General Description - Peavey Unity 2002-12 RQ User Manual

GENERAL DESCRIPTION:

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The Unity 2002-12 RQ is a twelve input compact mixer that can be used in sound reinforcement or
recording applications. It has been engineered for maximum headroom and minimum noise, with a
10 dB headroom improvement over other designs. Quality low-noise precision parts are used
throughout the mixer. Meters on the main and the monitor outputs greatly help in checking the signal
going to the power amplifiers or tape recording inputs.
1. GAIN:
Varies the input gain to allow for a wide dynamic range. It affects both the line
and mic inputs. Proper adjustment of the input gain will maximize the signal-to-
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noise ratio. If the channel clip LED lights, the level is set too high and should be
reduced until it never lights.
2 2. HIGH EQ:
A shelving type of active tone control that varies the treble frequency levels
+/-15 dB at 12 kHz. It is designed to remove noise or to add brilliance to the
signal, depending on the quality of the source.
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3. MID EQ:
A bandpass (peak/notch) type of active tone control that varies the midrange
frequency levels +/-15 dB at a frequency of 750 Hz.
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4. LOW EQ:
A shelving type of active tone control that varies the bass frequency levels
+/-15 dB at 80 Hz. It will add depth to thin signals, or clean up muddy ones.
5. MON A:
Adjusts the level of the channel signal that is added to the Monitor A mix. The
control is post-EQ and pre-fader, allowing channel fader adjustment without
affecting the Monitor A mix.
6. MON B:
Adjusts the level of the channel signal that is added to the Monitor A mix. The
control is post-EQ and pre-fader, allowing channel fader adjustment without
affecting the Monitor B mix.
7. EFFECTS A:
Adjusts the level of the channel signal that is added to the Effects A mix. It is
post-fader, designed for use as an effects send.
8. EFFECTS B:
Adjusts the level of the channel signal that is added to the Effects B mix. It is
post-fader, designed for use as an effects send.
9. PAN:
Sets the channel's position in the L-R stereo field
ENGLISH
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