBu and warns that gain or EQ boost should be reduced. There is roughly 2 dB of headroom remaining when it lights. 11.
  • Page 5 16. STEREO RETURN TO MONITOR A: Sets the level of the Stereo Return signal (effects) that is added to the Monitor A mix. This is a mono mix of the left and right signals. 17. STEREO RETURN TO MONITOR B: Sets the level of the Stereo Return signal (effects) that is added to the Monitor B mix.
  • Page 6 which should also be used for unbalanced inputs. This input is con- nected through a 10 dB pad to the MIC input. The two inputs cannot be used simultaneously. 31. RETURN INPUTS: 1/4" balanced (TRS) high impedance input for high level signals. These are designed for effect returns, but can be used for additional stereo inputs.
  • Page 7 33. LEFT and RIGHT OUTPUTS: The outputs of the Left-Right mix that are adjusted by the Left and the Right faders. These are the main outputs of the mixer. 34. MONITOR OUT: Output of the corresponding monitor mix designed to feed an external monitor system. The output levels are set by the individual channel monitor send controls and by the master monitor faders.

  • Page 8: Specifications

    * Nominal settings are defined as all controls set at 0 dB (or 50% rotation for rotary pots) except the gain adjustment pot, which is as specified. Unity 2002-12 RQ Console Input Levels Settings...
  • Page 9 Output Specifications: Function Minimum Load Z (ohms) Main L/R Monitor Aux Send Headphone Tape 0 dBu = 0.775V (RMS) Gain: Mic Input Gain Adj. Range: Mic Input to L/R Output: Line Input Gain Adj. Range: Line Input to L/R Output: Aux Return to L/R Bal.
  • Page 12 DESCRIPCIÓN GENERAL: La consola Unity 2002-12 RQ es un mezclador compacto de doce entradas que puede ser utilizado en aplicaciones de grabación o donde es necesario reforzar el sonido. Ha sido diseñada para ofrecer mínimo nivel de ruido y máxima amplitud de señal con una mejora de 10 dB en el nivel...
  • Page 13 FADER (ATENUADOR) (11) Control de nivel de salida del canal. El nivel del canal puede regularse entre apagado y +10 dB de ganancia. La configuración óptima para este control es la posición “0” (ganancia unitaria) pero, aun con ganancia máxima, la tolerancia del máximo nivel de señal es de 26 dBu (con respecto al valor nominal).
  • Page 14 Nota: Esto incluye la señal de entrada de grabación, la cual puede causar retroalimentación si el nivel de entrada de grabación es elevado al grabar con una sola máquina. TAPE INPUT JACKS (Enchufes de entrada de grabación) (26) Reciben la entrada estereofónica de la salida de una grabadora o un reproductor de discos compactos.
  • Page 15 DESCRIPTION GÉNÉRALE : La console de mixage Unity 2002-12 RQ est un appareil compact à 12 entrées qui peut être utilisé pour la sonorisation ou l’enregistrement. Conçue pour une marge de sécurité maximale et un ronflement minimal, elle offre un seuil de distorsion de 10 dB supérieur à...
  • Page 16 FADER (ATTÉNUATEUR) (11) Commande de niveau de sortie de canal. Le gain du canal peut être ajusté de 0 à +10 dB. Bien que le réglage optimal soit la position « 0 » (gain unité), la marge de sécurité (au gain nominal) est de 26 dBu. LED METERS (VU-MÈTRES À...
  • Page 17 TAPE INPUT JACKS (Jacks d’entrée magnétophone) (26) Reçoivent une entrée stéréo à partir de la sortie d’un magnétophone ou d’un lecteur de CD. TAPE OUT LEVEL (Niveau de sortie magnétophone) (27) Fixe le niveau du signal envoyé aux jacks de sortie magnétophone. Ce signal est indépendant des faders principaux gauche et droite (pré-fader).
  • Page 18 Siehe Diagramm der Frontplatte im englischen Teil des Handbuchs. Allgemeine Beschreibung Der Unity 2002-12 RQ ist ein kompakter Mixer mit zwölf Eingängen, der zur Klangverstärkung und für Aufnahmezwecke eingesetzt werden kann. Sein technisches Design sorgt für maximalen Head- room und minimale Störgeräusche. Der Headroom wurde im Vergleich zu früheren Ausführungen um 10 dB verbessert.
  • Page 19 LED METERS (LED-NSTRUMENTE) (12) Vier LED-Felder mit je 12 Segmenten dienen zur Überwachung der Pegel des linken und rechten Hauptausgangs und der Monitorausgänge A und B. Der 0 dB Referenzpegel entspricht +0 dBu an den 6,3 mm Klinkenbuchsen. PHANTOM POWER (Phantomspeisung) (13) Bei Aktivierung werden alle XLR-Eingangsanschlüsse mit 48 V Phantomspeisung für die Mikrofone versorgt.
  • Page 20 TAPE OUT LEVEL (Bandgerät-Ausgangspegel) (27) Bestimmt den Pegel des Signals, das den Bandgerät-Ausgangsbuchsen zugeführt wird. Dieses Signal ist unabhängig vom linken und rechten Master-Fader (pre-Fader). HEADPHONE JACK (Kopfhörerbuchse) (28) Regelt den Pegel des linken und rechten Signals zur Kopfhörerbuchse. Dieses Signal ist unabhängig vom linken und rechten Master-Fader (pre-Fader).
  • Page 21 For further information on other Peavey products, ask your Authorized Peavey Dealer for the appropriate Peavey catalog/publication. ® Guitars Guitar Amplification Bass Guitars Bass Amplification Sound Reinforcement Enclosures Microphones Keyboards DJ Mixers, Powered/Non-Powered Accessories/Cables Effects Processors ™ Axcess Wear ®...
  • Page 22 PEAVEY 90-DAY LIMITED WARRANTY ON TUBES AND METERS If this product contains tubes or meters, Peavey warrants the tubes or meters contained in the product to be free from defects in material and workman- ship for a period of ninety (90) days from date of purchase; PROVIDED, however, that this limited warranty is extended only to the original retail purchaser and is also subject to the conditions, exclusions, and limitations hereinafter set forth.

  • Page 23: Important Safety Instructions

    16. The user should not attempt to service this equipment. All service work should be done by a qualified service technician. 17. This product should be used only with a cart or stand that is recommended by Peavey Electronics. 18. Exposure to extremely high noise levels may cause a permanent hearing loss. Individuals vary considerably in susceptibility to noise induced hearing loss, but nearly everyone will lose some hearing if exposed to sufficiently intense noise for a sufficient time.
  • Page 24 Features and specifications subject to change without notice. Peavey Electronics Corporation • 711 A Street • Meridian, MS 39301 • U.S.A. (601) 483-5365 • Fax 486-1278 • www.peavey.com ©1998 Printed in U.S.A. 9/98 80304341...

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