Tape Input; Tape Outputs - Mackie ProFX12 Owner's Manual

MIC MIC
1 2
LINE
HI-Z
BAL / BAL /
UNBAL UNBAL
LINE/HI-Z IN 1 LINE IN 2
INSERT INSERT
U U
LEVEL LEVEL
SET SET

17. TAPE INPUT

U +50 U +50
+30dB +30dB
-20dB -20dB
GAIN GAIN
These stereo unbalanced RCA inputs are designed LOW CUT LOW CUT
100 Hz 100 Hz
to work with semi-pro as well as pro player/recorders. EQ EQ
U U
HI HI
They may also be connected to any standard source with 12kHz 12kHz
-15 +15 -15 +15
U U
an unbalanced line-level output, such as a CD or DVD
MID MID
player, iPod, and so on.
2.5kHz 2.5kHz
-15 +15 -15 +15
U U
LOW LOW
Connect the source's line-level outputs here using
80Hz 80Hz
-15 +15 -15 +15
good quality hi-fi (RCA) cables.
AUX AUX
U U
MON MON
These may be used with a tape or CD player to feed
+15 +15
O O O O
U U
music to a PA system between sets when the break
FX FX
switch [34] is engaged. The level coming into the mixer
+15 +15
O O O O
PAN PAN
may be adjusted with the tape level knob [35]. For
example, press the break switch to mute all channels at
L R L R
once, then play the tape or CD player and bring up its
MUTE MUTE
level slowly.
OL OL
1 2
dB dB
10 10
18. TAPE OUTPUT
5 5
U U
These stereo unbalanced RCA outputs allow you to
5 5
record the main stereo mix onto a tape deck, hard disk
10 10
recorder, automatic CD burner, computer, etc.
20 20
30 30
This allows you to make a recording for posterity/
40 40
archive/legal purposes whenever the band gets back
50 50
60 60
O O O O
together again.
The tape output is the stereo main mix, not affected
by the main fader [47], or the graphic EQ [36].
16
ProFX8 and ProFX12
MIC MIC MIC
3 4 5/6
BAL / BAL /
UNBAL UNBAL
LINE IN 3 LINE IN 4 LINE IN 5
INSERT INSERT LINE IN 6
U U
LEVEL LEVEL
SET SET
U +50 U +50
U +50
+30dB +30dB
-20dB -20dB
GAIN GAIN GAIN
LOW CUT LOW CUT LOW CUT
100 Hz 100 Hz 100 Hz
EQ EQ
U U U
HI HI
12kHz 12kHz
-15 +15 -15 +15 -15 +15
U U U
MID MID
2.5kHz 2.5kHz
-15 +15 -15 +15 -15 +15
U U U
LOW LOW
80Hz 80Hz
-15 +15 -15 +15 -15 +15
AUX AUX AUX
U U U
MON MON
+15 +15 +15
O O O O O O
U U U
FX FX
+15 +15 +15
O O O O O O
PAN PAN PAN
L R L R L R
MUTE MUTE MUTE
OL OL OL
3 4
dB dB dB
10 10 10
5 5 5
U U U
5 5 5
10 10 10
20 20 20
30 30 30
40 40 40
50 50 50
60 60 60
O O O O O O
17
MIC (UNBALANCED)
L
TAPE
IN
R
7/8 9/10
(MONO) (MONO) (MONO)
L L L
BAL / BAL / BAL /
LINE IN 7 LINE IN 9 LINE IN 11
UNBAL UNBAL UNBAL
R R R
LINE IN 8 LINE IN 10 LINE IN 12
U
LEVEL LEVEL
SET
SET
-20 +20 -20
U +50
GAIN GAIN GAIN
LOW CUT
100 Hz
EQ EQ EQ
U U
HI HI HI
12kHz 12kHz 12kHz
-15 +15 -15 +15 -15
U U
MID MID MID
2.5kHz 2.5kHz 2.5kHz
-15 +15 -15 +15 -15
U U
LOW LOW LOW
80Hz 80Hz 80Hz
-15 +15 -15 +15 -15
AUX AUX
U U
MON MON MON
+15 +15
O O O O O O
U U
FX FX FX
+15 +15
O O O O O O
PAN PAN
L R L R
MUTE MUTE
OL OL OL
5/6 7/8 9/10
dB dB dB
10 10 10
5 5 5
U U U
5 5 5
10 10 10
20 20 20
30 30 30
40 40 40
50 50 50
60 60 60
O O O O O O
18
L
TAPE
OUT
R
11/12
(MONO) (MONO)
BAL /
L L
UNBAL
BAL / BAL /
MON SEND
UNBAL UNBAL
BAL /
R R
UNBAL
ST RETURN FX SEND
STEREO GRAPHIC EQ
U
15
10
+20
5
0
5
EQ
U 10
15
HI
12kHz
125 250 500 1K 2K
+15
U
MAIN MIX
MON
MID
2.5kHz
+15
U
LOW
FX PRESETS
80Hz
01 BRIGHT ROOM
02 WARM LOUNGE
+15
03 SMALL STAGE
04 WARM THEATER
AUX
U
05 WARM HALL
06 CONCERT HALL
07 PLATE REVERB
MON
08 CATHEDRAL
09 CHORUS
+15
10 CHORUS + REV
PRESETS
U
11 DOUBLER
12 TAPE SLAP
13 DELAY 1 (300ms) MUTE
FX
14 DELAY 2 (380ms)
15 DELAY 3 (480ms)
+15 16 REVERB + DLY (250ms)
PAN
U U
OL
+15 +15
O O
L R O O
FX MASTER FX TO MON
MUTE MUTE
OL
11/12 ST RTN FX RTN
dB dB
10 10
5 5
U U
5 5
10 10
20 20
30 30
40 40
50 50
60 60
O O O O
L
BAL /
FOOTSWITCH
UNBAL
R
MAIN OUT PHONES
15
48V
10
PHANTOM
5
POWER
0
5
POWER
10
MAIN
15
METERS
4K 8K 0dB=0dBu
OL
EQ IN
15
BYPASS
10
6
3
USB
0
2
4
U
7
10
20
30
+10
O O
L R
INPUT LEVEL
BREAK
USB THRU
(MUTES ALL CHANNELS)
U
+20
MAX
O O O O
PHONES TAPE LEVEL
MON MAIN
dB dB
10 10
5 5
U U
5 5
10 10
20 20
30 30
40 40
50 50
60 60
O O O O