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3
Calibration
3.1
Calibratingthe Meter
angled at 45 degrees to ensure an accurate reading. You should also
calibrate the left and right monitors independently: pan the test tone hard
left, calibrate the left monitor, and then repeat for the right channel.
在演播室中校准参考监听器时，应从适当的混音位置测量声级，或声压级
（SPL）。理想情况下，当你坐在调音台前时，这个位置将把监听放在耳朵
的高度。监测器应与你的耳朵和彼此之间的距离相等，形成一个等边三角形，
你的头在点上。声压级计应保持在手臂长度，麦克风指向左右扬声器之间的
中心点。角度为45度，以确保准确的读数。你还应该独立地校准左、右监听
器：将测试音向左用力平移，校准左监听器，然后对右声道重复校准。
When monitoring systems are calibrated using the same method,
each system should generate the same acoustic level when given
the same input source. This is especially important when referencing
your mix on different monitoring systems (such as toggling between
Speaker A and Speaker B for comparison). In an incorrectly
calibrated studio, the acoustic level will "jump" when toggling among
the different systems, resulting in an inaccurate perception of the
consistency of your mix across different types of speakers.
当监听系统使用相同的方法进行校准时，每个系统在给定相同的输入源
时应产生相同的声级。当在不同的监听系统上参考你的混音时，这一点
尤其重要（例如：在扬声器A和扬声器B之间切换进行比较）。在一个
不正确的校准的工作室，声学水平将在不同的系统之间切换时，声学水
平会 "jump"，从而导致对不同扬声器类型之间，混音的一致性有不准
确的感知。
When calibrated properly, playing audio through Speaker A, then
switching to Speaker B, should not cause a change in volume.
Switching monitors usually results in a slight tonal variation due to
the different acoustic properties of the monitoring systems. The
purpose of a speaker-switching system like the Central Station is to
enable you to create a mix that sounds great on your car radio and
home stereo, as well as in your studio.
当校准正确时，通过扬声器A播放音频，然后切换到扬声器B，应该不
会引起音量的变化。由于监听系统的不同声学特性，切换监听通常会
导致轻微的音调变化。像Central Station这样的扬声器切换系统的目
的是使你能够创建一个混合，在你的汽车收音机和家庭音响上听起来
很好，在你的工作室里也是如此。
12
Central Station Plus
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